Fusion genre dramas aren’t unheard of in K-dramas, but ‘ You Are My Spring’ certainly pulls out a new record with the amount of genres in tried to cram into the show. Does it work? On certain grounds ‘ You Are My Spring’ is partially poetic and partially natural speech at times . The dialogue infused by screenwriter Lee Min Na is a rare example in a K-drama for each individual character -feeling natural because it flows out of the mouths of these characters coherently .

Of course this drama wouldn’t be complete without its star-studded cast. Whilst admittedly there were few eyebrow raising moments of acting in parts of the show, our main cast did add their own dynamic charm to their onscreen personas. Actress Seo Hye Jin plays bubbly hotel manager Da Jung. A talented businesswoman and a person with a heart of gold, Da Jung had a rough upbringing and believes her love life has forever been tarnished by her mother. Da Jung immediately has a likeable charm for viewers even from her initial introduction -she isn’t the cliched “ ditsy and innocent ” female lead archetype, but still often finds herself at the crossroads during problematic moments in the drama. Similarly she’s career-orientated and a hard worker but is often fairly relaxed and kind-natured. However whilst it is understandable that whilst we do see her struggles flare up during “ necessary” moments for the storyline, this was often used as a carte blanche by the screenwriter to “ intensify drama” in order to keep the plot moving, or kindle “ potential chemistry” between the main characters rather than explore Da Jung’s sentience in more depth . There was so much potential to understand more about how Da Jung tried to cope with years of trauma in daily situations, her relationship (in more depth) with her mother, her past relationships as well as how this impacted Da Jung’s social experiences during childhood and growing up also.

On a more praiseworthy note and before commenting on the rest of the main cast, it is important to commend the cinematography and symbolism in this drama . Director Jung Ji Hyun tangoed a lot with screenwriter Min Na’s storyline points through subtle motifs and shifted lighting in order to explore the drama’s heavy-hitting moments in more detail. Da Jung’s morbid obsession since childhood with Edgar Allen Poe’s “ The Black Cat”acts as a perfect analogy for the mystery of the drama.

Yet back to our main cast it is impossible to forget Hye Jin’s fellow costar Kim Dong Wook who played main lead Yeong-Do. Kim Dong Wook added a refreshingly calm presence to our main lead. As his onscreen persona Yeong Do is very much written in the role as the “ nice guy” trope- he’s flawed and has his own emotional scars, but is amiable and possesses a good heart. A psychiatrist who significantly cares for all of his patients, it is fair to say that it was surprisingly heartwarming to see Yeong Do confront his patients or people who come to his clinic in different ways and through small, yet meaningful words and interactions. On a more nuanced note Yeong Do was very much in the same boat as Da Jung.A likeable and sweet character, but a lot of unexplored territory with his development beneath the service . Without giving any major spoilers, it’s fair to say that there was a lot of potential to explore regarding Yeong Do’s childhood. His complicated with his father was often dismissed or skipped over rarely giving opportunities to understand more about his childhood, the impact of his childhood on truly shaping the person he was during the events of the series and of course his exact reasons for becoming a psychiatrist in the first place. Whilst it is arguable a lot of his motives for becoming a psychiatrist were arguably sparked as a consequence of the dramatic events of his past , there was surprisingly little mention or reasoning even during heartfelt talks with Da Jung to back this up.


This naturally moves us onto the potential romantic relationship between Da Jung and Yeong Do . Whilst there are some undeniable qualms with the written relationship between their characters, it is undeniably that respected actors Hye Jin and Dong Wook really worked well together with their onscreen chemistry. They undeniably added vital life to their onscreen personas’ feelings for one another and watching this growth from blossoming acceptance to something more was quite heartwarming. However it is important to be forthright by explaining that this relationship was also the drama’s hamartia.

Refreshingly , it wasn’t necessarily a problem that this potential paring was “ toxic” or “ unhealthy” by either characters’ implicated actions. Both characters made flawed mistakes and misunderstandings within this relationship, yes. However both character were also able to accept and move on from their mistakes or fallbacks- Da Jung could learn to lean on Yeong Do rather than bottle up her emotions, whilst both Da Jung and Yeong Do learnt to give one another distance and time to heal after a particularly severe incident without relentlessly hounding the other. It was honestly a fairly overt relationship. On the other hand it is quickly apparent to see where viewers can grow lost within its labyrinthine plot- a romance story which suddenly turns to a murder mystery, and then back to a slow-burn love story with dominating screen time after the halfway is undeniably off putting for viewers expecting thrill and hype . Adding to this issue was of course the myriads of cliches and tropes which began popping up in the romantic side of the drama- so lacklustre and predictable from other aspects of the uncertainty of the thriller and mystery elements of drama, that sometimes the skip button could never look so appealing.

Of course it is important not to forget the talents of “ second main lead” Yoon Park who added a layer of depth and brilliance to his dual performance as Ian Chase/ Chul. The storyline surrounding the mysterious Ian Chase ( Yoon Park) and his uncanny resemblance to Chul ( also played by Park) was a major source of intrigue throughout the drama, and whilst this storyline certainly didn’t disappoint as later revelations came to light , there were moments which often fell flatline at times because the show was often being pulled apart in so many different directions. Nevertheless did this become more apparent just after the halfway point. Juggling between murder mystery and romance soon saw a higher dedication to the lacklustre slow-burn romance between the main leads- sweet and gradual, but so disconnected and predictable ( including tropes)from the other aspects of the drama that sometimes the skip button could never look so appealing.

Then there’s Ahn Ga Young( Nam Guy Ri). Admittedly there’s a lot more than meets the eye here with Ga Young and rather than sending her down the superficial route as the “ second female lead”, it was intriguing to see this character ‘s growth by her backstory and gradual wholesome friendship with Da Jung. However whilst Gyu Ri is a good actress , the tropes defining other aspects of her character resorted to her being reduced at times as nothing more than a quick plot device to heighten the stakes or comical foil. This was also case and point with our side couples-so cute and bubbly that they often won over the viewers’ attention from a dragging scene between Da Jung and Young Do, but lacking screen time did little to give these couples more limelight in the
second-half also. The ending was as expected-bittersweet in parts, sugary sweet in others but failing to wrap up some more nuanced storyline moments also.

The verdict for ‘ You Are My Spring’ is undeniably that it is dependent on what you want from this drama. At its forefront ‘ You Are My Spring’ delivers good performances by the cast, surprisingly well-written dialogues ,aesthetic cinematography in parts and tries hard to deliver a fusion genre production. Whilst the different genres do help to “ spice up” certain elements of the storyline early on, this idea soon falls flatline when other genres ( particularly the romance) begin to dominate major screen time for evidently more quintessential storyline moments. As a consequence the characters’ development and slow pacing in the storyline soon begins to struggle beneath the surface. The drama often becomes lost in its own labyrinthine complexity-trying its hardest to be an avant garde masterpiece , but often failing to reach the mark in the second-half. Enjoyable but admittedly flawed.