This was a show which had it all, good writing, direction, fantastic performance and visuals. Was it full of cliches and tropes, and seemed cut from the mold of other dramas with similar tropes? Both yes and no. While I have not watched others to be able to make any substantial comparison, just on its own merit this was a drama which can stand tall amongst others of its ilk.

After a few rewatches, it became clear to me that more care, consideration and thought than what was common (for an idol romcom/pure romance) were given to the script/screenplay, and the whole production as a whole. There was a coherent theme/message, and recurring motifs, simplistic as they were. The small details mattered in this show.

It was also a showcase in how to go about achieving a wholesome, healthy, mature and loving relationship (for the leads). Communication, communication and communication. They took the time to talk with and reassure each other, tried to understand the other’s perspective, apologise when in the wrong etc. They did it often and habitually. It was especially stark when put against that of the other secondary couples.

There was not much unnecessary conflict, and any devices - i.e, misunderstandings or “love rivals” - for the development of the leads’ relationship were never utilised beyond their usefulness to the story. The respective dynamics were also a vehicle of growth for the leads. It was all very utilitarian. It could either be a plus or negative. In any case, I appreciated the straightforwardness. It resulted in a breezy, romantic and heartwarming drama experience.

While riding on the common tropes and cliches distinctive of its genre, it also tried to subvert some of them. It was a show “aware” of itself. It poked fun at the aggressive-CEO-tropes, and made fun of itself as a “mindless idol drama”. There was sarcastic and dry humour. There was also lovely usage of old movies to make its point across.

Having watched the ending and then returning to the first episode again, I was really struck by how coherent, cohesive and consistent the whole storyline was. The writing was truly solid.

Performance wise, suffice to say that WZM portrayed Prof Zhang impeccably, playing a staid, aloof and wooden character with much warmth, sensitivity and nuance. It’s impossible not to fall in love with Prof. Zhang. XRH was the perfect foil for him, playing Yun Shu naturally in all her adorable, sweet, effervescent and optimistic glory, subsequently blooming into a stronger and more mature character as the show progressed.

The secondary characters gave memorable performances too, and I especially loved ZLR’s portrayal of GZY. It was an organic and dynamic performance, giving the character a realism which I found particularly compelling.

In defense of the “Mary-Sue” female lead:

Was she absentminded, naive, too trusting and not particularly smart nor streetwise. Yes. Was she stupid. No.

Her being kind, generous and trusting might be looked upon by some as idiocy, but the show itself - via the character of the grandfather - clearly told us, it’s both her strength and weakness.

The show was not shy in letting us know that her helpfulness to others have garnered her opportunities which she would not have had just based on her academic or work skills.

Of course, as a viewer, what one thinks of the old-fashioned message itself is up to themselves, but the show was at least unapologetic in promoting the adage: “Nice girls finish first”, or that “compassion will be rewarded in kind.”


Conclusion:

For being a purely romance driven drama in its particular sub-genre, this was an example of fine writing, production and performance, as cliched and trope-y as it was. I feel fortunate in my encounter with this gem of a romcom. It’s undoubtedly a favourite now.

(All my thanks to the production/writing team, cast and crew).