equanimity
Watch this for the chemistry between the main leads
I had never seen Yang Yang’s dramas before, and Zhao Lu Si, though I had seen her in two or three dramas before, I always felt her dramas were either a hit or a miss for me because I tended to have that ‘trying to be funny, but actually not funny at all’ feeling when I watched her acting.
However, this drama made me take a different look at her. She had great acting here, in fact I was most impressed with her among all the leads. I think she really did her best. She acted as Bai Feng Xi, a legendary martial artist wandering in the martial arts world in disguise, but was actually the only daughter of the King of the Qing state. She was good in martial arts, intelligent, resilient, spontaneous, fuss-free and would heartily enjoy a meal any time. Zhao Lu Si was a natural in such a role. I liked her character here. In fact, Bai Feng Xi had become one of the female characters in historical dramas I admired after watching this drama.
Her chemistry with Yang Yang was amazing, one of the best couples I enjoyed seeing in Chinese historical dramas and because of this chemistry, both carried the show to top notch. They were totally comfortable with each other and I love watching such dramas. As Bai Feng Xi and Hei Feng Xi, they were on par in terms of intelligence and martial arts skills and complemented each other perfectly. There was no damsel in distress in need of saving, rather, they saved each other from dangers all the time. This was almost rare in any historical dramas. I enjoyed their interactions so much that I put other dramas on hold and looked forward to every episode during its airing period.
If I were to name a reason to recommend this drama, it would be the sizzling chemistry between the main leads.
Yang Yang acted as Hei Feng Xi, another legendary martial artist, who set up House of Jade and Fountain of Abode, an information network with branches all over Dadong Empire behind his family’s back. This was supposed to be his disguise. He was in fact Feng Lan Xi, the second prince of the Yong state. I really enjoyed seeing Yang Yang as Hei Feng Xi more than Feng Lan Xi. He looked better when his face was thinner and longer with fringe and a ponytail. I have to give kudos to the stylists for doing an amazing job when styling him in both characters. They looked so different that I thought they were two people from the trailers at first.
As for the acting of the rest of the cast, I would say there were good and bad, but at least those who did not act particularly well had little scenes. Special mention to the two who acted exceptionally well were Feng Qi Wu played by Xuan Lu and Huang Chao played by Lai Yi.
This drama had a bit of everything. Romance, martial arts fighting, palace schemes, war battles. The martial arts fighting scenes in the first 15 or so episodes were impressive, the kind that you want to hold your breath watching. Quite a bit of ‘flying around’ scenes, but I personally enjoyed watching them because they were gracefully done.
After 15 episodes or so, we had the palace scheming and then the war battles in the last few episodes. There were some martial arts fighting in the last few episodes or so, but were not as impressive as the first 15 ones.
Romance between the main leads was slow burn, but it was not so slow that you would feel nothing was happening. I enjoyed the development from their good rapport with each other, to gradual liking, love, marriage and above all, unconditional sacrifices for the other half.
What was refreshing to me was that the romance during the development stage did not have the usual tropes that I have seen in so many Chinese historical dramas such as rolling down the hill together, one landing on top of the other, locking eyes for a moment, female lead falling in the arms of the male lead, etc. This drama did not have all of these. The only cliché scene was the mouth-to-mouth medicine-feeding. I thought this drama would not have any of such romance cliché scenes, but well, when the scene came on, it was a small blemish. Was that really the only way to feed medicine to an unconscious person?
And commenting about the ending, without giving any spoilers, I would say that it was not the most ideal, but an almost ideal ending to any romance in a historical drama to me.
Finally, about what I did not like about the drama.
The special visual effects created using computer software such as animals in the hunting game, the ship on water, etc. all looked fake, this was usual in most Chinese historical dramas, I have seen before even more fake-looking ‘ship on water’ scenes in other dramas and that particular scene in this drama was not a major one so not much of a big deal.
The palace schemes were rather predictable and repetitive and the last 10 episodes were rushed, everything seemed to be happening fast and randomly with scenes cut. And when you have scenes cut, illogicality often sets in.
The battle scenes in the last few episodes were not the best, an experienced general of an army troop could be so easily killed with a mere few strokes of the sword and so-called ‘divine army’, purposely trained and had specialized war equipment looked like few packs of tofu in the battlefield, so easily swashed off with one stroke of the sword at one go. These are just two examples.
You could definitely feel that they wanted to do away with unnecessary scenes and end within 40 episodes.
Furthermore, there were comments that the palace plots seemed to be plagiarized from the drama, Royal Nirvana which I have not watched so I have no comments on that, but the palace schemes were nowhere creative, I was only impressed by Feng Lan Xi’s brilliance in always managing to plan a step ahead of his haters and then there were comments that the last episode had scenes reminiscent of dramas, Ten Miles of Peach Blossom and Princess Wei Young. I have watched these two dramas before and yes, when I saw the scenes, I could not help but be reminded of what I saw before. Not that the scenes affected the story in any way, but points deducted for originality.
Was this the result of having two amateur directors who could not think of new ideas? (The original director left with the scriptwriter halfway through the filming, according to rumors.)
All in all, despite the flaws of this drama, it was, without a doubt, a very pleasant watch for me. I looked forward to seeing Bai Feng Xi and Hei Feng Xi every episode, simply because the dynamics between them made this drama worth-watching. I do not usually mention about re-watch value in drama reviews unless there is really value in doing so and for this drama, yes, I will re-watch the scenes of the main leads and only those scenes. (In fact, I was already doing so when the drama was airing.)
However, this drama made me take a different look at her. She had great acting here, in fact I was most impressed with her among all the leads. I think she really did her best. She acted as Bai Feng Xi, a legendary martial artist wandering in the martial arts world in disguise, but was actually the only daughter of the King of the Qing state. She was good in martial arts, intelligent, resilient, spontaneous, fuss-free and would heartily enjoy a meal any time. Zhao Lu Si was a natural in such a role. I liked her character here. In fact, Bai Feng Xi had become one of the female characters in historical dramas I admired after watching this drama.
Her chemistry with Yang Yang was amazing, one of the best couples I enjoyed seeing in Chinese historical dramas and because of this chemistry, both carried the show to top notch. They were totally comfortable with each other and I love watching such dramas. As Bai Feng Xi and Hei Feng Xi, they were on par in terms of intelligence and martial arts skills and complemented each other perfectly. There was no damsel in distress in need of saving, rather, they saved each other from dangers all the time. This was almost rare in any historical dramas. I enjoyed their interactions so much that I put other dramas on hold and looked forward to every episode during its airing period.
If I were to name a reason to recommend this drama, it would be the sizzling chemistry between the main leads.
Yang Yang acted as Hei Feng Xi, another legendary martial artist, who set up House of Jade and Fountain of Abode, an information network with branches all over Dadong Empire behind his family’s back. This was supposed to be his disguise. He was in fact Feng Lan Xi, the second prince of the Yong state. I really enjoyed seeing Yang Yang as Hei Feng Xi more than Feng Lan Xi. He looked better when his face was thinner and longer with fringe and a ponytail. I have to give kudos to the stylists for doing an amazing job when styling him in both characters. They looked so different that I thought they were two people from the trailers at first.
As for the acting of the rest of the cast, I would say there were good and bad, but at least those who did not act particularly well had little scenes. Special mention to the two who acted exceptionally well were Feng Qi Wu played by Xuan Lu and Huang Chao played by Lai Yi.
This drama had a bit of everything. Romance, martial arts fighting, palace schemes, war battles. The martial arts fighting scenes in the first 15 or so episodes were impressive, the kind that you want to hold your breath watching. Quite a bit of ‘flying around’ scenes, but I personally enjoyed watching them because they were gracefully done.
After 15 episodes or so, we had the palace scheming and then the war battles in the last few episodes. There were some martial arts fighting in the last few episodes or so, but were not as impressive as the first 15 ones.
Romance between the main leads was slow burn, but it was not so slow that you would feel nothing was happening. I enjoyed the development from their good rapport with each other, to gradual liking, love, marriage and above all, unconditional sacrifices for the other half.
What was refreshing to me was that the romance during the development stage did not have the usual tropes that I have seen in so many Chinese historical dramas such as rolling down the hill together, one landing on top of the other, locking eyes for a moment, female lead falling in the arms of the male lead, etc. This drama did not have all of these. The only cliché scene was the mouth-to-mouth medicine-feeding. I thought this drama would not have any of such romance cliché scenes, but well, when the scene came on, it was a small blemish. Was that really the only way to feed medicine to an unconscious person?
And commenting about the ending, without giving any spoilers, I would say that it was not the most ideal, but an almost ideal ending to any romance in a historical drama to me.
Finally, about what I did not like about the drama.
The special visual effects created using computer software such as animals in the hunting game, the ship on water, etc. all looked fake, this was usual in most Chinese historical dramas, I have seen before even more fake-looking ‘ship on water’ scenes in other dramas and that particular scene in this drama was not a major one so not much of a big deal.
The palace schemes were rather predictable and repetitive and the last 10 episodes were rushed, everything seemed to be happening fast and randomly with scenes cut. And when you have scenes cut, illogicality often sets in.
The battle scenes in the last few episodes were not the best, an experienced general of an army troop could be so easily killed with a mere few strokes of the sword and so-called ‘divine army’, purposely trained and had specialized war equipment looked like few packs of tofu in the battlefield, so easily swashed off with one stroke of the sword at one go. These are just two examples.
You could definitely feel that they wanted to do away with unnecessary scenes and end within 40 episodes.
Furthermore, there were comments that the palace plots seemed to be plagiarized from the drama, Royal Nirvana which I have not watched so I have no comments on that, but the palace schemes were nowhere creative, I was only impressed by Feng Lan Xi’s brilliance in always managing to plan a step ahead of his haters and then there were comments that the last episode had scenes reminiscent of dramas, Ten Miles of Peach Blossom and Princess Wei Young. I have watched these two dramas before and yes, when I saw the scenes, I could not help but be reminded of what I saw before. Not that the scenes affected the story in any way, but points deducted for originality.
Was this the result of having two amateur directors who could not think of new ideas? (The original director left with the scriptwriter halfway through the filming, according to rumors.)
All in all, despite the flaws of this drama, it was, without a doubt, a very pleasant watch for me. I looked forward to seeing Bai Feng Xi and Hei Feng Xi every episode, simply because the dynamics between them made this drama worth-watching. I do not usually mention about re-watch value in drama reviews unless there is really value in doing so and for this drama, yes, I will re-watch the scenes of the main leads and only those scenes. (In fact, I was already doing so when the drama was airing.)
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