The Qin Dynasty Epic depicts the odyssey of Qin Shi Huang aka Ying Zheng (259 BC – 210 BC) from childhood to the time when he became the First Emperor of China (221 BC). The drama is enthralling and fascinating. Over the years, there have been many other movies and dramas made about Qin Shi Huang. Whether this account comes any closer to the actual truth is anybody’s guess. For me, this story is captivating and has successfully put all the events and historical figures into the perspective that can be easily understood by the viewers.

Being a novice, I’m in no place to judge the accuracy of the story with the actual historical account. Traditional Chinese historians have always depicted Ying Zheng as a brutal tyrant who burned books, buried scholars alive, feared death and was obsessed in seeking elixir for immortality. Many of the writings are fragmented, inconsistent, and unable to reconcile with logic and actions. In recent years, historians are beginning to acknowledge the inconsistencies and misleading accounts, and reevaluate how we view Qin Shi Huang.

In Sima Qian’s Shi Ji (Records of the Grand Historian) of which many historical writers based their writings on, the inconsistencies were glaring. In it, two accounts were provided for Ying Zheng’s birth father, one was Ying Yiren and the other Lǚ Buwei. Other controversies include the burning of books and killing of scholars. It is not hard to see the motive behind the controversies. Different ideologies or justification of own existence, among others, may have led to biased accounts of events and truth. Later historians found that Sima Qian may not have been objective as he was a Confucianist who opposed to Ying Zeng’s Legalism ideology, therefore his account made against the first Emperor cannot be given much historical weight. They (the historians) feel the text was likely written to smear the emperor, justifying their own existence.

This drama tries to look at Qin Shi Huang from a different angle, emphasizing on his achievements, piecing together all the events and historical figures that have been officially documented. What I see is a benevolent genius of compassion and wisdom with unlimited patience and vision. He’s a man with love and blood, not as depicted for 2,000 years as a coldblooded monster. This new account is enlightening because it explains a lot of the missing pieces and joins the dots of logic and actions.

Qin Shi Huang shows wisdom of a modern-day politician. He recruits talents from all over the land including non-Qins. He favors meritocracy over nepotism and entitlements. He doesn’t emphasize on rituals and traditions, instead he values law codes which don’t change according to family or parochialism. The goal unification is constantly on his mind and brought up in almost every conversation with his generals and ministers. The drama shows how he maneuvers and outwits his opponents. He uses embargoes, espionage, sabotages and any conniving and deceptive strategies to undermine and weaken other states. Together with his strategists who made up of his most trusted generals and ministers, they read their enemies like a book and strike them at their weakest points. Having the best minds working for him, Qin State always comes up winning against the other states even with them forming alliances against Qin. Many of such historical figures and actions in the drama were well documented, and the timeline matches the sequence of events in the drama perfectly.

Watching Ying Zheng reminds me of watching Mei Changsu in “Nirvana in Fire” who always works with seamless plans and capable people. To conquer other states is like playing a game of chess, his generals and ministers brainstorm with him. They understand his mind and work with him in unison – they all have one goal – unification. It is really very interesting to see how crafty, deceptive and conniving each is and together they play their adversaries into their traps. The desperation of each state to remain alive catches the viewers’ sympathy, and yet we all know that they’re doomed.

The Characters and The Acting
This drama boasts an enormous cast with, among others, soldiers, generals, ministers, palace attendants, and most of all, prominent characters from various states. Despite having such a huge budget, I was disappointed with the selection of actors playing the juvenile Ying Zheng. It was confusing to watch a 3 year-old future emperor in a 9 year-old body, and then a 9 year-old in a 15 year-old body, worst, a 13 years old king in a 40 year-old body and voice. However, when Ying Zheng becomes a grown adult, Zhang Luyi becomes a perfect Qin Shi Huang. According to some account describing Ying Zheng’s look, he was said to have a tall bridge with pointed nose, and sharp eyes. Zhang Luyi fits that description perfectly. With his regal charisma, he and Qin Shi Huang become one. Seeing the earnest in his eyes, feeling his turmoil, torments and predicament, the viewers feel his loneliness and empathize with him. Zhang Luyi has rewritten history by giving the viewers a brilliant and benevolent ruler.

There are so many lovable and respectable characters here. Duan Yihong’s Lǚ Buwei is simply brilliant and convincing. What an incredible performance here by the actor. Li Si is another important character and Li Naiwen’s performance renders me speechless; he is believable and immaculate. My other favorite characters include Yao Gu, Dun Ruo, even the despicable characters such as Lao Ai (we had had a field day with him) and Guo Kai because both the acting and the characters themselves are incredible to watch and fascinating. All the characters have their flaws and strengths and the whole cast has successfully captured every single detail and performed to their best. A big kudo to the whole cast.

The OSTs (Official Sound Tracks)
We hear drum beats for the opening music. It’s solemn and heart pounding, grandiose and mysterious. The closing music is agonizing, resigned with dream and vision. I love the verses the Qin soldiers sing in unison. The male chorus is somber and touching, bringing viewers back to the ancient times of more than 2,000 years ago.

My Verdict
This is a serious and heavy drama that can be dry for some viewers who are not into Chinese history. For me, this is one of the best dramas I’ve ever watched with no noticeable plot holes nor flaws. The Qin Dynasty Epic is definitely a very difficult drama to make. The number of actors, horses, costumes and logistics used here is mind boggling. The war scenes are epic and breath-taking with war machines, spears and arrows, soldiers and horses, and everything is believable and impressive. This drama is really an eye opening experience into ancient China more than 2,000 years ago.

It is amazing to see how much legacy Qin has left in modern China and the nations around it including Korea and Japan; the name China has come from the character Qin. How the story is being written, putting all the fragmented accounts into proper place and being linked together, is simply a work of art. The writing is tight and immaculate. Superb cinematography with beautiful and awe-inspiring scenes makes this drama second to none.

I watched all 78 episodes without skipping a beat because every moment is pivotal and absorbing. How Ying Zheng has led his strategists and generals in trapping and playing out their adversaries is really an intriguing and convincing watch. Upon completion of this drama, my afterthought is, how a great man as such succumbed to his eventual untimely ending. Like most of us, his fear of death and quest for eternity become one of the keys to the downfall of his short-lived dynasty.

If you are a history buff and can stomach atrocities, cruelty and bloodshed, you would definitely enjoy this drama. This is a must-watch for all who love history, in particular Chinese history.

TWO THUMBS UP!