Full House: Resurrections

Core part of the plot was the male lead pretending to be gay as described in the synopsis, however, I'm not sure if this was intentional or not but naming the female lead 'Gae In' was seriously tripping as it was pronounced very similarly to how the characters saying the word gay. Anyway, the drama followed the typical romcom formula of the early 2010s while having a play around the cohabitation of opposite sex and pretending to be gay. This setup spawned all kinds of predictable shenanigans yet they were somewhat entertaining, solely thanks to the leads. While sometimes irritating but they had a good dynamic going on between them. The character Jin Ho was written as a reserved guy who doesn't open up or show his feelings but Lee Min Ho in this drama was way too subdued and static beyond what the characterization mandates for his character, combined with sometimes questionable production, it had created some awkward scenes and deliveries. The drama featured a love square to anchor the drama but this love square was plain stupid. It served its purpose to kick start the story but any involvement after that was a poor decision. I found the ending to be a little bit weak and boring, they played it safe and predictable. Both parents of the leads were brushed off quickly to wrap it up despite being a reasonable point of tension prior to that. Overall, it's a decent watch with nice moments here and there but lacked a lot to be recommendable or rewatchable.

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Real Estate Scam: The Real Scam

The drama paled in comparison to its predecessor, managing to somehow be an even bigger problematic piece than the troublesome first season. From its lackluster plot to its uninspired character dynamics, this spinoff felt like a cheap imitation rather than a fresh spinoff. Gone are the scuffed and endearing dynamics of the characters, replaced instead by awkward interactions and forced romances, resulting in a disjointed narrative that struggled to find its footing. The writing was lazy and contrived, relying on tired recycled storylines, it also shamelessly recycled the exact same jokes and bits from the original, albeit with even far less finesse and charm. Both male leads were unbearably cringe and the female lead was equally doormat. While the original may have had its faults, the spinoff took those flaws and magnified them, resulting in a soulless spinoff that tarnished whatever shred of goodwill the original may have had.

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Real Estate Scam

As per design, this is the usual love square quarrels from the 2000s, following the blueprint precisely but with one major unforgivable flaw. It's expected from this formula to have a loose story not adhering to reality, common sense or logic, in one way or another it blends and enhances its entertaining value to push forward the narrative and dynamics. However, this drama went beyond what the viewers may deem passable in that regard with how they snowballed the setup involving the FL's friends, and her friends existence in general, pure atrocity. I refuse to believe that the writer spent more than 1-2 minutes thinking about the initial setup. Admittedly, the cast is what kept it alive and watchable, from the main leads to the elder cast, absolutely excluding the duo friends. The resolution and the romance in general felt quite distant from the characters, probably because they held it off for too long before establishing a clear communication between the leads which only happened in the last episode. Overall, the drama was just alright.

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Barely Advertisable

At the surface it may seems it's the type of show that goes through workplace cases one after another, while that was slightly true initially, but it was just a drama themed around an advertising agency, or so I thought, initially. After the introduction, the drama began with an advertising assignment then followed by a bigger one with more tension, stakes and clever plays, however, this all happened in the first half while the second half became a regular melodrama/power struggle in a corporate setting, no more advertising assignments. This was unfortunate because the second half couldn't carry the same impact, especially the last 4 episodes. Ah In & Han Na & Young Woo had a great dynamic between each other and those around them. On the other hand, Han Byung Soo was the worst character, his character didn't fit any scene, he lacked a good dynamic and story given that he was close to the female lead, even the actor himself was out of place and a big mismatch to his task. The personal stories were a hit or miss, take for example the female lead story, the writer put little to no effort into her childhood/trauma, everything started and ended with a few scenes which led to a weak resolution to her trauma. It was really disappointing in this specific case after building up her trauma and problems for so long. Han Na and her secretary might be a highlight for some but Eun Jung and her child were a highlight for me. The final wrap up felt a bit strange after just 1 year time skip, an obvious uncalculated afterthought for the sake of it. The drama offered a decent package with a lot more potentials on the table but it also left a lot more to be desired.

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A Capitalist Happiness

Having a plot around mothers competing on social media over whose life is the happiest is such a dystopian sad present we currently live in. The concept itself was limit testing my cringe-o-meter really hard but luckily the mystery plot took over after 2 episodes. This drama was very similar to Green Mothers' Club (2022), it started with a group of housewives/residents living in their fancy neighborhood until it turns into a mystery plot after a few episodes. The mystery itself here was limited, swinging between who's the killer and digging up the past, however, it wasn't enough to fill 16 episodes and was often stretching each event really thin. Most of the characters were trashy which made it hard to sympathize with when they were given a turn over and a resolution. For a plot around who done it mystery, usually we get a handful of suspects with good motives but in this drama most of the suspects had a weak motivation and their attempt to play innocent was rather unconvincing. One thing that bothered me was how the drama never addressed the big daughter properly after her initial introduction and purpose, which was kinda important for the narrative. In fact, most relationships between the characters were given a half-arsed follow up and resolution, leading to an unacceptable wrap up.

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Money, innit?

The veteran actor, Lee Sun Kyun, delivered a powerful performance that anchored the show, as expected. It's really heartbreaking to lose such a big talent. Rest in piece. The drama didn't exactly break new ground with its plot or characters, but it managed to hold one's attention through its well paced narrative, occasional power shifts and a few unexpected twists thrown in. The cast does their thing, but some of the characters feel a bit like cardboard cutouts, lacking some life in them. While the drama dipped into melodrama sometimes but it struck a balance between suspense and storytelling. Overall, it's a pretty decent drama around corruption and power struggles.

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Budget China Town

The drama had a rough start to assemble some attractive elements for the hook but everything boiled down to its nature being bilingual and bicultural. The story itself was bland through and through, and it kept playing it super extremely safe until the end. The cast was good enough given the material they had to work with. Its excessive length didn't help its case. Despite that, the romance was somewhat brief and unremarkable, the language barrier was clearly showing. The leads chemistry was quite questionable, it came off as forced more often than not, I've seen better efforts from Kim Jae Won. Han Chae Young went through a lot, her character got robbed off, playing a secondary lead didn't fit her well. All in all, the side plots were definitely the weakest link, none of them fit well, nor were they appealing and they contributed little to nothing.

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Maskless Behaviour

The story started with a big 'who done it' type of plot where every single person on the screen was a suspect. It kept this momentum for a few episodes before abandoning the idea and the 'masks' plot half way through to shift to something else. There was no coherency in this mess and the writer was improvising the story as the episodes went on. Instead of working on the mystery, it took the lazy way at every corner, it pushed most of the weight onto just showing the incident. It revealed the mystery through the brief snippets of the incident at the beginning of every episode. The character Kang Hoo was in particular problematic to the narrative and was handled poorly throughout. The cast was good but that's it, and the supposed sismance came off as forced more often than not, even during its high moments. The entire drama was a really big mess.

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Joseonless Behaviour

I don't how I feel about the on-screen text. There's distinct level of absurdity and abnormality that's easily recognizable from a certain Korean writer, that is Im Sung Han. From writing the characters, constructing the narrative and story boarding, all felt quite familiar to her other shows, Apgujeong Midnight Sun (2014) & Miss Mermaid (2002) in particular. However, this drama is unfortunately one of her unsuccessful ones. I didn't like the direction she took with the drama. The women from Joseon were an interjection into the Dan's family, they were more like a support characters observing the surrounding and getting accustomed to living. The entire story was stagnant for 15 episodes after their initial introduction and only the last episode brought some change but it was too late. The story went through the bare minimum of characters exploration and made the Joseon women existence more useless. If anything, it reminded me of the bizarre storylines transitions and conclusion of Miss Mermaid (2002), really close when drawing parallels. On a second thought, although I'm a fan of the writer but I don't quite agree with how she writes the last few episodes of her projects.

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Weatherless Behaviour

Just at a first glance, the synopsis isn't encouraging to launch the first episode. The only thing left is to check out what were they gonna do with the forecasting setup. They failed to establish why their job is very super important early on and waited a while to do so, nullifying the little bit of early tension it could have had for a good hook. As expected, forecasting turned into a small side plot. They barely done anything with it after a few episodes. The story was straight up not good. Whatever plotlines the drama had, it didn't put enough effort to bring them to the finish line, everything just magically worked out. The writer had no clue how to write and establish human and love relationships. What made matter worse was the non-existent chemistry between the leads. Even further much worse, the atrocious dynamic between the four leads, what even was that?!

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A Sketchy Tramway

They had a solid idea for a drama but they were totally clueless for how to fit it into a 16 episodes mold. The trolley dilemma was a poor idea to implement in the drama. They were afraid that the viewers may not notice so they went ahead to explain the trolley dilemma multiple times. The FL's kid was learning about it with visuals in school. Kinda insulting. Its finale execution of this analogy turned out to be disappointing and bland, especially after shoving it in our faces endlessly and having the drama named after it. Anyway, the drama was plagued by narrative and writing problems, especially with its horrible and dysfunctional characterization.

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Definitely Loveless

The drama was a frustrating experience, primarily due to its main plotline which flopped majorly. They probably choose the worst route to execute its main story. Both leads and their love interests were a bad combination that spawned a dreadful dynamic for 65 episodes. Subsequently, the resolution after endless quarrels was equally dreadful and ended in a flat let down. On the other hand, the side plots and relationships were better in comparison but nothing stood out. Conflicts seemed forced and resolutions lacked any real emotional impact. The drama failed to offer any redeeming qualities that could compensate for its lackluster central storyline. It was unbelievably forceful and super giga cringe to have the FL attend her ex-husband wedding for the ending. Really tacky!

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The Peasants of Cheongdamdong

The synopsis is wildly misleading, there was no global Korean high society scandal. Everything was confined to a small scale within the characters' lives only. The synopsis is trying hard to sell it as a grand story on a big scale. Anyway, the drama left me utterly disillusioned, as it offered nothing but the same tired and rancid formula without a single redeeming quality to make it stand out. From the poor setup to the uninspired characters, it quickly unraveled with repetitive plotlines, and convenient coincidences that were a big stretch even for a makjang, lacking any semblance of originality or creativity. While some dramas manage to take familiar tropes and breathe new life into them, this one offered nothing but a bland and forgettable viewing experience. The cast members were average, doing what they can to get the drama to the finish line.

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A Mental Coach

The drama kicked off with a solid start, drawing its audience with a compelling premise and a cast of captivating characters. In the first half, emotions ran high as we were watching the dynamics between coaches and athletes. The character development was superb, and the storyline was peppered with unexpected well written materials that sat the expectations high for what's to come. However, as the drama progressed into its second half, it seemed to lose some of its momentum. The pacing felt uneven, with certain plotlines dragging on longer than necessary while others seemed rushed and unresolved. The writing got a bit lazier and less profound. It couldn't deliver the same impact as the first half, even with its climax. Despite these shortcomings, the drama still had its moments of brilliance, particularly in its character development and for its strong promising start.

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Cornless Behavior

The main leads were quite good with their performance and dynamic, while the supporting cast were a mixed bag between bad and decent. It's a sitcom so the main selling point would be its comedy. It was interesting initially with a good pace but it didn't last for too long before things started to get repeated while some jokes remained in the bland and quirky territory. Aside from its comedy, there was a little bit of story going on which was brought into the front in its second half. With it, there was a shift into a regular drama tone, and personal relationships became the focus. Also, for some reason they found it necessary to pair multiple people together, they should've wrote more material within its initial theme instead.

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