Why, oh why are Korean writers so obsessed with overcomplicating everything. Not all romantic comedies need a slapstick over the top side characters, not one, but two obsessive exs with various levels of traumatic past, and 978674 random plot lines. Remove 70% of plot lines and elaborate on the remaining 30%, give characters more depth and time to develop and you would have a truly amazing healing rom-com. Sadly, we still had to deal with the unnecessary 70%, because the Korean writers believe in a simple rule of “more means better”.

I loved the relationship between Hae Kyung and Woo Do Hee. Even though at first it might have seemed like a one way street, by the end of the show it was clear that they both helped each other a lot. Jung Jae Hyuk truly stole the show in the second half and Lee Ji Hoon easily delivered the best performance. The connection between Jae Hyun and Keanu was one of the best side plots of the drama and I would have loved to watch a show focused on them more. On the other hand Jin Noh Eul was one of the most boring and cliche second female leads ever. Even though she was nowhere near as toxic as the second male lead, I somehow hated her more, simply because she was so poorly written.

Dinner Mate had some great messages and the overall plot, but too much was going on for anything to be truly developed in a meaningful way. One thing I did appreciate though is how it clearly showed that dealing with mental issues is a long process that at times takes many attempts and different approaches - sometimes it takes years to face what you fear and what holds you back, sometimes you will never be ready to fully accept it.

Overall, everything was good, but almost nothing was truly great. The few plots that stood out the most could not save the drama, when there were most scenes and plots that felt completely useless and empty. Maybe it should have been a 8 to 12 episode drama with none of the filler?