Mertseger
The following review was written before the vote-manipulation scandal discovered 1.5 years later revealed that the votes for the final 12 were ignored and the final members selected by the producers (see: https://www.soompi.com/article/1369776wpp/entire-lineups-of-x1-and-izone-reportedly-decided-before-finale-voting-ranking-of-a-wanna-one-member-also-manipulated ).
I am not a K-pop or J-pop fan, and so my review should be fairly free of any emotional investment in those scenes.
Produce 48 is the third Korean installment of a musical survival show produced by Mnet. The prior two seasons resulted in a successful debut of a girl-group and boy-group respectively. What made this particular iteration of the series more interesting from a global perspective was its collaboration with AKS, the parent company responsible for developing AKB48 in Japan and turning it into a wildly successful music group franchising organization. The initial plan was to do a version of the show in which half of the contestants were Korean trainees and half were Japanese idols from the various 48 groups.
That's not quite what we got. Produce 48 initially started with 39 Japanese Idols and 59 Korean trainees, and the show chose not to or was not able to allow people to vote outside of Korea. And so the contest was never particularly structured to be fair for the Japanese contestants.
The early episodes of the series are a quite interesting look at the differences in approach to artistic development and growth between the two systems. In short, the Japanese idols are shocking less well trained at singing and dance in comparison to the Korean trainees in their agency system. Now, that could be a bias of the presentation on this show; however, it's fairly well documented outside the show that the girls in the 48 groups are not, in general, provided with any kind of training while agencies in Korea can invest years of training into performers before their debut (and exact huge debts for from the performers for doing so, but that's a whole other discussion). What the Japanese idols do acquire from AKS is a wealth of stage and general entertainment experience.
Generally, the structure of the show is a couple episodes of the contestants preparing and then performing a song, and then an elimination episode where roughly a third of the current pool is eliminated until at the end of episode 12 we're left with a group of 12 performers to be known as IZONE. Voting for the contestants often begins weeks before a performance is shown, and so much of the fate of individuals is based on how much screen time they've managed to get and how well they present on camera rather than their ability to sing, dance or rap which is ostensibly are the skills upon which they are supposed to be judged. All survival shows are popularity contests, and Produce 48 is no different in that respect, but it's clear that the way the voting on Produce 48 is structured does not particularly serve to select the best performers which might be okay as long as you understand that fact.
The performances throughout this series were uniformly outstanding, but subject to the usual quirks of Korean editing where any notable moment good or bad is repeated immediately two or three times. Were the show more focused on the performances, it would be far better. The training segments are okay and the training staff are generally charismatic and professional. But there's also a lot of fluff around group selection for the performances, inevitable product placement segments and utterly crap and banal game segments that only serve to juice the votes for whomever makes the cut in the final edit. The host, Lee Seung Gi, does an excellent job until the final live episode where he could use a teleprompter and some training to get his head out of the cards in his hand.
In conclusion, Produce 48 was an intriguing cross-national premise that was poorly served by the game structure and production decisions. It was not a unmitigated disaster, and, indeed, resulted in some quality musical performances. However, it did certainly fail to live up to its hype, and it did fail to create a level playing field for the two groups involved. I enjoyed watching it, but it could have been much better with some fairly obvious structural changes.
I am not a K-pop or J-pop fan, and so my review should be fairly free of any emotional investment in those scenes.
Produce 48 is the third Korean installment of a musical survival show produced by Mnet. The prior two seasons resulted in a successful debut of a girl-group and boy-group respectively. What made this particular iteration of the series more interesting from a global perspective was its collaboration with AKS, the parent company responsible for developing AKB48 in Japan and turning it into a wildly successful music group franchising organization. The initial plan was to do a version of the show in which half of the contestants were Korean trainees and half were Japanese idols from the various 48 groups.
That's not quite what we got. Produce 48 initially started with 39 Japanese Idols and 59 Korean trainees, and the show chose not to or was not able to allow people to vote outside of Korea. And so the contest was never particularly structured to be fair for the Japanese contestants.
The early episodes of the series are a quite interesting look at the differences in approach to artistic development and growth between the two systems. In short, the Japanese idols are shocking less well trained at singing and dance in comparison to the Korean trainees in their agency system. Now, that could be a bias of the presentation on this show; however, it's fairly well documented outside the show that the girls in the 48 groups are not, in general, provided with any kind of training while agencies in Korea can invest years of training into performers before their debut (and exact huge debts for from the performers for doing so, but that's a whole other discussion). What the Japanese idols do acquire from AKS is a wealth of stage and general entertainment experience.
Generally, the structure of the show is a couple episodes of the contestants preparing and then performing a song, and then an elimination episode where roughly a third of the current pool is eliminated until at the end of episode 12 we're left with a group of 12 performers to be known as IZONE. Voting for the contestants often begins weeks before a performance is shown, and so much of the fate of individuals is based on how much screen time they've managed to get and how well they present on camera rather than their ability to sing, dance or rap which is ostensibly are the skills upon which they are supposed to be judged. All survival shows are popularity contests, and Produce 48 is no different in that respect, but it's clear that the way the voting on Produce 48 is structured does not particularly serve to select the best performers which might be okay as long as you understand that fact.
The performances throughout this series were uniformly outstanding, but subject to the usual quirks of Korean editing where any notable moment good or bad is repeated immediately two or three times. Were the show more focused on the performances, it would be far better. The training segments are okay and the training staff are generally charismatic and professional. But there's also a lot of fluff around group selection for the performances, inevitable product placement segments and utterly crap and banal game segments that only serve to juice the votes for whomever makes the cut in the final edit. The host, Lee Seung Gi, does an excellent job until the final live episode where he could use a teleprompter and some training to get his head out of the cards in his hand.
In conclusion, Produce 48 was an intriguing cross-national premise that was poorly served by the game structure and production decisions. It was not a unmitigated disaster, and, indeed, resulted in some quality musical performances. However, it did certainly fail to live up to its hype, and it did fail to create a level playing field for the two groups involved. I enjoyed watching it, but it could have been much better with some fairly obvious structural changes.
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