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As with many superhero stories, you go in knowing it will be more entertainment than realism. The concept is great, especially since I have a soft spot for vigilantes but the execution in this one wasn't done well. Because it revolves heavily around the taxi, it does have a hint of resemblance to Batman (which they reference themselves in the series).
The first couple of stories were satisfying and the exaggerations went well with that dab of comedic undertone. However, it just felt more and more lame as they entered heavily into the cloud-based firm revenge. While the script being overly basic can be overlooked, when the characters themselves began to lose their flavor, that's when there's really not much else to look forward to.
- The prosecutor was irritating from the beginning and she could have been written out completely with minimal impact.
- They try to humanize your mains by incorporating some type of trigger that causes them to relive their traumas but the way it was executed just made them again, lame. For a team that is supposed to be superior and calmly collected, and who's been doing this for a while, a whistle from some traffic cop is going to cause your main dude to pass out? Then your female main who's seen that online video over and over again in the past, is suddenly so traumatized by coming across it again during a job that she just abandons ship and locks herself up? While trauma does impact someone for a lifetime, this was incredibly excessive.
- The sister's suicide. They paint her out to be a sweet, loving person. But anyone who has enough right mind to make a last meal for a loved one, tuck a blanket over them, and then decides to publicly jump off a building and plop herself horrifically in front of the same loved one, is just a selfish ass.
- Oh, how the flashbacks were misused much too often. Instead of adding anything to the plot, they were just fillers to prolong the minutes. I also didn't buy into the dramatic music that tried to convince the audience into thinking the scene was eventful.
If they had maintained the same pacing as with the first couple of stories or didn't reduce character developments, it would have been much more entertaining. Unfortunate.
The first couple of stories were satisfying and the exaggerations went well with that dab of comedic undertone. However, it just felt more and more lame as they entered heavily into the cloud-based firm revenge. While the script being overly basic can be overlooked, when the characters themselves began to lose their flavor, that's when there's really not much else to look forward to.
- The prosecutor was irritating from the beginning and she could have been written out completely with minimal impact.
- They try to humanize your mains by incorporating some type of trigger that causes them to relive their traumas but the way it was executed just made them again, lame. For a team that is supposed to be superior and calmly collected, and who's been doing this for a while, a whistle from some traffic cop is going to cause your main dude to pass out? Then your female main who's seen that online video over and over again in the past, is suddenly so traumatized by coming across it again during a job that she just abandons ship and locks herself up? While trauma does impact someone for a lifetime, this was incredibly excessive.
- The sister's suicide. They paint her out to be a sweet, loving person. But anyone who has enough right mind to make a last meal for a loved one, tuck a blanket over them, and then decides to publicly jump off a building and plop herself horrifically in front of the same loved one, is just a selfish ass.
- Oh, how the flashbacks were misused much too often. Instead of adding anything to the plot, they were just fillers to prolong the minutes. I also didn't buy into the dramatic music that tried to convince the audience into thinking the scene was eventful.
If they had maintained the same pacing as with the first couple of stories or didn't reduce character developments, it would have been much more entertaining. Unfortunate.
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