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Penthouse was a really peculiar experience for me, something that I haven't encountered in my journey through dramaland yet. A full blown makjang extraordinaire, the closest thing to grotesque, truly faithful to its baroque provenance - extreme, excessive, contradictory and uncomfortable to watch. So, fortunately, it completely fits my preferences, but generally speaking it's not the easiest thing to swallow.
The writers of this drama don't want to spare their audience, they don't play easy. This is a show full of twists and turns, exaggerated acting, hilariously absurd scenes and plot resolutions, irony and overall over-the-topness. Classical music playing in the distance while the red wine is tossed around the table and the characters slap each other. You're gonna either retreat in disgust seeing that combination or you'll end up loving every second of this on-screen madness spectacle.
On the surface it's all about the glam and gore, but it's not completely shallow as it might seem. It's a well known story about the destructive nature of greed and a satire on classism and the invincible regime of The Rich™. We have the class of bad bourgeoisie, corrupted and rotten to the core, with Joo Dan Tae in the lead. He's more of an idea, the personification of Evil that rules in this big Moloch-like castle that is Hera Palace. The building itself is very symbolic too, it rules over the city as the highest and the most luxurious/desireable residential building in the city, but its nothing more than a devilish machine that devours its residents and transform them into greedy and inhumane versions of themselves . They're all a part of the system of injustice that either destroy the poor and weak (Min Seol A) or corrupt their mind too (Oh Yoon Hee). Every character in this show is more or less despicable and we truly love to hate on them all. From the evil mastermind Dan Tae, witchy Seo Jin and her Lady Macbeth-esque descent into madness to naive and easily manipulated Yoon Hee. Even the audience's sweetheart Su Ryeon is not completely flawless. And the sad conclusion that's left at the end of the show is that in the end there is no escape from the creepling evilness. You can try, you can fight and the skies will eventually side with the rich. But for how long? Well, we will see in the next seasons!
What I truly loved about this show were the little bits of absolutely random comedic scenes. They were surreal and hilarious (with the lucha libre kidnapping being my absolute favorite), but somehow fit the mood of the entire show. And I felt like it was a reminder that this show is not 100% serious and should be treated that way. We love a self-aware makjang!
The only thing that bothered me was the entire subplot of kids. Well, it wasn't a subplot per se, as the kids played a major role in the whole plot (as a catalyst of Min Seol A tragedy, their parents weakness and kind of a deterministic effect of their parent's flawed parenting), but I felt like it stood out from the main plot that took place in the "adult world". Especially interactions between the kids themselves, it felt like a separate story. And the writing in this part was really weak. Some characters didn't make sense (Ro Na especially), so it was hard to watch.
Writing was kinda bumpy for me in general. The beginning was fantastic, really well connected events, logical (even for this drama!) consequences and reactions from the characters. But the ending felt really flat with too much information given in the last minute and too convenient plot resolutions. Also (please, don't kill me for that hot take!) I feel like some actors went a little overboard with their exaggerated acting. Yes, it fits this type of show, but I felt like they relied too much on screams, evil smirks and wide opened eyes. Even when the seamless transitions between these expressions were truly outstanding (Kim So Yeon), it really loose its impact when it's repeated few times .
Overaly it's such a fun show. If you're willing to abandon logic and embrace the madness of this drama, it's gonna be a time well spent. But beware, it's really addictive!
The writers of this drama don't want to spare their audience, they don't play easy. This is a show full of twists and turns, exaggerated acting, hilariously absurd scenes and plot resolutions, irony and overall over-the-topness. Classical music playing in the distance while the red wine is tossed around the table and the characters slap each other. You're gonna either retreat in disgust seeing that combination or you'll end up loving every second of this on-screen madness spectacle.
On the surface it's all about the glam and gore, but it's not completely shallow as it might seem. It's a well known story about the destructive nature of greed and a satire on classism and the invincible regime of The Rich™. We have the class of bad bourgeoisie, corrupted and rotten to the core, with Joo Dan Tae in the lead. He's more of an idea, the personification of Evil that rules in this big Moloch-like castle that is Hera Palace. The building itself is very symbolic too, it rules over the city as the highest and the most luxurious/desireable residential building in the city, but its nothing more than a devilish machine that devours its residents and transform them into greedy and inhumane versions of themselves . They're all a part of the system of injustice that either destroy the poor and weak (Min Seol A) or corrupt their mind too (Oh Yoon Hee). Every character in this show is more or less despicable and we truly love to hate on them all. From the evil mastermind Dan Tae, witchy Seo Jin and her Lady Macbeth-esque descent into madness to naive and easily manipulated Yoon Hee. Even the audience's sweetheart Su Ryeon is not completely flawless. And the sad conclusion that's left at the end of the show is that in the end there is no escape from the creepling evilness. You can try, you can fight and the skies will eventually side with the rich. But for how long? Well, we will see in the next seasons!
What I truly loved about this show were the little bits of absolutely random comedic scenes. They were surreal and hilarious (with the lucha libre kidnapping being my absolute favorite), but somehow fit the mood of the entire show. And I felt like it was a reminder that this show is not 100% serious and should be treated that way. We love a self-aware makjang!
The only thing that bothered me was the entire subplot of kids. Well, it wasn't a subplot per se, as the kids played a major role in the whole plot (as a catalyst of Min Seol A tragedy, their parents weakness and kind of a deterministic effect of their parent's flawed parenting), but I felt like it stood out from the main plot that took place in the "adult world". Especially interactions between the kids themselves, it felt like a separate story. And the writing in this part was really weak. Some characters didn't make sense (Ro Na especially), so it was hard to watch.
Writing was kinda bumpy for me in general. The beginning was fantastic, really well connected events, logical (even for this drama!) consequences and reactions from the characters. But the ending felt really flat with too much information given in the last minute and too convenient plot resolutions. Also (please, don't kill me for that hot take!) I feel like some actors went a little overboard with their exaggerated acting. Yes, it fits this type of show, but I felt like they relied too much on screams, evil smirks and wide opened eyes. Even when the seamless transitions between these expressions were truly outstanding (Kim So Yeon), it really loose its impact when it's repeated few times .
Overaly it's such a fun show. If you're willing to abandon logic and embrace the madness of this drama, it's gonna be a time well spent. But beware, it's really addictive!
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