Twinkling Watermelon was nothing like I expected — its heartfelt in both writing and performance, and is an enjoyable story with a happy ending.

Of course there are flaws, but none that completely overshadowed the story. Some things that I wanted more from were (1) the inconclusive way they handled Eun Yoo’s anxiety and (2) somewhat of a lack of acknowledgment that what they went through is what made them who they are in 2023, but these are rather minor things compared to what this drama brings.

As far as I know, the people behind the production are able-bodied, but this was a positive, warm, and non-exploitative representation for people with disabilities. The show treated each character with fairness and didn’t dish out pity or over-emphasize what they lacked.

There’s also something so warm and tender about the the whole concept of the drama, which is the guilt and love we feel towards our parents, and the outpouring of empathy, grief, and protectiveness we feel when we realize they were once our age too. I love this concept. Though it’s more fairy tale than science fiction, it’s healing and speaks to how much we wish we could could’ve protected our parents once we’ve seen them as human beings.

Great cast, fun writing, and good music!