Love the sismance, hate the dad.

One thing for sure - the dad in this movie will not win the award for the best father. While the sismance between the three sisters was amazing, I kept getting slightly frustrated every time they mentioned the dad, and how little reaction everyone had with the fact he had basically 3 different families in 3 different countries.

Hsia Ru Shu? A saint. The way she just took everything in, did not really complain much, never freaked out or yelled at anyone - is this emotionally detached reaction even possible in real life? It’s not that she did not care, just just accepted everything, as if it’s normal. Maybe it just shows her attitude towards her father at the beginning of the movie - she had such little expectations, even a big news like that did nothing to faze her.

That said, I did love her interaction and bond with the other two sisters. I loved how fast they clicked, and more realistic and emotional reactions from any of them would make it far less enjoyable. As long as I did not try to dive deep into their current situation, and just enjoyed what was happening on screen - it’s quite a well paced and moving journey.

The one thing I disliked about the show were the countless excuses made for the dad. I had no issue with him being a questionable parent, my issue was the fact they tried to make him look like a good, but misunderstood one - which was not true. The framing matters, and I hated it here.

One of the best parts of the movie? How visually beautiful it was. I am one that appreciates nice shots a lot. I’m willing to watch a bad movie, as long as it’s beautifully done. This had both good writing and amazing filming.

Performance wise, I especially enjoyed Sammi Cheng and Megan Lai. Their emotional delivery, even though quite different, just worked so well with who the characters they were playing are.

Overall, I would definitely recommend it. There is not much plot, and the whole movie focuses on forming relationships, grieving, reconnecting with people in your life and letting go of past misunderstandings and regrets.

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Why did it feel like a comedy?

Something about pathetic people thinking they are "all that" makes me laugh. I don’t think I ever laughed so much watching a film focused on so much murder, blood, gore and all the other awful things you can think of.

While I was rather entertained watching, this was not enough content for an over 2 hours movie, especially since this had less depth than a puddle. And there was some good potential, don’t get me wrong. Better writing could make it into some solid psychological thriller.

The thing I enjoyed the most about the movie was how amazingly sloppy Bayu was in ALL aspects of his life. Nomura Shuhei was not much better, but some practice made him deal with issues just slightly better.

The performances were good. Kitamura Kazuki’s english delivery was so exaggerated, it added to how hilarious the whole movie was. Loved Oka Antara and his portrayal of Bayu.

I did like some directing choices, especially the opening kill and the plastic bag shots. The last scene gave me a low budget bollywood, and it was the cherry on top I needed.

Overall, I had fun, I would have liked it more if it was shorter by at least 20 minutes.

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Comedy on point, messages and plot - not so much.

The comedy in this show is so good that even someone who is not that into the genre will appreciate it (I’m talking about myself here). The jokes always made sense in the presented situations, were driven from the characters’ personality and the cast never failed to deliver them in the most amusing way.

These are the highlights of the show - comedy, performance and the chemistry between Satoh Takeru and Watabe Atsuro as the bickering son and father. Honestly speaking, the show did not need more to be amazing. That’s why the “evil threat that lurks in the shadows waiting for the last fight off” Kaizuka Takehisa truly lowered the quality of the show.

This guy had nothing to offer as a character - the motivation was weakly explained, how resourceful he was made no sense, his plans were ridiculous and the big finale with him in the ast episodes was not set up in a proper way, feeling painfully disconnected from the rest of the show.

The main villain was not the only aspect that felt disconnected, so were the episodes. At times they started in weird places and I had to check if I skipped an episode or something. The show honestly did not flow too well.

There was also the issue of questionable messages in some episodes. I am sorry, but we should truly move on from using "I can only offer you money" as an excuse for bad parenting and dads who are never home.

Do I care though? Not really. I went in for the comedy and that aspect was truly aced. I could not ask for more. Shimao Akimura was such an eccentric character, whatever he did seemed like a comedy goal.

Overall, great comedy with (at best) mediocre cases and an awful villain.

Ps. That intro song is amazing.

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Surprisingly good tale on dealing with trauma and growing up.

I did not expect all the emotional depth and tears. I got in thinking “evil kids with powers”, but I could not be more mistaken.

The overly sweet and sugar vibes created this unnerving, uncomfortable atmosphere - everything seemed unreal, over the top and stomachache creating. I would not even classify it as a horror movie, but rather fantasy drama with horror elements. Something along the lines of Pan's Labyrinth. The focus is the story and the characters, not the cheap scares.

The visuals were quite stunning for a movie from 2007. Starting with more bright and light colors, something you could see in an over the top Christmas commercial, slowly turned more dark and grim as more of the mystery started to be revealed.

Performances? Quite good, especially with how young the young actors were. Shim Eun Kyung did the best job and the powerful emotions Yeong Hee was feeling were delivered in a convincing way. Was not as much of a fan of Eun Won Jae performance - the character felt flat.

Overall, I would for sure recommend. Lee Eun Soo was a bit of a mess as a character, but realistically speaking, he was just a tool to tell the children's’ story so I don’t mind it that much.

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Feels like a fanfic written by an inexperienced teen.

And yet I enjoyed it so much. Let’s get real - the writing of everything except for the romance was laughable. When I found out that the actors actually had some training with the professionals, it made it even worse. Without it, I could excuse it on the lack of research, but there was some effort put into it, so why is the result so bad?

All that, it was pure entertainment. I must say, I actually enjoyed the villain the most. He had such a massive negative brain energy I could not stop laughing watching his shenanigans. Especially in the last episodes, everything was so dramatic, when realistically speaking nothing made much sense. It had its cons though - I felt nothing, no pain, no angst, no sadness - nothing. The lack of brains from the villain and the plot completely distracted me from actually connecting to the characters.

Then we have the medical aspect. It was so bad I honestly don’t even want to talk about it. The glorious closeups to the actors' faces as the medical procedures are happening, because the actor cannot deliver them in a realistic way - this tells you all you need to know.

Putting the villain and the medical aspects aside (which means just ignoring a massive portion of the plot lol), the romance itself was great. I liked how they emphasized that the characters make each other better, and how you need to put an actual effort in relationships - no first love type of a deal. The chemistry was great and very natural - no awkwardness, unless the scene literally demanded it.

I also had no issues with the performances. There were no groundbreaking deliveries, but everyone did a good job with their respective roles.

Overall, it was so dumb it ended up being great.

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A simple story executed in an almost perfect way.

There are countless romantic comedies showing how opposites attract. The opposite gives as the comedy bits, while the attraction leads us into the land of love and romance. Even though the opposites here were truly extreme, unexpectedly, they worked well together. As a viewer, I could slowly observe how strict and perfectionist Lu Jin and free-spirited and messy Gu Sheng Nan start to adapt to each others' ways, and go from hate to love, in such a fun and exciting manner.

The thing I loved the most about this movie was Zhou Dong Yu acting - it's so amazingly raw. All the emotions seemed so real, rich and clear. Not one scream seemed fake, not one tear forced, not one laugh insincere. Not to mention, she presented probably THE BEST acting drunk scene in the history of cinema. If someone told me she was actually taking some shots here and there in the middle of filming the scene, I would believe them.

The movie is quite honestly beautifully shot. Some scenes were stunning - adding emotional value to what was happening on the screen. Some had fun and exciting filters and effects added, which exaggerated the comedy just the right way. It was just smart and well planned: where and what to use, to enhance the vision of the director and writer.

Any complaints? There was exactly one scene where I was completely not connected and not convinced by Ming Xi acting. Zhou Dong Yu was slaying on her end, and Ming Xi's performance just felt flat in comparison. What's more, even though I appreciated how they took the time for the leads to make this bond over food, before they had a chance to actually confront each other face to face, I wish the movie was about 15 to 20 minutes longer. This way, we could get a bit more story behind how, why and when they started to have feelings for each other, especially on Lu Jin's side.

Overall, it was a truly funny movie, with great acting, amazing scenography and cinematography. The characters, even though extremely exaggerated in their character traits, were still believable. I laughed a lot, I cried a few times and I enjoyed myself throughout the whole watch.

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It almost worked.

Why, oh why are Korean writers so obsessed with overcomplicating everything. Not all romantic comedies need a slapstick over the top side characters, not one, but two obsessive exs with various levels of traumatic past, and 978674 random plot lines. Remove 70% of plot lines and elaborate on the remaining 30%, give characters more depth and time to develop and you would have a truly amazing healing rom-com. Sadly, we still had to deal with the unnecessary 70%, because the Korean writers believe in a simple rule of “more means better”.

I loved the relationship between Hae Kyung and Woo Do Hee. Even though at first it might have seemed like a one way street, by the end of the show it was clear that they both helped each other a lot. Jung Jae Hyuk truly stole the show in the second half and Lee Ji Hoon easily delivered the best performance. The connection between Jae Hyun and Keanu was one of the best side plots of the drama and I would have loved to watch a show focused on them more. On the other hand Jin Noh Eul was one of the most boring and cliche second female leads ever. Even though she was nowhere near as toxic as the second male lead, I somehow hated her more, simply because she was so poorly written.

Dinner Mate had some great messages and the overall plot, but too much was going on for anything to be truly developed in a meaningful way. One thing I did appreciate though is how it clearly showed that dealing with mental issues is a long process that at times takes many attempts and different approaches - sometimes it takes years to face what you fear and what holds you back, sometimes you will never be ready to fully accept it.

Overall, everything was good, but almost nothing was truly great. The few plots that stood out the most could not save the drama, when there were most scenes and plots that felt completely useless and empty. Maybe it should have been a 8 to 12 episode drama with none of the filler?

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It feels like a passion project for someone who really dreams of making movies…

but are not quite there in terms of skills.
I could feel that a lot of care was put into this movie and it was taken seriously. I could also feel all the limited resources and how they impacted the final result. The plot had quite a number of twists, but the writing and directing was not smooth and detailed enough to truly tell the story well.

I think one of the biggest issues I had was the fact, I was not exactly on board with male lead. I don’t know how old he is supposed to be, but clearly old enough to know better. Yet he acted like a teenage boy. Sure, his mother would not win an award for the best parent, but he completely disregarded her struggles and just dumped all his grievances - whenever justified or not - on her. Dude had some issues and I struggled with rooting for him.

As for the storytelling - it was a bit confusing. The main lead investigates the attack on his grandpa, keeps referring to the attacker as a killer, barely does anything, but still finds more information than the police? And there is also a dirty lady in the forest that lurks here and there. Also a lot of focus on romance and romantic feelings people have. It all does make sense at the end, but to get there, you need to truly push forward feeling like nothing connects and it’s just a few random scenes put together.

Every character had their traumas, and they yelled about their traumas… and yet we as viewers did not really know what said traumas were. Everything felt extremely detached and awkward because of that.

The acting was decent. Some actors did better than the others, some scenes and lines felt more natural than the rest. Nothing major to praise nor to complain about.

The production was kind of all over the place. The transitions between the scenes were distracting and rough. They had hard-cut the background music during some scenes, not to mention some choices of the songs were rather questionable. The views though, some were quite beautiful. Also… I was over 6 minutes into the movie and they still kept showing credits here and there…

Overall, it dragged painfully. 30 minutes in I felt like I already watched 2 hours. It picks up by the end, but I feel like too much information and actions are dumped in that last 20 minutes so the whole pacing of the movie is off.

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Zombie flick with lots of laughs and surprisingly moving moments.

I did not expect to cry during a zombie horror comedy, yet this movie surprisingly had a few touching moments and a lot of good comedy.

Flawed family that obviously cares about each other - I am weak for things like that. Add a found family trope to that and you won’t see me complaining. The characters were the core of the movie and they were both amazingly written and perfectly portrayed.

I am honestly not much of a comedy person, but this was amazingly funny. Some jokes were more in my face than the others, but it was all well balanced so I never felt overwhelmed. They were able to keep the light atmosphere without killing all the thrills that come with zombie apocalypse.

Out of all the characters, Hae Gul, Jjong Bi and Man Deok were my favorites, but with how unique and fun everyone was, I’m sure each viewer can find their favorite to root for.

It’s almost a 2 hours movie, but it never felt long. Some might think the set up took too long, as the true action starts well past half point of the movie, but for me it was all necessary. For the characters’ choices to have sense in the last few scenes, we truly needed all that built up. Personally I believe this had some solid pacing - not too slow, not too fast.

Production value was amazing. Honestly beautiful shots. Sometimes I did not know if I should laugh about the comedy or appreciate how pretty the scenery is.

Overall, I would highly recommend it. Great cast, great characters, great story and great jokes. It’s simply a well executed zombie horror comedy.

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While other shows that center around youth that are set in high school make me glad I’m not in that age group anymore, Twenty-Five Twenty-One made me wish I was back in my late teens with all the glorious cringe, freedom and passion that represent that age. It also hits you hard with the reality of growing up, making me appreciate the memories I have of my younger self.

I think it’s important to know the title of the drama is more of a destination and not an indication about what the plot will be. Most of it is set when Hee Do is a teenager - last year of high school and the beginning of her 20s. We join her on the journey, as she tries to follow her goals and dreams, builds friendships, experiences sweet victories and bitter loses. She is both mature and innocent with her approach to problems and how she interacts with people. Truly a wonderful female lead that could inspire a lot of younger and older audiences.

Baek Yi Jin perfectly represents the time of our life when we are not quite kids anymore, but we still have a long way to becoming adults. New responsibilities are piling up, and you are slowly learning how to handle them. He was also one of the best male leads in the history of Korean dramas - understanding, supportive, pointing out the mistakes in a mature way, which helped Hee Do grow as a person. Was his selflessness too much? I think it served as a quite well structured flaw that led to many interesting internal and external conflicts he was facing.

He was not perfect, taking steps back when he was overwhelmed by the given situation or unsure of the future results. On the other hand completely immersing himself after he makes a decision to take action - these realistic flaws made him an even greater character.

I think it’s also important to mention how great of a job the writer did with Go Yu Rim’s character. She was quite flawed, self-centered at times, extremely insecure - all that led to many unfortunate moments, making her behave in an awful way. Yet, by the end of the show, the majority of the audience adored her, felt sympathy and wished her happiness.

Not only the main characters, but also the supporting cast did a wonderful job. That said, I find it slightly disappointing how little we got to know both Moon Ji Woong and Ji Seung Wan. I think both of them could present an interesting and unique perspective, but they were not really given the chance to do that. Yes, Seung Wan had a few truly moving and inviting further reflection scenes, but overall, she was mostly pushed to the side lines.

The character that I could not fully understand and root for till the end was Hee Do’s mom, Shin Jae Kyung. I found her striving to be a good journalist and presenter rather one-dimensional and boring. Her reasoning often made little sense and her overall stand on the issue seemed a bit artificial - only existing to create some drama between her and her daughter.

Most of the performances were solid, some truly amazing. I’m surprised how well Kim Tae Ri delivered the role of Na Hee Do. It’s honestly not easy to give a believable performance of a teenage girl by a woman in her 30’. She aced the role and no other actress could do as well as she did.

I’m not the biggest fan of Nam Joo Hyuk, granted it had more to do with the roles he took than his performance. That said, he was born to play the role of Baek Yi Jin. He did great with the duality of the character - mature and protective, but at the same time scared and struggling.

Go Yu Rim’s character and her arc was not an easy task, but Bona did the character justice. Probably one of the characters that evokes the most emotions in all the viewers - be it positive or negative.

The only performance that did not convince me at all was Kim So Hyun as an adult Hee Do. Watching her on screen, she had that theater actress characteristics, so I was not exactly surprised when I found out she is in fact a musical theater actress. Theater and dramas demand a completely different approach, and I am not sure she was able to successfully switch from one to the other. Things needed on stage will work against you in front of the camera.

What a beautiful show it was. My screenshots folder is full of amazing pictures. The pacing was perfect - slow enough for me to have time to appreciate the scenes and dialogues, but fast enough to always keep me entertained. Loved the shots that focused on the details, objects, often hands - they at times served as the guidance of what is the center of the scene and where our focus should be.

The arrangement for the song truly perfectly fits the 90’ and early 00’ sentiment. Being perfectly honest, I am not the biggest fan of the music style from these times, but the show could not have a better list of songs. Wonstein’ Your Existence is probably my favorite song from the drama.

Overall, this is far more than just a romantic comedy. I would say the romance, even though presented throughout the show, is not the focus point. It’s a heartwarming story of finding yourself, fighting for your dreams and convictions, creating meaningful relationships and beautiful memories while slowly facing the reality of adulthood.

If it just concluded on the ending of episode 15. I actually think the last scene from that episode would be the superior and more fitting ending. Where is a white truck of doom when you need it? I’d take one dose of amnesia - please let me forget I’ve seen that last episode. Still, the journey was worth it.

If I had to leave with one last complaint - the whole present times storyline was useless and the drama could do without it.

My explanation for the ending and how for me it makes sense in the comment under the review (hidden for spoilers).

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Sadly, not as strong as the first season for quite a few reasons. The leads were probably one of the weakest parts, not to mention villain, cast, romance and pacing. Yes, I did have quite a lot of problems with it. Overall, mess. I was thinking about rating it 7, but the "it's okay" that goes with 6.5 fits my feelings towards the drama more.

VILLAIN
I truly dislike when dramas use the same villain in two seasons, especially if the first season had a nice conclusion. There was nothing exciting about Do Yoon Wan since we already knew him and his motivations. I didn’t have to ask myself "why he does what he does". Not to mention, he was barely in the drama in the first place. You can have a strong villain and not show him much, but the viewers need to have this feeling of him being the puppet master behind the scenes. We did not get that here. They brought him back every time they had to somehow push forward the politics, and I couldn't care less.

Park Min Guk could have saved the drama, since his morally grey way of thinking was like a bridge between Teacher Kim and Yoon Wan. For the longest time he was my favorite character. Him struggling so much kept me interested, and wondered on whose side he will stand on at the end. But even his character was losing his charm the closer to the ending we’ve got. From a complex person, to a shallow, stereotypical greed and pride driven villain to a random quick redemption? How amazingly boring. How amazingly pointless.

CAST/CHARACTERS
I was not feeling Lee Sung Kyung’s acting, especially during the romantic scenes. Her emotional scenes did not evoke any type of emotions in me. She was there, there were a few tears, she screamed a lot, and I was bored. That said, I did see quite a lot of improvement as the drama progressed, so maybe my lack of warm feelings for her at the beginning clouded my judgement.
I cannot be sure if it was her performance or the writing that made me skeptical, since I strongly disliked how her character was written too. Truth to be told, Cha Eun Jae at the beginning episodes was an EXTREMELY bad doctor, and if it depended on me, I’d give her an ultimatum: therapy or I’ll revoke her license. The writer stripped her from the character development she quite deserved. The quick and easy way of solving her problem with placebo killed any chance of Eun Jae overcoming it herself and becoming stronger in the process.
To the second lead. I was extremely excited to see Ahn Hyo Seop in a new project, after what a train wreck Abyss was. I do believe he has a talent for acting and we could see some of it in this project. Sadly, his character did not interest me either. I believe both main characters were either boring or frustrating, but I would blame the writing not the actors themselves for it. Both Eun Jae and Woo Jin had their moments, but it was not enough for me to love or even care for them.

That said, the whole supporting cast was amazing. I liked all the characters and the actors aced the roles. The only supporting cast that left me frustrated by the end was Shim Hye Jin. Her character was extremely inconsistent. The whole show she was portrayed as a person who avoids “drama” and conflicts and unnecessary risk taking. She treated being a doctor as a job she was doing, not an amazing career nor a mission. Last three episodes the writers decided to give her a sad story, a heart and a brain of her own. It was so out of nowhere I questioned if I’m watching the same character. I loved who she became by the end, but the change in her image should be more gradual.

ROMANCE
The main romance did nothing for me. I would much rather see Eun Jae with Bae Moon Jung, or no one... Luckily, the side couple saved the romance part of the drama, stealing the whole spotlight even with the limited screen time they had. There isn’t much to say on this aspect, since not much happened throughout the whole show. It would be better without any romance in the first place. Even my angels Ah Reum and Eun Tak had some unnecessary drama brought in the last two episodes. What was the point of it, will forever be a mystery to me.

PACING
The editing ruined the pacing. We kept jumping from scenes and timelines and it made me confused. Let’s start with the fact that episode 12 and 13 ended up at the almost exact same time on the timeline, and it was confusing af. Remembering how episode 12 ended, I started the next one and had to check if I did not miss anything, because there was no continuation of the plot.

The ending was quite messy, I don’t know what was the goal of non-linear storytelling, but I did not buy it. The few flashback scenes did close to nothing to explain Eun Jae’s condition, nor to present her relationship with Woo Jin and how it all began. We kept getting new hints about the background of certain characters but nothing followed.

Overall, after the amazing show we’ve got with season one, this was simply disappointing and unnecessary. They tried to fit too many storylines, characters, backgrounds so at the end, nothing felt well developed.

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Bad(ly paced story) and Crazy (good comedy and action).

As long as you put your brain on the shelf while watching, you will enjoy it a lot. The portrayal of DID makes no sense, the villain´s skills are so good, they seem magical as they have no grounds in reality, the plot has a number of plot holes, but oh boy, it was an entertaining ride.

Bad and Crazy presents a rather basic story with predictable plots and twists. What saves it are the characters, comedy and the action. The dynamics between Soo Yeol and K are pure entertainment, delivering the laughs and emotional depth I appreciated a lot. Kim Hi Eo Ra and Won Hyun Joon also delivered a solid performance as Russian-Korean drug gang leaders, making me, and other viewers care for them, and wish them at least a bittersweet ending, even taking into consideration their evil deeds.

Sadly, the plot just does not connect. First and second half feel like completely different shows, shifting from an action comedy to a mystery thriller. Plots and characters were gone for a good few episodes, just to bring them back later on, as if it does not create pacing and continuation issues.

The last two episodes serve as a rather mediocre conclusion to the plot. Everything happened too fast with not enough explanation. They dropped all the information on me and I was supposed to just accept it without asking any questions. The moment you start asking , you see how the whole plot crumbles.
About the bad guys - the corrupted, the business duo, the magician. Out of them all, only the Russian drug dealers that were focused on their business and making money were realistic, interesting and made me curious to know more about their past, goals, reasons and motivations. The rest was either predictable and full of cliche or borderline supernatural making it unrealistic.

Performance wise, Wi Ha Joon stole the show. K was the heart, soul and the driving force behind the drama. I laughed, I cried, I fell in love - all thanks to his portrayal. That said, the whole cast did a stellar job with their acting and delivery. I truly could not think of one example of even mediocre acting. With such a cast, it’s not surprising.

The soundtrack just paved the way and got me excited at all the right moments. Not surprisingly, tvN delivered in terms of production value. I especially loved the long corridor shots that represented Ryu Soo Yeol’s consciousness.

Overall, the comedy, K and Boss Yong were the elements I truly loved and appreciated the most. Would recommend it as a fun and entertaining watch. Even if you won’t get absorbed into the plot, you will most likely appreciate the comedy and the action.

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Holding the lantern so others can see.

Through the Darkness is a show that, in a skillful way, shifts the focus from the criminals and their mentality, to profilers and the psychological consequences that their job has on them. Yes, we still get the fair share of why criminals do what they do. We still get the eerie conversations with serial killers - the look into their deranged psyche, but the story focuses more on the interviewer, not the interviewee.

If you are looking for unreasonable wits and close to supernatural skills characters like Sherlock Holmes had in the BBC tv show, you won’t find it there. Profiling wise, it’s as basic as it can get. That’s expected from a show that is based on the book that depicts the beginning of Korea’s first criminal profiling team. And yet, it was never boring.

Song Ha Young was more fascinating of a character than any of the killers and criminals presented combined. The depth of the portrayal thanks to Kim Nam Gil acting was one of the best aspects of the show. The character represented pain, loneliness, desperation, fixation - all that could lead to a tragic outcome without a proper support system.

Kook Young Soo, who became my favorite character, was like an anchor that kept Ha Yeoung grounded. He was a perfectly balanced character - knew the importance of his work, but did not ignore his own needs, health and people around him.

What Through the Darkness does perfectly, is showcasing the variety of realistic characters that have believable flaws, but are never over the top caricatures. We see how some of them might be greedy, full of prejudice, corrupted, but there is a realistic limit to their flaws and how far they are willing to go based on just these characteristics.

The writing was that good. When you have solid source material and people who care not to misrepresent it, you get the quality content. The tension build-up in every episode was just phenomenal. The interviews were just... terrifying. The journey of Ha Young - heartbreaking.

Even the soundtrack leaves nothing to desire. Listening to Lullaby gives me chills and makes me tear up a little bit. Lyrics for Can’t Run Away are the perfect representation of Ha Young’s character, motivation and emotional state. Bloom and Fall Alone made me think about all the victims. Each song elevates different aspects of the story.

If I were to complain about one thing - how little we get Yoon Ji, the reporter. I think her narrative was also really important, since she served as a better connection for the audience to relate to, than the detectives did. How we as society view killers and psychopaths. What kind of narrative gets our attention, and what we find not "interesting". How we ourselves pay more attention to the perpetrators than the victims. I was waiting for her to be a more integral part of the show, but instead she started to show up less and less.

That said, as much as I loved the show, I would not recommend it to people who prefer action and fast pace. This is slow. There are countless scenes of main characters just walking around trying to find clues, observing the surroundings of the places the crimes took place. Ha Young is not this confident cop who is so assured in his skills and position, no criminal can get to him. We watch him waver, we watch him break, but we also see him push forward.

Overall, for me it was close to perfection. Last two episodes made me feel extremely emotional, as I got closer to the end. It was fascinating to see the journey the characters took, and it made me appreciate the people who are willing to step into that dark and twisted world, just to keep others safe.

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Truly amazed with how an interesting story can be ruined with bad directing.

The plot was there, the twist was there, the emotions should be there, but the storytelling was just a mess. There was close to no introduction to the characters and till the end some of their motivations were simply not explained (why was Yool even loyal to Deok Gi?). Scenes were not concluded in a proper way which led to weird jumps in the characters’ arcs progressions. And don’t even make me start on whatever was going on between Yool and Sul Hee, because that made exactly zero sense and was just a massive waste of screen time.

As I was watching Memories of the Sword I thought “Did they lose some files? This literally feels unfinished, as if there are scenes missing”. You know how at school you wrote essays, used different sources and just wrote all the relevant information in, but after rereading it from the top, you saw how some paragraphs just don’t connect and there is no flow to it? That’s this movie.

The two good aspects were visuals and acting, but that’s barely enough to make me finish the movie. In theory, this movie works. If someone showed me the screenshots and described the plot I would assume it’s an amazing movie… but then, the end product I actually watched was a mess.

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If you want to watch it for the romance, I would recommend changing your mind,
If you want to watch it because you loved the Sungkyunkwan Scandal, don't bother.
If you want to watch it coz you like the comedy aspects cross dressing scenario brings, this ain't for you.
BUT, if you want to watch a light, fun and unproblematic show without much melo that will just simply make you happy and entertain you, this one is a perfect choice.

The best aspect of the drama were the characters and their friendship, and I don’t only talk about the main cast. The drama focuses on the building of the relationship between Wen Xi, Cheng Jun, Lei Ao and Le Zuan - who they are and what are their convictions. Each of them lives a vastly different life, yet together they were able to create this light and cheerful chemistry on screen. We follow them as they navigate and try to change the current school system by challenging the school president (ma moi best boi Zhi Sheng) and trying to uncover the truth of the past events.

Compared to other historical shows, or even to the Korean version, this one stays away from heavy politics and all the branches of corruption. We still get the basic story line in this style, but it's not nearly as overwhelming as it sometimes happens in similar productions.

As I said at the beginning, there is barely any romance. Did it bother me? Not really. At some point I started laughing and questioning if we will even get any romantic scenes before the show ends. Still, the interactions between the characters were entertaining and amazing to watch even if it was heavier on friendship rather than romance for the majority of the episodes. No painful SLS. They didn't feel that much pain, so I could watch with a calm heart too.

Overall, the show is just extremely pretty and PG. Jing Yi is cute as Wen Bin and stunning as Wen Xi. Wei Long is purely adorable and his smile can melt any heart. Richards Wang, even though he plays the "strong" guy, made me want to protect him, as his character was just so pure. Wen Jun fitted his role perfectly, guiding and uniting the characters and being the voice of reason. The set and costume designs were beautiful too.

I started this drama with zero expectations, and this might be the reason why I enjoyed it so much. Even the flaws were charming. The last episode was slightly disappointing, but that also just made me laugh and be like: sure.. makes no sense but I'm okay with that ¯\_(ツ)_/¯.

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