I was hesitant about the overall score to give to this movie. I basically loved everything about it, from the plot to the acting to the execution. Possibly it deserves a 10, and I gave it a nine just to retain a right to a higher score in the future.
I wasn't expecting anything less from the same screenwriter of Tatta Hitotsu No Koi, Sunao Ni Narenakute and Orange Days, nor from the same director of Winter Sonata, Sorry I love you and Bad Guy. They both did not disappoint.
The script is delicate and moving. It touches deep chords in the hearts of anyone who has experienced the loss of a beloved one at least once. It talks about the fragile, magic relationship between the living and the deceased: how hard it is to let go, to overcome regrets and remorses while still keeping the memory alive.
The photography is beautiful, it highlights that vague atmosphere constantly suspended between reality and fairy-tale. It helps that the two main leads are both beautiful to watch and just as convincing together. Hero Jaejoong might not be yet ready for complex line deliveries, but he's very expressive and, let's face it, a pleasure for the eyes. Han Hyo Joo, on the other hand is brilliant here, bringing up the joyful side this movie would otherwise lack.
I think I've written enough. If you are willing to watch a movie which combines the Japanese delicacy and the Korean intensity of emotions, give this one a try.
I wasn't expecting anything less from the same screenwriter of Tatta Hitotsu No Koi, Sunao Ni Narenakute and Orange Days, nor from the same director of Winter Sonata, Sorry I love you and Bad Guy. They both did not disappoint.
The script is delicate and moving. It touches deep chords in the hearts of anyone who has experienced the loss of a beloved one at least once. It talks about the fragile, magic relationship between the living and the deceased: how hard it is to let go, to overcome regrets and remorses while still keeping the memory alive.
The photography is beautiful, it highlights that vague atmosphere constantly suspended between reality and fairy-tale. It helps that the two main leads are both beautiful to watch and just as convincing together. Hero Jaejoong might not be yet ready for complex line deliveries, but he's very expressive and, let's face it, a pleasure for the eyes. Han Hyo Joo, on the other hand is brilliant here, bringing up the joyful side this movie would otherwise lack.
I think I've written enough. If you are willing to watch a movie which combines the Japanese delicacy and the Korean intensity of emotions, give this one a try.
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