Kim Bo Tong, writer of D.P. was quoted as saying: “DP was created to fight the oblivious notion that the military is better now. I wish to help those fighting in the dark. I hope to make a better tomorrow for someone who might be crying alone even at this time.” What a praiseworthy and noble objective! I sincerely hope that the miniseries gets to achieve writer Bo Tong’s aspirations.

It is an action packed 6 episodes laden with heavy scenes that are shocking to see and difficult to digest if you are the overly sensitive and emotional type. Apparently, this is the grim reality that pervades the life of unfortunate junior personnel in the South Korean military, hence the deserters or runaways, and consequently, the need for DPs - those tasked to pursue and bring the deserters back to the barracks. The show resembles a social commentary on how a strict hierarchical society perpetuates and tolerates abuses then hides cowardly under the guise that it is intrinsically part of their culture’s DNA. It is what it is. Take it or leave it.

I appreciate how this show is raw, dark and honest as opposed to glossy, fanciful and pretentious. Director Han Jun Hee was not ashamed to show the dirty surroundings and the faulty system. He did not hesitate to show imperfections down to the minutest details such as the actors’ blemished complexion and rough skin texture.

The unlikely duo of an intensely serious Jung Hae In and an extremely goofy Koo Kyo Hwan was a match made in comedic heaven. Their solid partnership and suspenseful exploits were the victorious part of the story. What amazed me about their acting was how natural and spontaneous they delivered their lines as if there was no script to follow nor any cameras rolling in front of them.

My “D.P.” review in one sentence: Prolific acting, casting, directing, screenplay, production design and cinematography showcased in 6 episodes.