There's power in telling a human story, especially one that explores an innate need for freedom.

The Eighth Sense searches for this freedom by offering a profoundly symbolic, emotional, raw, and heart-fluttering story about two boys facing separate fears while falling in love.

How it's told encompasses more than the society it takes place in. It speaks to an entire global community of viewers who feel trapped in their own circumstances and heads, no matter where they live.

And that's power.

The Eighth Sense is told aggressively, using abrupt editing that feels as raw as its characters and filled with colors that speak to the moments it captures. It also opens up a need to communicate. It opens up discussions about depression, trauma, grief, and asking for help in a world that often makes seeking help feel like a weakness.

All while falling in love.

The Eighth Sense doesn't box itself into a label. The love story it tells is as much about breaking out of the box the world keeps itself in as the rest of the story. Because, in the end, love should never be placed inside a box. Who we are and who we love shouldn't be restricted. Who we feel safe with shouldn't be barred from us. People aren't meant to be bound by the world's expectations of us. There are infinite possibilities beyond those restraints.

And that's the beauty of The Eighth Sense. It's a liberating series that breaks free of restraint. It confronts itself and then frees itself.

The ambiguous symbolism is as nuanced as its characters, and no one will find the same truth in it. It's as colorfully meaningful as its color palette and emotionally deep as its viewers' personal experiences. How you understand it comes from within.

The acting is phenomenal, the cinematography and editing are emotional and raw, and the music buoys rather than overwhelms its plot. It left me satisfied.

For a raw, human story that forges its own coming-of-age path, I highly recommend The Eighth Sense.

You don't watch this series, you live it.

-overly-dramatic review blog.