Prometeumoderno
Uaenaland
Această recenzie poate conține spoilere
A short review (with some little spoilers)
Overall it's a good drama, I think it's great. I personally really liked how the protagonist handles her editor work, and the fact that she is cute most of the time, but also serious when necessary. The couple have good chemistry and the funniest scenes for me are the male protagonist being "a concubine in a cold palace".
I don't know if I already said it, but one of the tags I like the most is the "hardworking female lead", that is, the protagonists who don't live in terms of romantic love. Well, love can be something important, but it bothers me a lot when some characters are defined by the relationships they have with the male protagonists.
I really liked how there is an effort to demonstrate the relationships that exist between editors and authors, as well as the distinction between "good" and "bad" editors. The emphasis given to the importance of books in general is also worth mentioning.
But there are a few things I didn't like, which I listed quickly and not so organized: 1) The way the protagonist got her job was unusual and seemed a little unrealistic, along with the fact that in her first task she took something very difficult to accomplish, which was to sign a contract for the production of the male leader's book; 2) The delay for her to know that the protagonist was her friend on the internet (wechat, I think), and the fact that he used this identity to find out more about her, seemed a little inappropriate, but nothing to stop me from continuing watching the drama; 3) The number of episodes, which could be a little smaller added to the unnecessary drama in the final part, caused in part by a female character interested in the male leader. This made the final part of the drama a bit tiring to watch, I think 30/32 episodes would be an ideal amount; 4) The relationship of the secondary ones who didn't communicate, didn't talk. The chemistry existed, that's a fact, except that the secondary couple's development was a bit boring, with misunderstandings that could be resolved with a simple serious and frank conversation.
However, these negative points were overcome by the dynamics given by the main and secondary characters. I really appreciated the effort made by the protagonist to help her writers. And finally, I'm glad that Esther Yu's acting has improved significantly.
I don't know if I already said it, but one of the tags I like the most is the "hardworking female lead", that is, the protagonists who don't live in terms of romantic love. Well, love can be something important, but it bothers me a lot when some characters are defined by the relationships they have with the male protagonists.
I really liked how there is an effort to demonstrate the relationships that exist between editors and authors, as well as the distinction between "good" and "bad" editors. The emphasis given to the importance of books in general is also worth mentioning.
But there are a few things I didn't like, which I listed quickly and not so organized: 1) The way the protagonist got her job was unusual and seemed a little unrealistic, along with the fact that in her first task she took something very difficult to accomplish, which was to sign a contract for the production of the male leader's book; 2) The delay for her to know that the protagonist was her friend on the internet (wechat, I think), and the fact that he used this identity to find out more about her, seemed a little inappropriate, but nothing to stop me from continuing watching the drama; 3) The number of episodes, which could be a little smaller added to the unnecessary drama in the final part, caused in part by a female character interested in the male leader. This made the final part of the drama a bit tiring to watch, I think 30/32 episodes would be an ideal amount; 4) The relationship of the secondary ones who didn't communicate, didn't talk. The chemistry existed, that's a fact, except that the secondary couple's development was a bit boring, with misunderstandings that could be resolved with a simple serious and frank conversation.
However, these negative points were overcome by the dynamics given by the main and secondary characters. I really appreciated the effort made by the protagonist to help her writers. And finally, I'm glad that Esther Yu's acting has improved significantly.
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