the aggravated ayi
Vancouver, Canada
cutting a complex & powerful story in half - remake lacks depth of the original
I watched Go Ahead a year ago & felt it was one of the best modern C-dramas I've seen, with a compelling, human story of the most difficult childhood traumas of abandonment & betrayal & how it affects everyone involved. The strength & power of a "family unit", in which ever way that can be defined, is one that works when the children matter. So it was with much anticipation that I started watching this K remake, knowing that it would require much skill to match the quality & spirit of the C original. The fact that this drama can cross borders to be retold in another country & culture only shows that this is simply an amazing story.
The premise of the drama is complex: 3 broken families coalesce into one, with two dads working together to raise 3 kids. The story spans 20 years of their lives. It's an intricate & emotional exploration of the meaning of family & what constitutes being a parent.
The most significant role, in terms of importance & performance, is the character of the 1st father Yoon Jeong Jae. He is the family glue who has the most compassion & understanding, which enables him to take Hae Jun under his wing, as well as look out for San Ha in addition to raising his daughter. Choi Won Young does a decent job of conveying Yoon's quiet & steady strength in protecting the 3 kids from all the forces aiming to attack & separate them for not being a "real" family.
The influence of growing up in an all male household might be the equivalent of being raised by wolves, which the baby of the family, Ju Won, is perfectly suited to tackle with her fearlessness & spunk. However, as a major milestone in a girl's life, I notice references to menstruation is a line K-dramas don't seem to cross, but C-dramas have no qualms about it whatsoever. In Go Ahead, Jian Jian's femininity is thrown in everyone's faces when she proudly announces the arrival of her 1st period, at the breakfast table, no less. It's a very funny scene. The ensuing awkwardness highlights her father's realization of his limitations in being a father to a daughter, but also shows the complete trust she has in her family. Although older in real life, the baby-faced Tan SongYun played a much more convincing mischievous imp (one who pulls down her brother's pants as a prank) than Jung Chae Yeon in their character's teen years. This character was much livelier in the original version.
This K remake is only half the total length of the C original, so I expected a much more condensed version with fewer characters & secondary arcs. One of the things I liked about GA was the time it took to develop each of the characters & give much depth to all of the background stories. No single character's trajedy is less than another's, but FBC still managed to cover all the major conflicts & plot developments. In the final 1/3 of the series with the kids as adults, however, I felt a separation from the original as FBC took on a more typical K romance vibe. What made GA special was that it was not typical.
There were more differences in storyline detail, perhaps to match specific aspects of the culture in Korea such as compulsory military service, but I think some of the spirit of the original was lost. A big difference between the productions was in Kang Hae Jun's story. His character's falling out with his birth father while abroad was not mentioned in the remake. In GA it was pivotal in his return home & wanting to become independent rather than relying on his father's money. In GA, he is the one setting up his own bakery, while in the remake he seems to drift aimlessly day to day without purpose or determination. This is a huge change in character.
By the last few episodes, each character comes to the point from where they have reconciled with their pasts & are able to move forward to happiness. Along the way, a lot of time is spent on questions of belonging & the pacing slowed in spite of having to condense the original story. The drama lost cohesion, like so much of the original story was cut out & couldn't be filled back in.
The concept of filial piety has only served to make parents treat their biological children as if they owe them, which makes the parent-child bond merely transactional. And yet, we expect the parent-child bond to be unconditional. These two situations cannot co-exist. In the end, the family that is one by choice is the one that's indestructable. This remake can certainly stand on its own as a good show but I prefer the C version for it's depth & heart.
The premise of the drama is complex: 3 broken families coalesce into one, with two dads working together to raise 3 kids. The story spans 20 years of their lives. It's an intricate & emotional exploration of the meaning of family & what constitutes being a parent.
The most significant role, in terms of importance & performance, is the character of the 1st father Yoon Jeong Jae. He is the family glue who has the most compassion & understanding, which enables him to take Hae Jun under his wing, as well as look out for San Ha in addition to raising his daughter. Choi Won Young does a decent job of conveying Yoon's quiet & steady strength in protecting the 3 kids from all the forces aiming to attack & separate them for not being a "real" family.
The influence of growing up in an all male household might be the equivalent of being raised by wolves, which the baby of the family, Ju Won, is perfectly suited to tackle with her fearlessness & spunk. However, as a major milestone in a girl's life, I notice references to menstruation is a line K-dramas don't seem to cross, but C-dramas have no qualms about it whatsoever. In Go Ahead, Jian Jian's femininity is thrown in everyone's faces when she proudly announces the arrival of her 1st period, at the breakfast table, no less. It's a very funny scene. The ensuing awkwardness highlights her father's realization of his limitations in being a father to a daughter, but also shows the complete trust she has in her family. Although older in real life, the baby-faced Tan SongYun played a much more convincing mischievous imp (one who pulls down her brother's pants as a prank) than Jung Chae Yeon in their character's teen years. This character was much livelier in the original version.
This K remake is only half the total length of the C original, so I expected a much more condensed version with fewer characters & secondary arcs. One of the things I liked about GA was the time it took to develop each of the characters & give much depth to all of the background stories. No single character's trajedy is less than another's, but FBC still managed to cover all the major conflicts & plot developments. In the final 1/3 of the series with the kids as adults, however, I felt a separation from the original as FBC took on a more typical K romance vibe. What made GA special was that it was not typical.
There were more differences in storyline detail, perhaps to match specific aspects of the culture in Korea such as compulsory military service, but I think some of the spirit of the original was lost. A big difference between the productions was in Kang Hae Jun's story. His character's falling out with his birth father while abroad was not mentioned in the remake. In GA it was pivotal in his return home & wanting to become independent rather than relying on his father's money. In GA, he is the one setting up his own bakery, while in the remake he seems to drift aimlessly day to day without purpose or determination. This is a huge change in character.
By the last few episodes, each character comes to the point from where they have reconciled with their pasts & are able to move forward to happiness. Along the way, a lot of time is spent on questions of belonging & the pacing slowed in spite of having to condense the original story. The drama lost cohesion, like so much of the original story was cut out & couldn't be filled back in.
The concept of filial piety has only served to make parents treat their biological children as if they owe them, which makes the parent-child bond merely transactional. And yet, we expect the parent-child bond to be unconditional. These two situations cannot co-exist. In the end, the family that is one by choice is the one that's indestructable. This remake can certainly stand on its own as a good show but I prefer the C version for it's depth & heart.
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