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"I love a challenge!"
Magnificent Warriors was a fun and fast adventure starring Michelle Yeoh. Set after the Japanese invasion of Manchuria, Michelle, Richard Ng, and Derek Yee had to come to the aid of a small walled village when the enemy decided to use the area and the people to build a poison gas factory. Little did the Japanese army know what they were up against when Michelle landed her biplane outside the city.
Michelle's Ming was a pilot who traded in all sorts of goods including weapons. The granddaughter of famed fighter Grandfather Fok played by kung fu movie regular, Ku Feng, she enjoyed using her whip, fists, and kicks to clobber men who tried to take advantage of her. Ming was commissioned by rebel forces to find Agent 001, a rather bland Derek Yee, and also to bring the Kaal village leader, Youda played by music director and composer Lowell Lo, to safety and discover the Japanese plans. Ming's mission was diverted when a nameless traveling conman played by Richard Ng was mistaken for 001. The matter was cleared up soon enough and before long they had Youda and his lover, Chin Chin played by Lau Chin Dai, with them. Ming needed gasoline to fuel her plane which took them into the heart of the Japanese camp which led to the fights and battles that would follow.
This was my second viewing of the movie. Unlike most of these experiences, I actually enjoyed it more the second time I watched it. Mood makes a difference, I guess. While the story was told haphazardly at times, what the film did do well was show off Michelle Yeoh's screen presence and athletic skills. Her fights and enthusiastic attitude lifted the movie when she was onscreen. Some of Richard Ng's early comic scenes dragged on too long, but as the film progressed so did his character's development which made him more appealing and sympathetic. Derek Yee was there, completely overshadowed by almost every other character onscreen. Chin Chin could be annoying, but the character's loyalty kept her from being loathsome. Lowell Lo's Youda, also there for comic relief, was able to have a couple of scenes showing the depth of his love for his people. The pacing could be uneven and answers appeared out of nowhere. All of the characters were archetypes, quite thinly drawn, leaving it up to the viewer to fill in the gaps. The writers tried to remedy this and actually just reinforced their stereotypes when they used a scene where the dynamic group was about to be executed to reveal the three main characters' backstories in an awkward exposition dump right before the miracle that saved them.
The fight scenes were all quite fast and innovative. Michelle was daring in her ability to do her own stunts and as always made the complex moves look effortless. Her early fight with some shady characters over lack of payment was stunning as she used her whip and then quite gleefully a gatling gun. Later, when the Japanese attacked, the Kaal villagers fought with spears and old school ways against the modern weapons of their invaders. The balance of humor and pathos could tip too far with humor when villagers were being killed during the battle. The only scene that didn't work well for me was early in the film when Ming and her biplane were involved in an aerial battle with a Zero. It went on too long and wasn't that interesting. The film utilized several actors and stuntmen I enjoy watching. I was happy to see "Toad Venom" Lo Meng as a silent guard. Fung Hak On, who helped choreograph the fights, showed his fighting skills as a Japanese agent. And Hwang Jang Lee finally had the opportunity near the end of the film to show off his superkick abilities. While the humor could be forced, the final skirmish was a local one that had high stakes for the people involved which weighted the fights with meaning.
Though the villagers and characters suffered consequences for going up against the Imperial army, Magnificent Warriors took a light tone with no spewing blood and severed bodies. The main characters never felt like they were in any real danger as they quipped and smiled through the mayhem. This was Michelle Yeoh's movie and she gave it her all. Magnificent Warriors may not have been magnificent, but it was pretty good.
3/24/23
Michelle's Ming was a pilot who traded in all sorts of goods including weapons. The granddaughter of famed fighter Grandfather Fok played by kung fu movie regular, Ku Feng, she enjoyed using her whip, fists, and kicks to clobber men who tried to take advantage of her. Ming was commissioned by rebel forces to find Agent 001, a rather bland Derek Yee, and also to bring the Kaal village leader, Youda played by music director and composer Lowell Lo, to safety and discover the Japanese plans. Ming's mission was diverted when a nameless traveling conman played by Richard Ng was mistaken for 001. The matter was cleared up soon enough and before long they had Youda and his lover, Chin Chin played by Lau Chin Dai, with them. Ming needed gasoline to fuel her plane which took them into the heart of the Japanese camp which led to the fights and battles that would follow.
This was my second viewing of the movie. Unlike most of these experiences, I actually enjoyed it more the second time I watched it. Mood makes a difference, I guess. While the story was told haphazardly at times, what the film did do well was show off Michelle Yeoh's screen presence and athletic skills. Her fights and enthusiastic attitude lifted the movie when she was onscreen. Some of Richard Ng's early comic scenes dragged on too long, but as the film progressed so did his character's development which made him more appealing and sympathetic. Derek Yee was there, completely overshadowed by almost every other character onscreen. Chin Chin could be annoying, but the character's loyalty kept her from being loathsome. Lowell Lo's Youda, also there for comic relief, was able to have a couple of scenes showing the depth of his love for his people. The pacing could be uneven and answers appeared out of nowhere. All of the characters were archetypes, quite thinly drawn, leaving it up to the viewer to fill in the gaps. The writers tried to remedy this and actually just reinforced their stereotypes when they used a scene where the dynamic group was about to be executed to reveal the three main characters' backstories in an awkward exposition dump right before the miracle that saved them.
The fight scenes were all quite fast and innovative. Michelle was daring in her ability to do her own stunts and as always made the complex moves look effortless. Her early fight with some shady characters over lack of payment was stunning as she used her whip and then quite gleefully a gatling gun. Later, when the Japanese attacked, the Kaal villagers fought with spears and old school ways against the modern weapons of their invaders. The balance of humor and pathos could tip too far with humor when villagers were being killed during the battle. The only scene that didn't work well for me was early in the film when Ming and her biplane were involved in an aerial battle with a Zero. It went on too long and wasn't that interesting. The film utilized several actors and stuntmen I enjoy watching. I was happy to see "Toad Venom" Lo Meng as a silent guard. Fung Hak On, who helped choreograph the fights, showed his fighting skills as a Japanese agent. And Hwang Jang Lee finally had the opportunity near the end of the film to show off his superkick abilities. While the humor could be forced, the final skirmish was a local one that had high stakes for the people involved which weighted the fights with meaning.
Though the villagers and characters suffered consequences for going up against the Imperial army, Magnificent Warriors took a light tone with no spewing blood and severed bodies. The main characters never felt like they were in any real danger as they quipped and smiled through the mayhem. This was Michelle Yeoh's movie and she gave it her all. Magnificent Warriors may not have been magnificent, but it was pretty good.
3/24/23
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