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Don't hasten your death!
The Great Buddha Arrival is an homage/reboot of the 1934 Edamasa Yoshiro film by the same name. Part mockumentary, part documentary, part Tokusatsu, and a whole lot of strange fantasy---The Great Buddha Arrival is hard to define.
In 1934 Edamasa Yoshiro created a film about the 18 meter/60 feet tall Shurakuen Buddha statue coming to life and walking to Tokyo. Destroyed during WWII, all that remains of the film are a few photos from a magazine. One of the first Tokusatsus and creative inspiration for those who would follow, fans and filmmakers decided to honor it by giving it a reboot. The movie is less than an hour long and largely crowd sourced. Blasts from the past showed up to be "interviewed" for the TV show being developed on the statue's past. Godzilla and Gamera stars of old made appearances and also Edamasa's grandson.
In the 2018 film the three photos are thought to be from a real event and a young writer is tasked with creating a tv show around them. Later he finds that they are from Edamasa's film but it was based on a real experience the director had with the walking statue. Very meta. It was thought the Buddha appeared because of the serial suicides of the 1930's, whether as a warning or a sign of hope was unknown. In a twist of fate, the statue comes to life life once again in the present and begins its walk to Tokyo. This time people aren't running and screaming and Tokyo Tower seems safe. The ghost of Edamasa appears to the writer as he follows the statue, "Don't hasten your death!" When a dead director and a walking 60 foot statue appear, I'd play heads up.
Recreated scenes imagined from the 1934 movie were done using the old school techniques from the 1930's showing the statue walking through town to match up with the photos. Some of the interviews for the tv show were fun for Kaiju geeks. The little boy from the original Gamera tells of how the walking Buddha saved him, repeating the scene from Gamera only without the giant tusked turtle, although a turtle is shown in his living room. 1954 Godzilla's Takarada Akira warns that science comes with both positive and negative consequences and the Kaiju movies of yore were cautionary tales. The one big oops was an "American" religious expert who mentioned other statues with supernatural events such as Mary Magdalene, I'm not Catholic, but I think she meant the Virgin Mary, Jesus' mother. Mary Magdalene's statues aren't usually as famous and FYI, she wasn't a prostitute. But she did bring up what would be important later in the movie-that not all statues were harbingers of doom, but could also be seen as messengers of hope.
The movie bounces back and forth with grainy black and white scenes from the 1934 film (ones recreated for this film), old (created) news reels, shots of people committing suicide in 1934, news stories that were not translated, and the current time with various people and "witnesses" being interviewed. News anchors and talking heads tried to understand what was causing the statue to walk, up to and including "dark energy" supplied by aliens. The acting throughout the scenes sufficed but not much more.
The cinematography wasn't very good and the lighting was downright bad in some scenes. The sets were about as rudimentary as you can get. Most of the money must have been saved up for the last quarter of the movie and the walking statue. I tried to cut this film some slack as it was an indie film and a fan service to honor Edamasa's lost influential work. It was very strange but also interesting.
The film's ending was stark yet offered a glimmer of hope. It took a long, pinball bouncing way to get there and I often didn't know what was real and what wasn't, but in it's own weird little way this bizarrely patched together movie had heart. The Great Buddha Arrival is probably only for hardcore Takusatsu/Kaiju fans as it does commemorate the origins of the film genre and has cameos by several actors from Tokusatsu films going back to Gojira's 1954 debut. The casual viewer will wonder why a turtle in a tank is featured during one interview, some of us will go, "that's the annoying kid from Gamera!" Never thought I'd be happy to see him again. The walking Buddha even healed those wounds.
9/1/22
In 1934 Edamasa Yoshiro created a film about the 18 meter/60 feet tall Shurakuen Buddha statue coming to life and walking to Tokyo. Destroyed during WWII, all that remains of the film are a few photos from a magazine. One of the first Tokusatsus and creative inspiration for those who would follow, fans and filmmakers decided to honor it by giving it a reboot. The movie is less than an hour long and largely crowd sourced. Blasts from the past showed up to be "interviewed" for the TV show being developed on the statue's past. Godzilla and Gamera stars of old made appearances and also Edamasa's grandson.
In the 2018 film the three photos are thought to be from a real event and a young writer is tasked with creating a tv show around them. Later he finds that they are from Edamasa's film but it was based on a real experience the director had with the walking statue. Very meta. It was thought the Buddha appeared because of the serial suicides of the 1930's, whether as a warning or a sign of hope was unknown. In a twist of fate, the statue comes to life life once again in the present and begins its walk to Tokyo. This time people aren't running and screaming and Tokyo Tower seems safe. The ghost of Edamasa appears to the writer as he follows the statue, "Don't hasten your death!" When a dead director and a walking 60 foot statue appear, I'd play heads up.
Recreated scenes imagined from the 1934 movie were done using the old school techniques from the 1930's showing the statue walking through town to match up with the photos. Some of the interviews for the tv show were fun for Kaiju geeks. The little boy from the original Gamera tells of how the walking Buddha saved him, repeating the scene from Gamera only without the giant tusked turtle, although a turtle is shown in his living room. 1954 Godzilla's Takarada Akira warns that science comes with both positive and negative consequences and the Kaiju movies of yore were cautionary tales. The one big oops was an "American" religious expert who mentioned other statues with supernatural events such as Mary Magdalene, I'm not Catholic, but I think she meant the Virgin Mary, Jesus' mother. Mary Magdalene's statues aren't usually as famous and FYI, she wasn't a prostitute. But she did bring up what would be important later in the movie-that not all statues were harbingers of doom, but could also be seen as messengers of hope.
The movie bounces back and forth with grainy black and white scenes from the 1934 film (ones recreated for this film), old (created) news reels, shots of people committing suicide in 1934, news stories that were not translated, and the current time with various people and "witnesses" being interviewed. News anchors and talking heads tried to understand what was causing the statue to walk, up to and including "dark energy" supplied by aliens. The acting throughout the scenes sufficed but not much more.
The cinematography wasn't very good and the lighting was downright bad in some scenes. The sets were about as rudimentary as you can get. Most of the money must have been saved up for the last quarter of the movie and the walking statue. I tried to cut this film some slack as it was an indie film and a fan service to honor Edamasa's lost influential work. It was very strange but also interesting.
The film's ending was stark yet offered a glimmer of hope. It took a long, pinball bouncing way to get there and I often didn't know what was real and what wasn't, but in it's own weird little way this bizarrely patched together movie had heart. The Great Buddha Arrival is probably only for hardcore Takusatsu/Kaiju fans as it does commemorate the origins of the film genre and has cameos by several actors from Tokusatsu films going back to Gojira's 1954 debut. The casual viewer will wonder why a turtle in a tank is featured during one interview, some of us will go, "that's the annoying kid from Gamera!" Never thought I'd be happy to see him again. The walking Buddha even healed those wounds.
9/1/22
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