1
SKITC
Probably within reach of a coffee
Perhaps the only significant misstep is in the title
There's scant overlap between the source material of "Little Women" and the Korean drama that bears its name. Louisa May Alcott's novel has three sisters that struggle in a family afflicted by poverty, but there's only scattered other parallels between the present drama and either the novel or previous adaptations. And perhaps the most jarring twist in an almost endless string of them is the one that hits quite early on - that this is not at all what a viewer would expect from something called "Little Women".
Kim Go Eun, Nami Ji Hyun and Park Ji Hoo play the sisters In Joo, In Kyung and In Hye respectively. In Joo is a bookkeeper in a corporate office but an outcast among the staff. In Kyung is a reporter at a news station where she seems to get the worst possible assignments like covering a typhoon from the middle of the typhoon. In Hye is a prodigy at oil painting but resents that her older sisters sacrifice for her to pursue her art.
The narrative kicks off with In Joo's only friend at work nonchalantly asking her to help with a side business project she's been working on. And then bad things start happening and it's not clear who's behind them, but there's little question that the Won family and Uhm Ki Joon's Park Jae Sang who has married in to the family are involved. Before long, each of the In sisters entangles herself with this clan and it very likely will not be a healthy relationship.
Kim Hee Won directs and does so masterfully. The production value across the board is flawless. It is exceptionally well shot. The sound editing and score are sublime. The wardrobe, hair and makeup crews killed it. Each episode is a compelling watch in isolation and as the tension builds quite quickly early on, it only ratchets tighter as the series progresses.
The cast is led by some big names like Kim Go Eun and Nam Ji Hyun and Wi Ha Joon. Of those three, Nam Ji Hyun stands out, although all are very good. There's some terrific performances by supporting cast too. Gong Min Jung is a viciously combative colleague of In Kyung. Kim Mye Sook plays a distant, wealthy relative of the In sisters and is terrific. Park Bo Kyung is a frightening operative working for Park Jae Sang.
But the most captivating work is by Uhm Ji Won. Her Won Sang A is definitely not a mentally well person. Is she simply a spoiled princess of the powerful Won family? There's a lot more than that (A WHOLE LOT MORE) and while plenty of mystery surrounds the character, when she's on screen, everything else shrinks. It is hands down the best supporting performance in the genre this year.
If there are flaws, it's that the screenplay gets a little too tricksy at times to feint this way and that. Most often, things are adequately explained, but not always. And there's some inconsistencies in how much control a powerful group holds over courts and judges and prosecutors and the media. At times, it is unlimited and a moment later, they are no more powerful than a corner convenience store.
Highly recommended for the above reasons as well as what is unquestionably the cameo appearance of 2022. "Little Women" is almost certainly the best drama of 2022.
Kim Go Eun, Nami Ji Hyun and Park Ji Hoo play the sisters In Joo, In Kyung and In Hye respectively. In Joo is a bookkeeper in a corporate office but an outcast among the staff. In Kyung is a reporter at a news station where she seems to get the worst possible assignments like covering a typhoon from the middle of the typhoon. In Hye is a prodigy at oil painting but resents that her older sisters sacrifice for her to pursue her art.
The narrative kicks off with In Joo's only friend at work nonchalantly asking her to help with a side business project she's been working on. And then bad things start happening and it's not clear who's behind them, but there's little question that the Won family and Uhm Ki Joon's Park Jae Sang who has married in to the family are involved. Before long, each of the In sisters entangles herself with this clan and it very likely will not be a healthy relationship.
Kim Hee Won directs and does so masterfully. The production value across the board is flawless. It is exceptionally well shot. The sound editing and score are sublime. The wardrobe, hair and makeup crews killed it. Each episode is a compelling watch in isolation and as the tension builds quite quickly early on, it only ratchets tighter as the series progresses.
The cast is led by some big names like Kim Go Eun and Nam Ji Hyun and Wi Ha Joon. Of those three, Nam Ji Hyun stands out, although all are very good. There's some terrific performances by supporting cast too. Gong Min Jung is a viciously combative colleague of In Kyung. Kim Mye Sook plays a distant, wealthy relative of the In sisters and is terrific. Park Bo Kyung is a frightening operative working for Park Jae Sang.
But the most captivating work is by Uhm Ji Won. Her Won Sang A is definitely not a mentally well person. Is she simply a spoiled princess of the powerful Won family? There's a lot more than that (A WHOLE LOT MORE) and while plenty of mystery surrounds the character, when she's on screen, everything else shrinks. It is hands down the best supporting performance in the genre this year.
If there are flaws, it's that the screenplay gets a little too tricksy at times to feint this way and that. Most often, things are adequately explained, but not always. And there's some inconsistencies in how much control a powerful group holds over courts and judges and prosecutors and the media. At times, it is unlimited and a moment later, they are no more powerful than a corner convenience store.
Highly recommended for the above reasons as well as what is unquestionably the cameo appearance of 2022. "Little Women" is almost certainly the best drama of 2022.
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