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Beware the mountain!
The Wrath of Daimajin was the third in a series of films starring the giant mountain god who restored balance. The film focused on four children attempting a rescue of their family members who had been coerced into working for an evil samurai. This was a far darker film than I anticipated given the nature of Kaiju films starring children in the 1960's.
When the evil Arakawa kidnaps loggers from a small village, logger Sanpei escapes over the Majin mountain arriving home mortally wounded. He's able to tell the villagers that the rest of the men are being used as forced labor in Arakawa's sulphur mine in aptly named Hell's Valley. The village's lord isn't immediately concerned and fears snow may fall soon and doesn't send any help. Four boys decide to take matters into their own hands and runaway to rescue their loved ones. The only way to Hell's Valley is over the Majin mountain. Brothers Tsurukichi and his little brother Sugi, friends Kinta, and Daisaku bravely face the mountain everyone avoids due to the capricious mountain god who inhabits it. When they come upon the stone statue of the deity, they give proper homage before setting forth. The boys not only face natural dangers, but also three samurai ordered to hunt down Sanpei. Regardless of their young age, the samurai repeatedly attempt to kill the boys when they are discovered. Far from a romp in the woods, the boys pay a terrible cost for their adventure.
Meanwhile at the sulphur mine, the evil samurai shows why he's evil when he throws a thwarted escapee into the boiling sulphur lake. The brothers' father keeps hope alive that he will see his sons again. The villagers decide to go after the boys when they realize they are gone. When the parents arrive at the stone statue, it begins to bleed, and finally the titular character breaks forth when his hawk avatar is killed. At this point, the stomping begins as the mountain god stirs up a blinding snow storm to herald his arrival.
As I mentioned, this film was much darker than I had anticipated, going to a place most movies with children protagonists never would. Two likeable characters were killed and another attempted suicide to appease the god. There was a bloody hawk attack and a dangerous rafting trip on a swift river.
The fake snow actually looked good when Daimajin finally arrived. Kaiju usually show up by the 39:00-minute mark, this god couldn't be bothered until 65 minutes into the movie. The miniatures and fake scenery blended well with the real scenery. The shots of forests, mountain streams and lakes were quite lovely as the boys made their way across the scenic landscapes which belied the deadly forces at work. Arakawa's hideout near the mine was smaller than the large buildings Godzilla used to trounce through, but the more manageable size actually accented the stone warrior's terrifying force against the evil doers trapped in Hell's Valley.
The four child actors were a pleasant surprise, with natural but compelling performances. The adults all acquitted themselves well, too. The writing ultimately did exactly what we needed, Daimajin ruthlessly destroyed the evil forces, who were well deserving of his punishment. Whether the sacrifices of innocents gave a deeper emotional level to the film or were unnecessary will be up to the individual viewer to decide.
Wrath of Daimajin won't go down as one of the great monster movies but it was oddly satisfying. The god with a heart of stone didn't arrive in time to save important characters, or keep anyone from being injured but when he finally decided to restore balance he did so with a vengeance.
7/22/23
When the evil Arakawa kidnaps loggers from a small village, logger Sanpei escapes over the Majin mountain arriving home mortally wounded. He's able to tell the villagers that the rest of the men are being used as forced labor in Arakawa's sulphur mine in aptly named Hell's Valley. The village's lord isn't immediately concerned and fears snow may fall soon and doesn't send any help. Four boys decide to take matters into their own hands and runaway to rescue their loved ones. The only way to Hell's Valley is over the Majin mountain. Brothers Tsurukichi and his little brother Sugi, friends Kinta, and Daisaku bravely face the mountain everyone avoids due to the capricious mountain god who inhabits it. When they come upon the stone statue of the deity, they give proper homage before setting forth. The boys not only face natural dangers, but also three samurai ordered to hunt down Sanpei. Regardless of their young age, the samurai repeatedly attempt to kill the boys when they are discovered. Far from a romp in the woods, the boys pay a terrible cost for their adventure.
Meanwhile at the sulphur mine, the evil samurai shows why he's evil when he throws a thwarted escapee into the boiling sulphur lake. The brothers' father keeps hope alive that he will see his sons again. The villagers decide to go after the boys when they realize they are gone. When the parents arrive at the stone statue, it begins to bleed, and finally the titular character breaks forth when his hawk avatar is killed. At this point, the stomping begins as the mountain god stirs up a blinding snow storm to herald his arrival.
As I mentioned, this film was much darker than I had anticipated, going to a place most movies with children protagonists never would. Two likeable characters were killed and another attempted suicide to appease the god. There was a bloody hawk attack and a dangerous rafting trip on a swift river.
The fake snow actually looked good when Daimajin finally arrived. Kaiju usually show up by the 39:00-minute mark, this god couldn't be bothered until 65 minutes into the movie. The miniatures and fake scenery blended well with the real scenery. The shots of forests, mountain streams and lakes were quite lovely as the boys made their way across the scenic landscapes which belied the deadly forces at work. Arakawa's hideout near the mine was smaller than the large buildings Godzilla used to trounce through, but the more manageable size actually accented the stone warrior's terrifying force against the evil doers trapped in Hell's Valley.
The four child actors were a pleasant surprise, with natural but compelling performances. The adults all acquitted themselves well, too. The writing ultimately did exactly what we needed, Daimajin ruthlessly destroyed the evil forces, who were well deserving of his punishment. Whether the sacrifices of innocents gave a deeper emotional level to the film or were unnecessary will be up to the individual viewer to decide.
Wrath of Daimajin won't go down as one of the great monster movies but it was oddly satisfying. The god with a heart of stone didn't arrive in time to save important characters, or keep anyone from being injured but when he finally decided to restore balance he did so with a vengeance.
7/22/23
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