Quinn7
on top of Old Smokey
"Gaya sa Pelikula" is in general quite good. The story is basic and easy to follow, but the actors do a good job portraying the motional ups and downs of their characters. The narrative is preachy at times, and the uncomfortable and sometimes problematic affirmations at the end of the end credits were not necessary, but the depictions of Karl's angst about being gay and wanting to stay closeted were very well done. The drama did a good job showing through Vlad how people who aren't closeted can still be hurt by the closet.
The music was probably the best part of GSP. There was a good song for just about any situation in the drama, and it really pushed the narrative. The best scenes featuring music were the "Tahanan" and "Fools" sequences. The theme song "Unti Unti" is really good, too.
Now, is GSP as progressive as it depicts itself to be? In some ways, yes. The characters have some genuinely good discussions about microaggressions and family pressure, and it is generally quite uplifting. While the drama sometimes falls into pop culture progressivism, this is subverted with the character Judit, who is a deconstruction of what it means to be an ally. The problematic part of the show is this overall atmosphere of solidarity, or as the drama's poster says, "It's time to take back our story." Our story? This message, which is repeated in the end credits affirmations, is very damaging for closeted queer people to internalize. Solidarity, unity, and community are very good things, but are not always what one finds after coming out of the closet. The last end credit affirmation ends with, "We will welcome you when you are ready." That's a nice thought, but a lot of people who have come out of the closet can testify how cliquey a lot of LGBTQ+ groups, centers, clubs, bars, etc., can be. This is a far cry from dramas like "Quaranthings", "Game Boys", "B x J Forever", and even "Sakristan", all of which depicted both stability and dysfunction within the interactions of queer people, therefore being a bit more realistic in this regard.
The music was probably the best part of GSP. There was a good song for just about any situation in the drama, and it really pushed the narrative. The best scenes featuring music were the "Tahanan" and "Fools" sequences. The theme song "Unti Unti" is really good, too.
Now, is GSP as progressive as it depicts itself to be? In some ways, yes. The characters have some genuinely good discussions about microaggressions and family pressure, and it is generally quite uplifting. While the drama sometimes falls into pop culture progressivism, this is subverted with the character Judit, who is a deconstruction of what it means to be an ally. The problematic part of the show is this overall atmosphere of solidarity, or as the drama's poster says, "It's time to take back our story." Our story? This message, which is repeated in the end credits affirmations, is very damaging for closeted queer people to internalize. Solidarity, unity, and community are very good things, but are not always what one finds after coming out of the closet. The last end credit affirmation ends with, "We will welcome you when you are ready." That's a nice thought, but a lot of people who have come out of the closet can testify how cliquey a lot of LGBTQ+ groups, centers, clubs, bars, etc., can be. This is a far cry from dramas like "Quaranthings", "Game Boys", "B x J Forever", and even "Sakristan", all of which depicted both stability and dysfunction within the interactions of queer people, therefore being a bit more realistic in this regard.
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