Detalii

  • Ultima Oară Online: acuma 1 oră
  • Sex: Femeie
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  • Zi de naştere: March 30
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  • Data înscrierii: februarie 7, 2013
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Nishiogikubo Mitsuboshi Youshudou japanese drama review
Completat
Nishiogikubo Mitsuboshi Youshudou
5 oamenii au considerat această recenzie utilă
by Kate
mar 30, 2021
6 of 6 episoade văzute
Completat
Per total 8.5
Poveste 8.5
Acționând / Cast 8.5
Muzică 7.5
Valoarea Revizionării 8.0
Nishiogikubo Mitsuboshi Youshudou is a short, yet surprisingly deep drama that made me dwell on various social issues.

Each episode focuses on a different customer of the bar and their personal problems and worries. Amamiya Ryoichiro serves a role of a mediator, rarely ever giving his own opinion on the subject - focusing on making the guest comfortable enough to share their stories. On the other hand, Nakauchi Satoru and Kobayashi Naoki present usually opposite takes on the presented situation, which helps the viewers see that most issues are not just black or white scenarios.

Taking into consideration the short duration, the social issues are never presented in a complex and detailed way, but the show still opens the door for the viewer to reflect on the topics on their own.

The acting was on point, and the casting team did a fantastic job, not only with the main characters, but also all the supporting and guest roles. The natural expressions and line delivery, mixed with simple directing created this familiar feeling that made it easier to relate to the characters, even if we could not get to know them that well.

The only criticism I have would be the lack of backstory of the main characters, especially Amamiya Ryoichiro. His character was like a blank canvas - focused on reflecting what is happening around him and guiding other people's thoughts and emotions. While it might have been a writing and directing choice, I wish we could get to know him and his story more.

Overall, it’s a short yet meaningful series that presents you many interesting and realistic stories in a heartwarming and pleasant way.
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