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The Butterfly
Tornado Alley
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#Justice for Manda!
Godzilla royalty-director Honda Ishiro and composer Ifukube Akira were behind the Kaiju and Sci-fi movie
Atragon. Given that pedigree I expected it to be better. With all the allusions to the destroyer goddess Manda, I definitely expected to see her before the last 15 minutes of the film and for more than 5 minutes. Atragon instead focused on old naval officers and whether to resurrect an Imperialistic Japan.
The film opens with two photographers taking pictures of their bikini clad model at midnight near the bay because everyone knows the lighting is so good at that time of the day. When up from the water comes a steamy man. There's an investigation regarding the steam man that leads nowhere. The photographers spend a lot of time hunting down a beautiful woman they see on the street so that they can make her a model. Turns out the would be model is the daughter of a naval commander who disappeared during the war and she became the ward of a retired admiral. Next thing you know a man with special powers from the ancient submerged city of Mu shows up to kidnap the woman and the admiral to take them back to Mu and make them slaves. His plan is foiled by the nosy photographers. After some city destruction by the vapor creatures the admiral finally realizes he's going to have to reveal that her father is not dead and take her to him. Not the happiest of reunions after 20 years especially since dear old dad has created a super sub that can also fly and burrow through the earth and has a freeze ray all in order to resurrect Imperial Japan. Not sure if that means he wants to go back on a destructive rage against China, Korea, and the US, but the admiral and his daughter try to change his mind. Only when the Mu kidnap his daughter and threaten to overthrow the world does he decide to use his sub for good.
Given that this was a Honda film, Manda was a huge disappointment in both design and execution. She's just the third female Kaiju in this particular franchise and she didn't show up until late in the movie and was dispatched rather easily. The high tech sub and city miniatures were all beautifully created for the time and budget. Ifukube recycled Godzilla's music for this one, I kept expecting to see the big guy stomp onto the scene. Goodness knows it might have made this movie more interesting.
The story tended to wander around in circles for much of the movie until they showed up at the secret island with the sub's inventor. The last 15-20 minutes were the best part of the film. It was concerning that when they destroyed the hidden city of Mu, they destroyed everyone. The genocide was a bit concerning even for a Kaiju movie.
While I applaud the makers effort to try and craft a different kind of monster film and focus on more sci-fi aspects, I found it rather disappointing. Better to watch Destroy All Monsters, even though she only had a cameo in it, Manda had more to do than in this one. Only for those Kaiju fans who would like to see Manda's original film or have an interest in sunken cities where the people wear bright colorful wigs.
9/30/22
Atragon. Given that pedigree I expected it to be better. With all the allusions to the destroyer goddess Manda, I definitely expected to see her before the last 15 minutes of the film and for more than 5 minutes. Atragon instead focused on old naval officers and whether to resurrect an Imperialistic Japan.
The film opens with two photographers taking pictures of their bikini clad model at midnight near the bay because everyone knows the lighting is so good at that time of the day. When up from the water comes a steamy man. There's an investigation regarding the steam man that leads nowhere. The photographers spend a lot of time hunting down a beautiful woman they see on the street so that they can make her a model. Turns out the would be model is the daughter of a naval commander who disappeared during the war and she became the ward of a retired admiral. Next thing you know a man with special powers from the ancient submerged city of Mu shows up to kidnap the woman and the admiral to take them back to Mu and make them slaves. His plan is foiled by the nosy photographers. After some city destruction by the vapor creatures the admiral finally realizes he's going to have to reveal that her father is not dead and take her to him. Not the happiest of reunions after 20 years especially since dear old dad has created a super sub that can also fly and burrow through the earth and has a freeze ray all in order to resurrect Imperial Japan. Not sure if that means he wants to go back on a destructive rage against China, Korea, and the US, but the admiral and his daughter try to change his mind. Only when the Mu kidnap his daughter and threaten to overthrow the world does he decide to use his sub for good.
Given that this was a Honda film, Manda was a huge disappointment in both design and execution. She's just the third female Kaiju in this particular franchise and she didn't show up until late in the movie and was dispatched rather easily. The high tech sub and city miniatures were all beautifully created for the time and budget. Ifukube recycled Godzilla's music for this one, I kept expecting to see the big guy stomp onto the scene. Goodness knows it might have made this movie more interesting.
The story tended to wander around in circles for much of the movie until they showed up at the secret island with the sub's inventor. The last 15-20 minutes were the best part of the film. It was concerning that when they destroyed the hidden city of Mu, they destroyed everyone. The genocide was a bit concerning even for a Kaiju movie.
While I applaud the makers effort to try and craft a different kind of monster film and focus on more sci-fi aspects, I found it rather disappointing. Better to watch Destroy All Monsters, even though she only had a cameo in it, Manda had more to do than in this one. Only for those Kaiju fans who would like to see Manda's original film or have an interest in sunken cities where the people wear bright colorful wigs.
9/30/22
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