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hell
Această recenzie poate conține spoilere
How to ruin a good movie in 20 minutes.
How NOT to do superhero movies.
How to kill the joy of being alive for the viewers.
...
I was thinking for a few minutes about how to title this review. It was not easy, because technically I enjoyed more minutes in this movie than not. Sadly, the bad ones were... bad. I feel like the writers didn't know if they should keep the plot local and in a small area, or go wild. They tried both and it didn't work out.
I love me some good redemption stories. The fallen human being is trying to better himself, but here it felt a bit flat with an extremely (and I mean EXTREMELY) anticlimactic ending. I'm sorry dear writers, but you can't go "realism" on some parts, but disregard it on others and call it a day (and no, I'm not talking about his superpowers here).
There were many elements in the plot and some characters that were pretty useless and/or under explored. For example:
What was the point of Director Hong? She brought nothing to the movie. They could have simply kept it vague, who the big bad guy/girl is and don't waste time on scenes with her. Use that precious time to explore the father/daughter relationship more.
Why would you allow the media to be involved if the only purpose of it was to inform the main character about what is going on? Not following it by showing the public's reaction made it unrealistic. You want to tell me that a video of a man fighting police with his superpowers would not go viral? That other countries would not get involved? And it could be so easily fixed; make the bad guys "kill the press" by restricting anyone's access to the area where the confrontation took place.
With superhero movies you can either go big or give depth. If you go big - go silly about it, unrealistic, don't take yourself too seriously. Don't give a realistic ending - give a good ending. If you want to give the movie depth - keep it local with a smaller cast. Focus on the relationships between characters, not big fights and special effects. Tone down comedy a bit, make it more organic and natural. This movie tried to combine both of the approaches and it simply backfired.
At the end of the day, the comedy bits were the best. The ending was poorly written and made me annoyed. While I enjoyed watching for the most part, that last 20 minutes made me feel like all I have seen so far has no meaning and it was a waste of time.
How NOT to do superhero movies.
How to kill the joy of being alive for the viewers.
...
I was thinking for a few minutes about how to title this review. It was not easy, because technically I enjoyed more minutes in this movie than not. Sadly, the bad ones were... bad. I feel like the writers didn't know if they should keep the plot local and in a small area, or go wild. They tried both and it didn't work out.
I love me some good redemption stories. The fallen human being is trying to better himself, but here it felt a bit flat with an extremely (and I mean EXTREMELY) anticlimactic ending. I'm sorry dear writers, but you can't go "realism" on some parts, but disregard it on others and call it a day (and no, I'm not talking about his superpowers here).
There were many elements in the plot and some characters that were pretty useless and/or under explored. For example:
What was the point of Director Hong? She brought nothing to the movie. They could have simply kept it vague, who the big bad guy/girl is and don't waste time on scenes with her. Use that precious time to explore the father/daughter relationship more.
Why would you allow the media to be involved if the only purpose of it was to inform the main character about what is going on? Not following it by showing the public's reaction made it unrealistic. You want to tell me that a video of a man fighting police with his superpowers would not go viral? That other countries would not get involved? And it could be so easily fixed; make the bad guys "kill the press" by restricting anyone's access to the area where the confrontation took place.
With superhero movies you can either go big or give depth. If you go big - go silly about it, unrealistic, don't take yourself too seriously. Don't give a realistic ending - give a good ending. If you want to give the movie depth - keep it local with a smaller cast. Focus on the relationships between characters, not big fights and special effects. Tone down comedy a bit, make it more organic and natural. This movie tried to combine both of the approaches and it simply backfired.
At the end of the day, the comedy bits were the best. The ending was poorly written and made me annoyed. While I enjoyed watching for the most part, that last 20 minutes made me feel like all I have seen so far has no meaning and it was a waste of time.
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