Not the most novel storyline but enough bright spots
There's a distinct lack of tension and intrigue to this show as its primary arc of the office romance between Ro Woon and Won Jin Ah sticks to checking the usual boxes. It's not altogether unwelcome though and even has some very nicely executed moments, particularly in later episodes. Ro Woon undoubtedly is effortlessly charming and has all the other attributes to carry a show as the central character. As a bonus, his sibling chemistry with Wang Bit Na and Ha Yoon Kyung (his older sisters) is marvelous.
The slow build of the pairing between Na's designer and Lee Kyu Han's chairman is a nice secondary storyline and the chairman provides some badly needed lighter moments. The most compelling secondary plot, however, is Ha Yoon Kyung's splintering marriage and this deserved far more screen time than it received.
Sadly, the show has limitations which ultimately cap its appeal as anything more than an amiable enough but not compelling production. Among them is Won Jin Ah who is a capable actor but not dynamic. The office crew around our main duo is present in many, many scenes, but they are rarely noteworthy. A strange subplot of a video channel run by a mask-wearing host appears, then disappears for almost the entire duration and then needlessly and distractingly pops up in a later show.
But the most serious flaw is the character of Lee Jae Shin and his portrayal by Lee Hyun Wook. The character is alternates from boor to bore. While it is theoretically possible to be a less sympathetic character without being an outright serial killer, it's a matter a relative degree. It's far, far beyond credible not only that three other seemingly bright and mostly morally upright characters would tolerate him and even have strong emotional attachments to him. Trying to shoehorn in a childhood broken family backstory to drum up sympathy only prolongs the discomfort. It doesn't help that Lee Hyun Wook's range is limited to sullen and petulant to sullen and irritable. The show would have been far more compelling to jettison his presence after the primary arc no longer required it.
What will stick (hopefully) is that Ro Woon should be in high demand to lead a show with a more complete package around him.
The slow build of the pairing between Na's designer and Lee Kyu Han's chairman is a nice secondary storyline and the chairman provides some badly needed lighter moments. The most compelling secondary plot, however, is Ha Yoon Kyung's splintering marriage and this deserved far more screen time than it received.
Sadly, the show has limitations which ultimately cap its appeal as anything more than an amiable enough but not compelling production. Among them is Won Jin Ah who is a capable actor but not dynamic. The office crew around our main duo is present in many, many scenes, but they are rarely noteworthy. A strange subplot of a video channel run by a mask-wearing host appears, then disappears for almost the entire duration and then needlessly and distractingly pops up in a later show.
But the most serious flaw is the character of Lee Jae Shin and his portrayal by Lee Hyun Wook. The character is alternates from boor to bore. While it is theoretically possible to be a less sympathetic character without being an outright serial killer, it's a matter a relative degree. It's far, far beyond credible not only that three other seemingly bright and mostly morally upright characters would tolerate him and even have strong emotional attachments to him. Trying to shoehorn in a childhood broken family backstory to drum up sympathy only prolongs the discomfort. It doesn't help that Lee Hyun Wook's range is limited to sullen and petulant to sullen and irritable. The show would have been far more compelling to jettison his presence after the primary arc no longer required it.
What will stick (hopefully) is that Ro Woon should be in high demand to lead a show with a more complete package around him.
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