I had actually started watching this "Amachan" many years ago, drawn in by my interest for Tohoku and by my love for the sound of their dialect. I also liked the juxtaposition between the city (which I don't care for much, in all fairness), and the village community. When, halfway through the series, the main character decided to go back to the city to pursue a career as an "idol", I lost interest and dropped it.
After a few years, having myself become a bit of a fan of a coupla idol groups (namely, Keyakizaka and its offsprings Hinatazaka and Sakuraza), I went back and decided to give this "Amachan" another chance, as now I knew I could enjoy more than before its second half.
All in all, there are a few nice scenes here and there in this asadora, but also a lot of "meh" moments, therefore I'd totally say this work doesn't belong, alas, to the better ones originated from Kudo Kankoru's pen, It's my humble opinion that the writer was a bit out of his depth here - but then again, to write an asadora is an herculean task (tantamount to writing 26, yep, TWENTY-SIX movies with the same characters to be aired in a 26 weeks time-span - indeed, not a feat every writer can accomplish!) so I can't actually blame him too much!
The cast also gave mixed performances, with Koizumi Kyoko being the best of the lot imho.
The music was pretty good but also terribly repetitive (basically, one song repeated over and over, plus a coupla sidetracks).
A decent production value completes the package. It would be more of a 6.5, but since I don't use decimals, I'll round that up to 7. An OK watch, but no masterpiece, as far as I'm concerned.
After a few years, having myself become a bit of a fan of a coupla idol groups (namely, Keyakizaka and its offsprings Hinatazaka and Sakuraza), I went back and decided to give this "Amachan" another chance, as now I knew I could enjoy more than before its second half.
All in all, there are a few nice scenes here and there in this asadora, but also a lot of "meh" moments, therefore I'd totally say this work doesn't belong, alas, to the better ones originated from Kudo Kankoru's pen, It's my humble opinion that the writer was a bit out of his depth here - but then again, to write an asadora is an herculean task (tantamount to writing 26, yep, TWENTY-SIX movies with the same characters to be aired in a 26 weeks time-span - indeed, not a feat every writer can accomplish!) so I can't actually blame him too much!
The cast also gave mixed performances, with Koizumi Kyoko being the best of the lot imho.
The music was pretty good but also terribly repetitive (basically, one song repeated over and over, plus a coupla sidetracks).
A decent production value completes the package. It would be more of a 6.5, but since I don't use decimals, I'll round that up to 7. An OK watch, but no masterpiece, as far as I'm concerned.
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