Detalii

  • Ultima Oară Online: acuma 7 oră
  • Locație:
  • Contribution Points: 0 LV0
  • Roluri:
  • Data înscrierii: februarie 25, 2020
Acuma 20 zi

Flashbacks are all over the place

I like the information provided in the flashbacks but not dissimilar to the humour in episode 3, the jump from present to flashback was difficult to enjoy the episode holistically.Love the reunion of Riley and Neo.
Was this review helpful to you?
Acuma 20 zi

Tone and beats starting to get off track

The humour in team building in the first half of the episode is jarring. It's offbeat not in a good way. The flavour of humour itself is good but the attempt in interweaving with exposition and character delivery gave me whiplash every 30 seconds. It wasn't an easy watch this bit. The emotional tone got better the last half.
Was this review helpful to you?
Acuma 20 zi

10/10 no notes

Good balance of pacing, character introduction, exposition and humour. Nothing to add, nothing to take away. Hope it goes on like this to the end (a little shade thrown at the last few episodes of MJtY)
Was this review helpful to you?

is this the episode when they stop making her look pathetic?

no, no, it's not. i get they're trying to make her look cold on the outside and warm on the inside. instead i'm getting flailing on the outside and pathetic on the inside.
Was this review helpful to you?

This is my first toe-dip into xianxia since…

This is my first toe-dip into xianxia since I left the genre over a decade ago and it has set the bar very high going into the future. So high that after years on this website I’m finally writing a review. I don’t believe in having to defend a culture’s set of norms, ideology, values, gender expectations, and such when reviewing a storytelling production. I may touch on it and analyse some parts but I won’t go around telling societies how to behave because that would be disrespectful and reductive. To start, I’ll discuss the overall value of the production. It can be very jarring when you are unfamiliar with cdrama or xianxia/wuxia from recent years. All of the scenes, with no exception, are done as if on stage. I think this is brilliant that it did not hold back the storyline by showing us the travel from one place to another. Nor did it concern us with logistics. I take it as these are immortal beings, they can go to places as they see fit - it doesn’t matter if they walk, fly, take the train or Uber it. The background for the most part are CG. The CG can be rough in some places, but this is a TV series and not a blockbuster film production. More importantly, it doesn’t take away from the story and for the most part, I think it’s the production’s artistic choice within the confines of their budget. And I can wholeheartedly accept that. Moving on to the core of the story, it starts off rather typical: the kind and clumsy woman, her perceived hero, jealous competition of the woman, the cold and distant man. If you are not open to go on for a couple more hours, this can lose you because it is too formulaic. And it’s not to say it’s not formulaic, but I argue it’s not about the plot as much as how the plot delivers the characters’ development. What I think is important in storytelling of any length, but especially at this length or more, is character progression. And that’s how this story succeeds in unveiling the changes in the characters. This is done through tropes of grumpy/sunshine, body-swapping kiss, misunderstanding, etc. Many times in other stories, love is told to be panacea for all ailments. And this is where I would eye roll. And to an extent, a part of me does that in any story that centers on the transformative power of love! However, here it actually recognises the many forms of love and the way it affects different types of pain in life. Romantic or platonic love, love for your home or your tribe, love your mentor or mentee, love for a long lost family member or a stranger - it’s all covered. It’s telling me, if you navigate life with compassion and remember where you heart is, it will serve you the best way possible. I don’t like quoting non-English work because unless you speak the language the translation/interpretation will definitely lose meaning yet the phrase “everything in this world happens so fast except for love” is meaningful to be. Love at first sight is not the same as love that's been nurtured for years and decades of sharing time and getting to know each other. Love is not (just) about sight but also the effort and heart you give it.Finally the actors, they all did amazing. I haven’t seen Esther You in anything before and on a personal level, my sensory issue took some time in adjusting to her voice. Overall, she is adorable and her acting is highly commendable when she body-swapped. I am most impressed with Dylan Wang who had to do many heavy deliveries due to his literally dead tree of emotions slowly regaining life throughout the show. I’ve only seen him in the remake of Meteor Garden and did not think much of his acting (which tells me what I already know - the script wasn’t great). But I’m happy to be proven wrong. He clearly has an affinity with his craft and I will keep an eye on his future work particularly in this genre. They both work well together along with the other actors, it's chemistry all round.Conclusions, personal note & TL;DR: I haven’t been in love with a fantasy romance drama like this since Goblin. While it’s not perfect, and I don’t believe there is such thing as objectively perfect storytelling, it has given me deep thoughts and pure enjoyment to watch the story developed. I already have plans to rewatch.

Read More

Was this review helpful to you?