nfabjoy
Somewhere in Africa
TKEM -Investigating the break down of a Super Car that should not have broken down.
In the automotive world, performance cars are segregated into 3 main categories: sports cars, super cars, and hyper cars.
The King Eternal Monarch advertised itself as a super car, capable of high performance, drama and prestige that reach beyond the bounds of regular dramas with its story , cast and budget. The potential was there and looked high level. Like a Lamborghini Huracan with a top speed of 185 mph in the form of writer-nim Kim Eun Sook and a price of $255 000 in the form of Lee Min Ho and stellar cast .
Watching TKEM ; its obvious that one is unfortunately watching a complete breakdown of a super car that has broken down but should not have. What happened?Was it a script that never should have been purchased? A concept that no one could have made work? Or did the problems start in pre-production, perhaps with the wrong cast or tech team being hired? Maybe the whole thing went to hell during production with a director who couldn’t manage tone or actors who were not feeling the script? Or maybe it was in post-production and the editing team messed it up?
Perhaps all the above happened because this Lamborghini was smoking in the back.
Or maybe it was a hyper car in a super car ? You know - like an Iphone 6 with IPhone XR software and the phone just crashes? Because ultimately hyper cars bring with them a level of performance that requires a professional with loads of experience to process and manage the mechanics of the machine . This script and direction really had no deftness and the mechanics of time or whatever themes explored fell all over the place. And much like a Hypercar , the script felt frantic and like it could barely contain its own potential.
Characters were one dimensional and barely fleshed out . It’s really important for a drama to have characters that have their own central conflicts and then the resolve of each of these conflicts adds to depth and dimensions to the overall piece as a whole.Not here.
The chronology stylistic choices were too advanced and superficial for its vehicle. So many scenes ,though objectively good, actually lost their poignancy because of insertion. Case in point -death scenes fell flat and romance was misguided and took away from dramatic effect when really romance , like speed in a car , usually makes our characters have dimensions and layers . Not here.
However , the paint job was pretty good. Cinematography was high impact and the actors were gorgeous. The soundtrack was pretty impressive but was inserted dismally. Music director should never be hired . However - in the end , it came across as a 'just because' drama. Just because I am a super car / Kim Eun Sook , I CAN as she is quoted as saying herself that"I don’t believe I should try to do art with other people’s money." OR "it is about the viewers and their feelings and opinions rather than depth or critical praise."
Ladies and gentlemen - I repeat ! The Lambo is STILL smoking in the back.
The King Eternal Monarch advertised itself as a super car, capable of high performance, drama and prestige that reach beyond the bounds of regular dramas with its story , cast and budget. The potential was there and looked high level. Like a Lamborghini Huracan with a top speed of 185 mph in the form of writer-nim Kim Eun Sook and a price of $255 000 in the form of Lee Min Ho and stellar cast .
Watching TKEM ; its obvious that one is unfortunately watching a complete breakdown of a super car that has broken down but should not have. What happened?Was it a script that never should have been purchased? A concept that no one could have made work? Or did the problems start in pre-production, perhaps with the wrong cast or tech team being hired? Maybe the whole thing went to hell during production with a director who couldn’t manage tone or actors who were not feeling the script? Or maybe it was in post-production and the editing team messed it up?
Perhaps all the above happened because this Lamborghini was smoking in the back.
Or maybe it was a hyper car in a super car ? You know - like an Iphone 6 with IPhone XR software and the phone just crashes? Because ultimately hyper cars bring with them a level of performance that requires a professional with loads of experience to process and manage the mechanics of the machine . This script and direction really had no deftness and the mechanics of time or whatever themes explored fell all over the place. And much like a Hypercar , the script felt frantic and like it could barely contain its own potential.
Characters were one dimensional and barely fleshed out . It’s really important for a drama to have characters that have their own central conflicts and then the resolve of each of these conflicts adds to depth and dimensions to the overall piece as a whole.Not here.
The chronology stylistic choices were too advanced and superficial for its vehicle. So many scenes ,though objectively good, actually lost their poignancy because of insertion. Case in point -death scenes fell flat and romance was misguided and took away from dramatic effect when really romance , like speed in a car , usually makes our characters have dimensions and layers . Not here.
However , the paint job was pretty good. Cinematography was high impact and the actors were gorgeous. The soundtrack was pretty impressive but was inserted dismally. Music director should never be hired . However - in the end , it came across as a 'just because' drama. Just because I am a super car / Kim Eun Sook , I CAN as she is quoted as saying herself that"I don’t believe I should try to do art with other people’s money." OR "it is about the viewers and their feelings and opinions rather than depth or critical praise."
Ladies and gentlemen - I repeat ! The Lambo is STILL smoking in the back.
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