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Prison Playbook korean drama review
Completat
Prison Playbook
0 oamenii au considerat această recenzie utilă
by autumn carrot
oct 3, 2021
16 of 16 episoade văzute
Completat
Per total 9.5
Poveste 9.0
Acționând / Cast 10.0
Muzică 5.0
Valoarea Revizionării 5.0

Grey is the new black!

While watching this show I realized…there are an awful lot of shows about prisons, aren’t there?! Anyway, Prison Playbook is one of the many prison shows out there but don’t get tricked by the ominous concept and poster, this show is not a violent, grimdark view of the place where the deviants go to rot. This is decidedly a comedy-drama about community, empathy, and self-betterment. The story is centered around friendship and hope and it’s full of quirky characters that will steal your heart.
Yes, yes, I’ll admit it…I did start watching this show for Jung Hae In, guilty as charged (!), but he didn’t show up until episode five (really, six) and by then I was already invested in the show so that just goes to show how entertaining it is.

This show is way too famous for me to recommend it so I’ll just get to it. You should watch this show if you like :
1. Orange is the new black
2. Prison life stories
3. Ensemble shows
4. Comedy
5. Bromance
6. Slice of life
7. Barely-there romance plots

Plot: The plot is naturally very good. The story is interesting from the start…sort of. I didn’t love the first episode but it slowly gets better. While the main plot revolves around Je-Hyuk, the show is rather decentralized with side characters getting fleshed out subplots of their own. But all those plots would be nothing without the great character work in the show. The strength of this show lies in its ensemble cast and the idiosyncratic antiques of each character, their past, and their uncertain futures. The plots grip you because they rely on the viewer’s investment in the betterment of the characters and what happens to them. Thus, they only engage and entertain because viewers care to know about the characters. A lot of the subplots were meaty enough to be their own shows. For example Captain Yoo’s subplot, while a nightmare-fuel in its own right, could easily be a miniseries of its own. The other subplots may not be able to carry a whole show as easily as Captain Yoo’s plotline can but they too had the potential to be standalone. Yet as subplots, they do not feel overshadowed or underdeveloped. This is mainly due to the amazing character work that has been done. While each character is in focus for a short while, they are all so well developed that they managed to deliver the maximum impact while they can and when they are not in focus, fade perfectly into the supportive position while maintaining the personality and history that was developed for them in their central plot.
The show also has a bizarre flashback format that is a bit disorienting but you’ll get used to it. Romance is not central in the show but what little of it appears, is endearing enough to capture the heart. I would even say the show has one of the cutest romantic exchanges I have ever seen but I won’t spoil it for you!

Acting: Everyone did an amazing job. As I mentioned, the supportive cast is very well-written and engaging and thankfully each actor amazingly brought them all to life furthering their impact.

Music and production: Music was there. Nothing exceptional but not bad either. The production is also good. The show stays in small prison sets for the most part so there's not a lot of variety. I don't really know what prisons in South Korea look so I can't attest to its realism or anything but it looks real enough? The technicalities were all good to my unprofessional eyes too.

Rewatch: I don’t have time to rewatch shows but it’s a good show to go back to.

Negatives: There are a couple of things that bothered me in the show. One thing was how the sexual assault that triggers the plot was treated. I understand that the sister is not the main character and therefore her plot is not central but she had enough screen time that it would’ve made sense for them to at least deal with it a bit. However, the show never even verbally acknowledges the character’s trauma from the event. The thing is only mentioned in regards to how the main character, her brother, felt about it all. Even she is shown to be feeling guilty for causing him to go to jail but showing no sign of PTSD as a result of the event. Speaking from experience one would know that the trauma of sexual assault never just fades away without actively dealing with it. It festers and affects anything from relationships and intimacy to simple daily functions. A little reference to her struggles would’ve been nice. Secondly, this show is the first kdrama I have seen that has a gay character not as a joke but as a fleshed-out human while also not being a BL show. Yes, the character is funny and has some special antiques but he’s never made fun of for being gay so you can imagine my disappointment when he is the only character whose arc ends negatively. Moreover, the only other queer-coded character in the show just happens to be the only “villain” who stays evil throughout the show and is never redeemed. So yes, basically what I’m saying is that the show treats its not-straight characters very badly and I’m a bit bothered by that. That said, the show is still good and right up to the end, that character’s plot was very well-written and he is one of my favorite characters of the show. Thirdly, the romance of Je-Hyuk and Ji-Ho had me squint my eyes a bit...like being into someone you knew when they were a kid and you were grown up?! Sounds fake but okay...

Overall: A really good and heartwarming show. I really needed something that celebrates the better part of humanity while ironically dealing with the worst humanity has to offer. It’s a hopeful show that tugs at your heartstrings in a good way.
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