49
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The Butterfly
"The society is harmonious but I am bullied!"
Director Zero Chou gave a Taiwanese interpretation of how mainland Chinese gay couples are received in We Are Gamily. Her view of the complexities of loving someone that a conservative society will not accept was important but I found the interpretation on the screen lacking.
“Any conflicts and unharmonious relations existing in a society, require us to actively harmonize them to achieve a stable, harmonious, and orderly outcome.”
Wu Gang and Yang Duo are both in relationships that their families would never approve of and that are not believed to contribute to a harmonious society. Gang and Sam have been lovers for over three years as have Duo and Liya. In order to get both of their families off their backs, Gang and Duo marry but continue to live with their lovers. Their plan goes array when their mothers decide they need to have a baby as soon as possible and Gang’s mother moves in with them to push the matter along. How having a live-in mother pressing a couple to have sex would enhance their performance is something I don’t want to know. Neither Sam nor Liya are happy about the new living situations. Complicating matters, Gang’s lesbian sister Rou moves in as well.
The comedic set-up had possibilities but didn’t work for me. The writing, acting, cinematography, music, and sound were all a “C” at best. Ang Lee made a similar movie nearly 25 years before this one on a shoestring budget that delivered a more emotional punch. In a two-hour movie, We Are Gamily had very little character development. Gang and South African Sam had been together for several years but all I knew about them was that they loved each other and had a penchant for phallic shaped art. Duo and Rou had similar development issues, but at least we were told what they did for a living. Ruo and Sam were both ready to rock the boat, while Gang and Duo were more concerned with their mothers’ acceptance.
Gamily started out with a comedic tone and then morphed into a more serious one as the couples began to wonder when they could stop acting and start living their lives. I found it hard to become emotionally invested in the story as Rou and Sam were dragged into the play neither wanted to act in. Rou was the character I could most connect with. She accepted who she was and was willing to live away from home in order to be honest with herself, even if she couldn’t be honest with her family. When societal harmony was brought up, she replied, “The society is harmonious, but I am bullied!”
We Are Gamily was a lighthearted look at a serious subject about being different and upsetting familial and societal harmony, when the lack of “harmony” or sameness should never have been the responsibility of those being judged. The social and familial commentary were elements to appreciate about this film. However, the overly contrived situations, poor camera work, and often terrible sound challenged my attention span.
14 August 2024
“Any conflicts and unharmonious relations existing in a society, require us to actively harmonize them to achieve a stable, harmonious, and orderly outcome.”
Wu Gang and Yang Duo are both in relationships that their families would never approve of and that are not believed to contribute to a harmonious society. Gang and Sam have been lovers for over three years as have Duo and Liya. In order to get both of their families off their backs, Gang and Duo marry but continue to live with their lovers. Their plan goes array when their mothers decide they need to have a baby as soon as possible and Gang’s mother moves in with them to push the matter along. How having a live-in mother pressing a couple to have sex would enhance their performance is something I don’t want to know. Neither Sam nor Liya are happy about the new living situations. Complicating matters, Gang’s lesbian sister Rou moves in as well.
The comedic set-up had possibilities but didn’t work for me. The writing, acting, cinematography, music, and sound were all a “C” at best. Ang Lee made a similar movie nearly 25 years before this one on a shoestring budget that delivered a more emotional punch. In a two-hour movie, We Are Gamily had very little character development. Gang and South African Sam had been together for several years but all I knew about them was that they loved each other and had a penchant for phallic shaped art. Duo and Rou had similar development issues, but at least we were told what they did for a living. Ruo and Sam were both ready to rock the boat, while Gang and Duo were more concerned with their mothers’ acceptance.
Gamily started out with a comedic tone and then morphed into a more serious one as the couples began to wonder when they could stop acting and start living their lives. I found it hard to become emotionally invested in the story as Rou and Sam were dragged into the play neither wanted to act in. Rou was the character I could most connect with. She accepted who she was and was willing to live away from home in order to be honest with herself, even if she couldn’t be honest with her family. When societal harmony was brought up, she replied, “The society is harmonious, but I am bullied!”
We Are Gamily was a lighthearted look at a serious subject about being different and upsetting familial and societal harmony, when the lack of “harmony” or sameness should never have been the responsibility of those being judged. The social and familial commentary were elements to appreciate about this film. However, the overly contrived situations, poor camera work, and often terrible sound challenged my attention span.
14 August 2024
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