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Master class in storytelling
There are so many arcs about this drama that deserve recognition but first and foremost, an award has to go to the scriptwriter Hwang Jin Young who masterfully created an interwoven piece of fiction with historical events. The flowing narrative of Lee Jang Hyun and Yoo Gil Chae flows within a nation under constant siege.
The acting in this drama is above excellent, especially from Namkoong Min (Lee Jang Hyun), Ahn Eun Jin (Yoo Gil Chae),
Lee Hak Joo (Nam Yeon Jun) and Kim Yoon Woo (Ryang Eum). The romance and stretched ties between Jang Hyan and Gil Chae are neither overdone nor underwhelming. They are a couple drawn to each other, distrustful of one another and yearn for each other throughout. The separation arcs are not contrived but seen as a symptom of the times; those not in the ruling class are at the contrived whims of those that are. There were several times that this drama was put in pause in order to emotionally calm back down.
The secondary parts of Yeon Jun and Ryang Eum are flawlessly portrayed on screen, and I look forward to future roles they are a part of. Yeon Jun is married to Gil Chae's best friend but also secretly attracted to Gil Chae. This character does not act on his attraction, not because of duty or loyalty but because his wife's family could advance his career as a scholar. Ryang Eum was perhaps the most fascinating character because of an illicit longing for the person who saved him from a slave's life: Jang Hyun. He is pitiful, beautiful and selfish and this part in the hands of a lesser actor would have made him an antagonist that left the viewers without thought. Kim Yoon Woo's acting was flawless in the part and deserves recognition for a nuanced and emotional portrayal.
The hardest and most riveting part of this drama was how it handled those captured by enemies and the unflinching pious attitude of elite nobility. A society more concerned with purity, bloodlines and social acclaim than aiding those who were helpless. I've read much about historical Korean standards towards women and most dramas will tell the story but not in a way that involved me emotionally. In this drama, the women, children and elderly who were captured, released and then brutally murdered by a cowardly king and court, shined a spotlight that could not have been brighter on societal hypocrisy. Again, the screenwriter created a beautiful, brutal world that has relevance in modern times. Brilliant and timeless writing by a master.
I've rarely called any drama masterful, but this title is deserved by all involved. If you're undecided if it's worth the time, please push play. You'll never regret it.
The acting in this drama is above excellent, especially from Namkoong Min (Lee Jang Hyun), Ahn Eun Jin (Yoo Gil Chae),
Lee Hak Joo (Nam Yeon Jun) and Kim Yoon Woo (Ryang Eum). The romance and stretched ties between Jang Hyan and Gil Chae are neither overdone nor underwhelming. They are a couple drawn to each other, distrustful of one another and yearn for each other throughout. The separation arcs are not contrived but seen as a symptom of the times; those not in the ruling class are at the contrived whims of those that are. There were several times that this drama was put in pause in order to emotionally calm back down.
The secondary parts of Yeon Jun and Ryang Eum are flawlessly portrayed on screen, and I look forward to future roles they are a part of. Yeon Jun is married to Gil Chae's best friend but also secretly attracted to Gil Chae. This character does not act on his attraction, not because of duty or loyalty but because his wife's family could advance his career as a scholar. Ryang Eum was perhaps the most fascinating character because of an illicit longing for the person who saved him from a slave's life: Jang Hyun. He is pitiful, beautiful and selfish and this part in the hands of a lesser actor would have made him an antagonist that left the viewers without thought. Kim Yoon Woo's acting was flawless in the part and deserves recognition for a nuanced and emotional portrayal.
The hardest and most riveting part of this drama was how it handled those captured by enemies and the unflinching pious attitude of elite nobility. A society more concerned with purity, bloodlines and social acclaim than aiding those who were helpless. I've read much about historical Korean standards towards women and most dramas will tell the story but not in a way that involved me emotionally. In this drama, the women, children and elderly who were captured, released and then brutally murdered by a cowardly king and court, shined a spotlight that could not have been brighter on societal hypocrisy. Again, the screenwriter created a beautiful, brutal world that has relevance in modern times. Brilliant and timeless writing by a master.
I've rarely called any drama masterful, but this title is deserved by all involved. If you're undecided if it's worth the time, please push play. You'll never regret it.
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