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A knife in her sole or soul?
One Foot Crane was a watchable Taiwanese martial arts movie, but didn’t have anything to make it stand out. Lily Li’s One Foot Crane started out on a revenge rampage of her own, but as often happens in female led movies, before it was over she had to share the screen with male counterparts to take down the villain.
The child, Fong Lin I, was presumably the only Fong family member to survive a massacre by the Four Outlaws. Seemingly overnight she grew up and became a martial arts expert. She begins her revenge rampage with Outlaw #1 making an enemy of his son. After dispatching Outlaw #2 at an inn, she’s forced to fight the son where she barely escapes after being wounded. She’s rescued by a nice, but mostly useless woodsman. Fortunately, Capt. Chow was sent to help her and he has a magic elixir to heal her which he gives to her upon discovering her hiding place. Family secrets are revealed and ultimately Fong will have to join forces with Chow and her newly revealed brother in order to take down the baddest of the outlaws.
This was a by the book kung fu tale that has been done a dozen times. It helps to have charismatic actors and creative choreography to elevate the standard material. One Foot Crane was largely lacking in that department. Lily Li didn't have the skill and personality of actresses like Angela Mao and Cheng Pei Pei. She was undeniably beautiful but the fights slowed dramatically when she was involved or they were absurdly under cranked. Miao Tien and Lo Lieh were killed off early in the movie leaving the villains not only short-handed but also without a truly sinister leader. Barry Chan managed to insert some energy and swagger into his character. Szema Lung as the police captain was dreadfully dull. Tsai Hung as the Big Bad came across quite vague for a murderous rogue.
If the story and acting are lackluster, the fights need to be spectacular. Sadly, the movie underperformed in that department as well. Most of Lily Li’s fights were close to kung fu posing and not very fluid or graceful. Szema was slow as well. Barry Chan and Tsai Hung were the most entertaining when they were fighting each other as the moves flowed better and were quicker. Too many hits overall missed during the fights with stuntmen flying backwards on their own. There was some wire-fu, mostly in the trees. The fights would often go from being indoors to a desolate quarry or sandy plateau instantaneously. There was a lot made out of the good guys using Crane, Mantis, and Eagle styles, but they felt more like Sloth and Snail styles. At least they knew if they couldn’t be quick to hit the vulnerable parts---eyes, temple and throat. One Foot Crane also had a knife that she could release out of the middle of the sole of her shoe which was physically impossible, more so than a lot of kung fu gadgets.
Lily Li and Barry Chan were attractive and likeable enough making One Foot Crane watchable if not memorable. As usual, I grade these old niche films on a curve.
5 Dec 2023
The child, Fong Lin I, was presumably the only Fong family member to survive a massacre by the Four Outlaws. Seemingly overnight she grew up and became a martial arts expert. She begins her revenge rampage with Outlaw #1 making an enemy of his son. After dispatching Outlaw #2 at an inn, she’s forced to fight the son where she barely escapes after being wounded. She’s rescued by a nice, but mostly useless woodsman. Fortunately, Capt. Chow was sent to help her and he has a magic elixir to heal her which he gives to her upon discovering her hiding place. Family secrets are revealed and ultimately Fong will have to join forces with Chow and her newly revealed brother in order to take down the baddest of the outlaws.
This was a by the book kung fu tale that has been done a dozen times. It helps to have charismatic actors and creative choreography to elevate the standard material. One Foot Crane was largely lacking in that department. Lily Li didn't have the skill and personality of actresses like Angela Mao and Cheng Pei Pei. She was undeniably beautiful but the fights slowed dramatically when she was involved or they were absurdly under cranked. Miao Tien and Lo Lieh were killed off early in the movie leaving the villains not only short-handed but also without a truly sinister leader. Barry Chan managed to insert some energy and swagger into his character. Szema Lung as the police captain was dreadfully dull. Tsai Hung as the Big Bad came across quite vague for a murderous rogue.
If the story and acting are lackluster, the fights need to be spectacular. Sadly, the movie underperformed in that department as well. Most of Lily Li’s fights were close to kung fu posing and not very fluid or graceful. Szema was slow as well. Barry Chan and Tsai Hung were the most entertaining when they were fighting each other as the moves flowed better and were quicker. Too many hits overall missed during the fights with stuntmen flying backwards on their own. There was some wire-fu, mostly in the trees. The fights would often go from being indoors to a desolate quarry or sandy plateau instantaneously. There was a lot made out of the good guys using Crane, Mantis, and Eagle styles, but they felt more like Sloth and Snail styles. At least they knew if they couldn’t be quick to hit the vulnerable parts---eyes, temple and throat. One Foot Crane also had a knife that she could release out of the middle of the sole of her shoe which was physically impossible, more so than a lot of kung fu gadgets.
Lily Li and Barry Chan were attractive and likeable enough making One Foot Crane watchable if not memorable. As usual, I grade these old niche films on a curve.
5 Dec 2023
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