It isn’t uncommon for dramas to sometimes land themselves in hot water over various scandals in South -Korea and JTBC and Disney’s ‘ Snowdrop’ is no exception to this problem . Of course, this shouldn’t prevent viewers from enjoying a series or affect the overall quality .

The storyline of ‘ Snowdrop’ was intriguing, the casting choices are certainly impressive and there are admittedly some surprisingly impactful tour de force moments also. On the other hand, it’s hard not to address one of the biggest elephants in the room surrounding ‘ Snowdrop’’s mixed-reception and controversy; the storyline’s time-setting and take upon historical events.

The backdrop of the narrative focuses upon the precursor events leading up to the historical 1987 political movement in South-Korea. Eun Young-ro ( Jisoo) is a student at Hosu Women’s University and the daughter of the director of the Agency For National Security Planning (ANSP) Eun Chang-soo (Heo Joon-ho). After a blind date, Young-ro ends up meeting the mysterious Im Soo-ho (Jung Hae-in). A man of few words and having previously studied abroad at a prestigious university in Berlin, Soo-Ho captures Young-ro’s interests with his like-minded tastes and philosophies . However after Soo-Ho stumbles through a window at the university, covered in blood and wounds, Young-ro is forced to face some shocking truths and revelations about her crush Im Soo-Ho…

It is important to note that whilst there are some inescapable elements of “fluffy” and lighthearted romance in ‘ Snowdrop’, venerable screenwriter Yoo Hyun Mi (‘Bridal Mask’, ‘ SKY Castle) and director Jo Hyun Tak ( ‘ Who Are You?’, ‘ SKY Castle’) mainly focus upon the network of political mind games and tension throughout the storyline . In particular, screenwriter Yoo Hyun Mi adds a notably sardonic tone towards political strife and satire in 1980s South and North Korea.

On the other hand, Yoo Hyun Mi often seemed unsure at times towards the direction of the drama. Whilst it isn’t out of the question for a series to attempt to relieve tension with lighthearted banter, niche setups and comic relief, the screenwriter could often overplay at times somewhat fractious comedy and scenes without interspersing this into the storyline with more tact. In addition to this there is admittedly a complex issue to bring up surrounding the wider controversy of the drama; the fictional take upon real-life events and figures.

The series often attempted to depict important figures and events with a certain artistic licence. Whilst it is arguable that a lot of the storyline events were only loosely based upon the memoirs of a former POW and were never supposed to be a “fly-on-the-wall” depiction of events , it is still a sticky situation when viewers become aware of the actual historical context. ( In particular, the drama’s somewhat “glossy” depiction of tragic historical figures, groups and events without acknowledging brutal realities. )

Controversy aside , ‘ Snowdrop’ admittedly offered viewers a fairly impressive casting lineup, specifically with BLACKPINK’s Jisoo, rising star Jung Hae-in and A-lister Yoo In Na drawing attention for viewers .

BLACKPINK’s Jisoo starred as the main attraction of the drama as main female lead Eun Young-ro. Whilst Jisoo’s initial performance was admittedly somewhat questionable, the BLACKPINK idol’s acting debut was certainly decent enough with an ability to capture an emotive edge to her character in later episodes.

Costarring alongside Jisoo was main male lead Im Soo Hoo as Jung Hae-in ( ‘ D.P’, ‘ Prison Playbook’, ‘ Something In The Rain’). The actor is no stranger towards taking on versatile roles and whilst there were moments that Hae-in’s delivered dialogue could feel somewhat stiff, Hae-in was able to add a surprisingly complex charm to his onscreen persona.

The chemistry between our main leads is admittedly mixed at the best of the times. Whilst the events surrounding Jisoo and Hae-in’s onscreen counterparts are quintessential towards the main storyline, the actors’ onscreen chemistry could feel somewhat stunted due to few opportunities in order to explore the scope of their characters’ onscreen relationship.

Yoo Hyun Mi’s pacing of the series was variable. Whilst she allowed some opportunities to see tension buildup and gradual events unfold, the attempt to drag -out plot points even in a space of sixteen episodes, could often lead to events of the narrative feeling somewhat tedious and dull. In particular, screenwriter Yoo Hyun Mi fell into a notable habit of inducing a tense plot point, climatically building up events only to deliver a somewhat anticlimactic and trope-induced result and then repeat. ( In particular, the conclusion of the series suffering from the full weight of Hyun Mi’s formula.)

Nevertheless it is noteworthy that under the directing reigns of Jo Hyun Tak, the filming of ‘ Snowdrop’ is professional, slick and stylistic. The oozing tone of gradients and camera shots helped to convey the tension of key plot points and in addition to the emotive OST composed by Kim Tae Seung, helped to present ‘ Snowdrop’ with an aesthetic flare.

Jo Hyun Tak and Yoo Hyun Mi’s ‘ Snowdrop’ is a series which will likely satisfy and displease viewers of equal measure. The controversy surrounding the drama’s depiction of historical events is an unavoidable issue. On the hand whilst ‘ Snowdrop’ did boast a star-studded cast, a venerable screenwriter and director behind the scenes as well as some emotional punches , the drama did admittedly still suffer under the weight of poor-pacing, predictable setups and lacklustre opportunities to explore characters and impactful events ( including the ending) with more depth. Controversial, emotive yet somewhat niche in parts, ‘ Snowdrop’ is a drama which whilst watchable, will still divide audiences greatly…