Try the World (2022)

The Legend of Hei Feng-Bai Xi

Truth be told, Who Rules The World (WRTW) wasn’t on the top of my list for highly anticipated dramas for 2022. But you know what? It turned out to be one of the most entertaining dramas I’ve seen for the year. Certain characters in the show even made their way into my list of all-time favourite C-historical characters as well. I’m pleased to say that WRTW has not disappointed and in fact went beyond any initial expectation I may have had going into it.

WRTW is equal parts traditional wuxia, grandiose palace politics, epic warfare and romantic love that are interwoven seamlessly to create an immersive tapestry of a vivid jianghu that transcends the boundaries of the 7 kingdoms. It revolves around the relationship between two renowned martial artists, Hei Feng Xi and Bai Feng Xi, as they navigate the treacherous world of ancient politics and pugilistic rivalries teeming with characters who are hell bent on ruling the world.

The story is based on the bestselling 2007 novel Qie Shi Tian Xia (且试天下) aka Let’s Try the World which was written by prolific period-romance novelist, Qing Ling Yue (倾泠月). The production team comprises directors Yin Tao (Love and Redemption, Ancient Love Poetry, Under the Power), Yu Yonggang (Novoland: Pearl Eclipse) as well as action director/ choreographer Shi Zhanli (The Promise of Chang’an, Under the Power, Listening Snow Tower, Love and Redemption, The Legend of White Snake). Principal photography took place at Hengdian World Studios from February to June 2021. Interestingly this drama was released concurrently on WeTV international and Netflix for global audiences.

A total of 5 songs are listed in the soundtrack of the production. Liu Yuning sings the inspiring opening theme while Lai Meiyun and Tan Wei Wei contribute moving love ballads.

无双 Unparalleled – 刘宇宁 Liu YuNing
风息 Breath Of Wind – 胡彦斌 / 叶炫清 Hu YanBin / Ye XuanQing
一梦浮生 Dreams Come True – 汪苏泷 Silence Wang
孤注 Gu Zhu – 谭维维 Tan Wei Wei
如梦 Like A Dream – 赖美云 Lai MeiYun

This production has been plagued by some controversies in that the main director was purported to have left the project about halfway through filming for reasons that were not made known publicly. Additionally certain elements of the plot, whether the screenplay or the source material itself, had been accused of plagiarism. Likewise some scenes were cited to be reminiscent of other dramas. Having not read the source material for this drama, or most other dramas for that matter, and without seeing particular shows from which their scenes had been reputedly copied, fortunately my personal viewing enjoyment was not affected by the allegations in any way.

What I Liked

The elements of wuxia, politics and warfare are beautifully crafted into a memorable tale of chivalry, heroism and love amidst an extensively conceived worldbuilding of a fictional universe. Perhaps WRTW does not reach the quality levels of Nirvana in Fire, the gold standard in this multigenre, but it certainly comes close. How often do we come across productions that attempt to cover such an extensive scope without faltering miserably or, at the very least, evoke some form of endearing connection and entertainment value?

In terms of wuxia, this is one of the best for me. The variety of martial arts prowess on display as well as depiction of the jianghu with its associated clans, sects, dark arts and, of course, the chivalric values of brotherhood, heroism, and valour are all expertly embedded into this pugilistic premise. Absolutely no complaints from me in this department.

While initially lacking and slow-moving due to the uneven pacing and multitude of character introductions, the politics of the palace and the world began to exert more control over the narrative up until the finale. This is especially so once the main players have been established and viewers are able to focus exclusively on their schemes and machinations that eventually culminate in all-out confrontations and large scale warfare among them. In some ways, the overall concept and worldbuilding remind me somewhat of Game of Thrones with the premise based on various factions fighting for supremacy and dominion over the world.

Ultimately the one aspect of the story that impresses me the most is the romance. One of the most wholesome and charming love stories that I’ve ever come across in a C-historical. It helps immensely that both leads are extremely likeable both in real life and in the depiction of their respective characters here. No silly misunderstandings, childish petulance, toxic vibes whatsoever. Just as it should be between two heroic jianghu protagonists amidst countless adorable and lovely moments indeed.

As far as the technical execution is concerned, for me the positive takeaways would be the production design which maximises the gorgeous features of Hengdian World Studios in both the opulent indoor sets and lush greenery of the outdoor shooting scenes. Cinematography, choreography and special effects are quite decent, for the most part. I’m thankful that the fight scenes in particular are presented on point without the jittery camerawork and overreliance on slow-motion, repeat cuts or fast cut editing.

The martial arts choreography is simply stunning and showcases some of the most spectacular wire-works (wire-fu) in recent memory. It might appear a bit much to some but personally I love it. Also worth mentioning is the battle scenes between large armies towards the tail end of the show. Despite being mostly CGI, the end result is reasonably rendered and, most importantly, not substituted with animation or even skipped over but is shown in its entirety.

With regards to the cast and their respective characterizations, WRTW wouldn’t be the same without the leads, Yang Yang and Zhao Lu Si. The stellar supporting cast particularly Xuan Lu, Lai Yi, Zhang Feng Yi, Lee Wai Han, Zong Feng Yan and Wang De Shun provide a memorable account of themselves in making this production work as well.

I know that Yang Yang has drawn some flak for his performances in the past but having seen him in the recently concluded Glory of the Special Forces where he delivered possibly his best work to-date, I think he deserves more credit than he’s given. The role of Hei Feng Xi / Feng Lan Xi suits him very much indeed. He has this ability to blend intensity and seriousness with warmth and tenderness as well as a dash of charm and sophistication, which adds depth to his version of the brooding, intelligent and lonely hero of this story.

The same goes for Zhao Lu Si who, despite her expertise in rom-coms, is actually quite versatile and here she showcases some range as well as a more serious side. She still has that comedic timing but as the carefree Bai Feng Xi and the more regal Feng Xi Yun, we get to experience different facets to her characters. The biggest draw in the show is obviously their romance. Whether as royalty or jianghu pugilists, the chemistry between the two absolutely sizzles to set the screen aflame. I cannot imagine anyone else embodying the roles of “Hei Feng- Bai Xi of the rivers and lakes” as well as they have done.

Amongst the supporting characters, my personal favourite include Xuan Lu’s Feng Qi Wu who shares a strong bond with Bai Feng Xi where at one point I was actually shipping them as a lovable GL pairing. It’s refreshing to observe a healthy friendship between two female characters for a change instead of the usual destructive rivalry for affections. Lai Yi’s Huang Chao is another strong character that’s worthy of mention. His connection to the leads prove intriguing where despite no love lost between them, they continue to regard one another with mutual admiration and respect.

What Fell Short

I think the transition of directors midway through production possibly caused a discernible change in the quality of direction and editing during the second half of the show. This in turn affected the flow of the storytelling because certain scenes feel somewhat disconnected while the last 8 or so episodes are a little rushed. That said, most C-historicals tend to sprint towards the finishing line with a flurry of events and activities within the final few episodes, although this could be attributed to censorship-induced post-production editing.

For obvious reasons, most of the focus is on Yong-zhou and Qing-zhou, two of the 7 kingdoms in the story. There are some highlights of Ji-zhou and You-zhou, and the initial spotlight on Dong Empire, the ruling kingdom and the seat of power itself. I would have liked to see more backstory or development in the lesser mentioned kingdoms as well as the other mysterious sects of the jianghu. At 40 episodes, it’s near impossible to fit everything and everyone, which is unfortunate as some of the minor side stories and subplots actually appear interesting and thus worth exploring.

Because of the rushed nature of the final arc, the potential for the main villain’s origins and motivations are largely glossed over in favour of the ultimate showdown. I think this dimension of the antagonist’s profile deserves at least a couple of episodes to allow the gravity of his villainy to sink in with viewers.

The FL’s identity reveal is a bit of a letdown personally for me. It should have been more sensational and shocking to everyone involved but it turned out to be a lowkey affair after all.

I feel the need to rant on one of the martial arts clans, the Tianshuang Sect. I’m not sure how they are written in the original novel or if it is meant to be a running joke but the members of that sect, along with their leader/elder/founder, are quite laughable indeed. Without spoiling, let’s just say that these folks are better off managing a zen spa or soup kitchen rather than actively attempting to partake in conspiratorial activities.

Final Thoughts

WRTW ranks amongst the better recent releases of C-historicals and wuxia productions. It hasn’t reached the gold standard that is NiF but is somewhere slightly lower, perhaps at a similar level to The Long Ballad. Objectively it’s an 8.5 but for the sheer enjoyment factor and memorable performances of the leads, I’m bumping this up to 9. This is recommended viewing for fans of the genre.

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“Like the hawk that soars freely, you reject the shackles."

Hei Fengxi and Bai Fengxi are a fated pair. To the world, they're known as the Hei-Bai Fengxi duo, "Hei" and "Bai" as in black and white. They're each other's greatest rivals, companions and partners in crime but also inseparable like light and shadow. It's hard to describe their relationship with just a few simple words.

"As beautiful as she is lethal." Bai Fengxi is a smart and brave yet carefree heroine who stands in the face of justice. She's a cute glutton when there's good food and a headstrong, cheeky opponent when there's a good fight. Secretly, she's also Princess Feng Xiyun of Qing who's renowned for her intelligence and eloquence.

Hei Fengxi is the embodiment of grace and elegance that's known as a diplomatic and just hero. But underneath that façade, he's extremely cunning and ambitious, just like the endearing nickname "Black Foxy" Bai Fengxi has given him. Like her, he also has a double identity as the Second Prince Feng Lanxi of Yong. From a young age, he was forced to fake illness and learn the ruthlessness of court politics on the path to becoming the royal heir. Hei Fengxi is tough and merciless towards his opponents but incredibly soft-hearted when it comes to his own people, especially Bai Fengxi.

I'm truly in love with the duality of both leads. They're adventurous and playful in the martial arts world, but very dedicated to their royal duties in bringing peace and prosperity to their citizens. There's an unwavering trust and teamwork between Hei and Bai Fengxi that makes them a force to be reckoned with. What's more impressive is that they're both on equal footing where no one side is weaker than the other in talents, martial arts or status. While political schemes and wuxia values do play a major role in the plot, there's a more evident focus on romance.

The chemistry between Yang Yang and Zhao Lusi is so sweet and overwhelming. Admittedly, I didn't know how this couple would pane out in a historical drama but this is way better than any of my wildest dreams. They just click so well together. I can see that both have matured a lot in their acting. Yang Yang has become more experienced with subtle expressions from his role in You Are My Glory, as well as with action scenes from Glory of Special Forces. His background as a contemporary dancer also greatly contributes to the poised and refined portrayal of Hei Fengxi. On the other hand, Zhao Lusi plays the dashing and charismatic Bai Fengxi very well. She's truly badass on so many levels. It's like she has combined the female power from both of her roles in The Romance of Tiger & Rose and The Long Ballad together. Despite the age gap in real life, this pair looks great together on-screen. Though off-screen they're so childish and competitive with each other, it's no wonder Yang Yang said they have the same mental age as a 5-year-old.

This drama also has a very vibrant side cast. Xuan Lu as Feng Qiwu is such a girl crush and I love it when she teams up with Bai Fengxi, total femme fatale style. It's nice to see Wei Wuxian's martial sister kicking up a storm and fighting like a general. The kid playing Han Pu is such a sweetheart. He's a smart little cookie that knows how to bring the vibes. Feng Chang, played by Zhang Tian Yang, is a great older brother. He's protective of Hei Fengxi and really cares for him. Zhang Feng Yi pulls a very convincing act as the sly and cynical King of Yong (Hei Fengxi's father). It's heartbreaking to see Hei Fengxi suffer at his father's callousness.

We can't not talk about the excellent production from the director of none other than Love and Redemption, Ancient Love Poetry and Under the Power. The costumes are absolutely gorgeous and really highlight the duality of the leads. Those high pony tails and headpieces are just chef kiss. The scenery, action scenes and CGI are seamless. I love how Hei Fengxi uses the fan and Bai Fengxi uses her silk ribbon, it's such an effortlessly cool way to fight. Plus, those flying sequences are so satisfying to watch. While the last few episodes do feel a bit rushed, the overall plot remains fairly coherent and easy to follow. As prementioned, it's not supposed to be full-on political, like for say Nirvana in Fire, but emphasises more on the journey of Hei and Bai Fengxi as they traverse the world and discover what is truly the most important in life. Admittedly, there've been a few controversies and problems with the production crew towards the later part of filming, but this drama has turned out to be a fine one so all credits to the cast and staffs.

The OSTs are very complementary as well. Unparalleled (无双) by Liu Yuning is so empowering and intense. Except it's a bit strange to hear from Zhao Lusi's lover in The Long Ballad, if you get what I mean. My favourite got to be Breath of Wind (风息) by Tiger Hu and Ye Xuan Qing as it's very fitting for the Hei-Bai Fengxi couple. A Dream Come True (一梦浮生) by Silence Wang is like a sweet love confession. While Like A Dream (如梦) by Sunny is like a bashful reply to that confession. Lastly, Orphan (孤注) by Tan Wei Wei is the emotional song that hits you least expect it.

*If you're confused about the politics and would like some clarifications, CloudA has put together a fantastic background summary in the Discussion forum below.

FAVOURITE QUOTES:

“If I die, no one will know your [Hei Fengxi's] true face. Life will be boring.” Bai Fengxi

“I can hide anything from the world. Yet, I can’t hide anything from you [Bai Fengxi].” Hei Fengxi

“They always say to love until the ocean and earth run dry. We both know that these are just false promises. To me, I only want to hold your [Bai Fengxi's] hand until the end of life.” Hei Fengxi

“I met you [Bai Fengxi] when I just started in the martial arts world. And thanks to you, I saw the kindness of the world. And thanks to your company, I know what true feelings mean. It’s all thanks to you that I gave the world another chance.” Hei Fengxi

“They said sometimes you had to lose one thing in order to gain another. But some things are too painful to be let go. I can’t let go of her [Bai Fengxi] no matter how hard I try… I can let go of all my mortal desire except for this one. I can discard three thousand strands of woes but let me keep this one strand… Let it bind me for the rest of my life.” Hei Fengxi

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