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One of the more impressive historical dramas that has come from Korea in recent years. Masterfully made, with great actors and a much more serious tone than many of these new historical dramas that are a bit fluffier and lighter, and often feel a bit timid to go all the way with its political plot which often makes the story loses some momentum and make the tension of the story feel artificial and contrived. This drama, however, manages all of that extremely well. One can tell why it is one of the most popular historical dramas from Korea for a long time.
The Red Sleeve feels serious, bold but still not too dry, so it was no fun to watch. It had a good pace to the story, and I liked the darker undertone that was always present within the narrative. Despite a more serious approach at the palace politics but still achieve a certain lightness in other aspects of the show, without those two things working too much against each other. There was a good balance between the characters arcs, the palace politics, the more romantic moments, the serious and the light.
did a really good job painting this picture of loneliness within the palace and show it as this dazzling but ghostly prison for all the female characters in the show; highborn or not. Especially as we went further into the story. The loneliness of the palace does affect all the character in some way or another and becomes a big theme within the story. It has a good emphasis on how the female characters play a special role within the narrative. To me the main character, Deok Im, never wanted to be anything but free within the limits of the society she is born in, and the story always comes back to that very point. She is always true to herself while putting other before her.
All her life she seems to try her best to be loyal to those who are good to her but closed off to people around her, but especially to the prince who has such great affection for her, to avoid feeling trapped by this life that she has. Because when you become his concubine, there is a certain world that is just closed to you. It’s not really until she’s cornered, and she sees no other way that she finally gives in to his affections. , even if she loved him, and becomes that concubine that she is destined to be. And I think it was the purpose of the story that Deok Im really had no choice but to be his wife in the end, although it was a little frustrating that he liked her more than she liked him.
The romance, as much as I liked it in the beginning, lost it’s my grip towards the end because I felt Yi San insisted too much that he owned Deok Im, and seemed a little too domineering to me. But at the same time, I feel like it was very much part of the realism that this show seemed to convey. This is not a romantic comedy or a teenage love story. The story, all the way through, is describing the harsh reality of the palace, which was something I really appreciated (and it managed that without being too gory or grim for the sake of realism like Game of Thrones for example).
It is a bit bold to present the love story of the drama in such a way and having the prince carry far more feelings for Deok Im than she seems to do for him, or it can be interpreted in that way at least, rather than showing a more of balance between their feelings. But the writing was done with such sincerity and great sensitivity, and the same can be said about the character, that I felt I understood the position of all of them, although I did not always agree with them.
But even though the themes and characters of The Red Sleeve were brilliant, I found the story start to go in small circles towards the end and drag unnecessarily in certain sections as the story goes on a bit about the same thing. But I cannot blame the scriptwriters of the drama too much for that, as the drama got an extension due to their popularity and it can be hard to add new things to fill over an hour of content with something new. And it didn’t hurt the story that much overall. The end result was still the same.
Deok Im as well as pretty much all the female characters in the drama have my whole heart. They were all so deep, varied in characters and thought and had their own stories to tell. And too me they were the focal point of this story. And the bitter-sweet ending works wonderfully well for the story that this drama was trying to tell. Anything else would have taken from the realism of the story.
The Red Sleeve feels serious, bold but still not too dry, so it was no fun to watch. It had a good pace to the story, and I liked the darker undertone that was always present within the narrative. Despite a more serious approach at the palace politics but still achieve a certain lightness in other aspects of the show, without those two things working too much against each other. There was a good balance between the characters arcs, the palace politics, the more romantic moments, the serious and the light.
did a really good job painting this picture of loneliness within the palace and show it as this dazzling but ghostly prison for all the female characters in the show; highborn or not. Especially as we went further into the story. The loneliness of the palace does affect all the character in some way or another and becomes a big theme within the story. It has a good emphasis on how the female characters play a special role within the narrative. To me the main character, Deok Im, never wanted to be anything but free within the limits of the society she is born in, and the story always comes back to that very point. She is always true to herself while putting other before her.
All her life she seems to try her best to be loyal to those who are good to her but closed off to people around her, but especially to the prince who has such great affection for her, to avoid feeling trapped by this life that she has. Because when you become his concubine, there is a certain world that is just closed to you. It’s not really until she’s cornered, and she sees no other way that she finally gives in to his affections. , even if she loved him, and becomes that concubine that she is destined to be. And I think it was the purpose of the story that Deok Im really had no choice but to be his wife in the end, although it was a little frustrating that he liked her more than she liked him.
The romance, as much as I liked it in the beginning, lost it’s my grip towards the end because I felt Yi San insisted too much that he owned Deok Im, and seemed a little too domineering to me. But at the same time, I feel like it was very much part of the realism that this show seemed to convey. This is not a romantic comedy or a teenage love story. The story, all the way through, is describing the harsh reality of the palace, which was something I really appreciated (and it managed that without being too gory or grim for the sake of realism like Game of Thrones for example).
It is a bit bold to present the love story of the drama in such a way and having the prince carry far more feelings for Deok Im than she seems to do for him, or it can be interpreted in that way at least, rather than showing a more of balance between their feelings. But the writing was done with such sincerity and great sensitivity, and the same can be said about the character, that I felt I understood the position of all of them, although I did not always agree with them.
But even though the themes and characters of The Red Sleeve were brilliant, I found the story start to go in small circles towards the end and drag unnecessarily in certain sections as the story goes on a bit about the same thing. But I cannot blame the scriptwriters of the drama too much for that, as the drama got an extension due to their popularity and it can be hard to add new things to fill over an hour of content with something new. And it didn’t hurt the story that much overall. The end result was still the same.
Deok Im as well as pretty much all the female characters in the drama have my whole heart. They were all so deep, varied in characters and thought and had their own stories to tell. And too me they were the focal point of this story. And the bitter-sweet ending works wonderfully well for the story that this drama was trying to tell. Anything else would have taken from the realism of the story.
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