To fully understand my reviews, I should explain my preferences, since they have a major impact.

My reviews focus on the specific drama being watched, taking into account various aspects like acting, the chemistry between actors, casting choices, story, script, editing, direction, music, costumes, special effects, martial arts choreography, inconsistencies and epilogues/endings. It is a package deal. 

Credit: Love Like the Galaxy (Zhao LuSi, Leo Wu)

Historical Costume-period dramas are my weakness…

As an avid viewer of television dramas, I must admit that I have a particular soft spot for period costume dramas. Among them, my favorites are Chinese dramas (C-dramas) and Korean dramas (K-dramas). Something is captivating about the intricate costumes, the elaborate sets, and the rich historical contexts that transport me to different times and places. 

I enjoy watching slice-of-life and palace political period dramas, as well as fantasy/wuxia/xianxia dramas. I also like to broaden my horizons and explore other genres, such as modern romance dramas. I also like teenage college dramas. So, from time to time, I like to switch gears and indulge myself if the general rating is above 9 but my main passion is historical costume-period romance dramas.

Not long ago, I discovered Donghua anime (shounen) but since this genre is not listed on MyDramaList, you'll see less of me here.

Gorgeous actors and actresses…

When it comes to romance dramas, there are a few key elements that can make or break the viewing experience. Firstly, the actors and actresses should be talented and well-suited to their roles, with undeniable chemistry between them. This chemistry should be supported by a realistic and inspiring story that draws the viewer in and keeps them engaged from start to finish. 

Xiao Zhan (The Untamed)

Ni Ni (Love and Destiny)

I tend to gravitate towards dramas that feature actors and actresses who possess striking physical appearances, ones that could be described as model-like in their attractiveness. However, I understand that beauty is subjective, and what I find appealing might not be the same for everyone else. When it comes to thrillers, I tend to gravitate towards more mature actors and actresses, as I find that their performances are often more nuanced and complex. That being said, I'm not opposed to younger actors, as long as their performances are not overly childish or immature.  In my opinion, a good performance must be evaluated based on its merit, regardless of the age or appearance of the actor/actress. However, when both acting skills and physical appearance are in sync, it's a match made in heaven!

I prefer dramas that feature seasoned actors (30+) playing mature roles with convincing performances. For me, credibility is a must, as not all actors can master every character in every drama. I also want a believable adult romance that is seamlessly integrated into the story. A few hugs and a single kiss with no passion do not satisfy me. I want a drama that can make me go through a range of emotions. As an adult, I am looking for dramas that cater to a mature audience. 

Age plays a crucial role in the storylines depicted in dramas, regardless of the young actors and actresses' exceptional talent and good looks. While certain genres, such as wuxia or xianxia, or even "college first love," are intended for younger audiences, others, such as palace or family dramas, are more suitable for older viewers. In my opinion, seasoned actors and actresses bring more depth to the story and characters, avoiding the immature and childish approach that younger actors and actresses, especially females, tend to display.

Although physical attractiveness is a major factor for me when selecting a drama, it alone is not enough to hold my attention. To make a lasting impression on me, an actor or actress must possess a combination of acting talent, charisma, and good looks. It's the perfect mix of these qualities that makes someone truly memorable, to the point where I become eager to watch every single drama or movie that they have starred in. In summary, while beauty is an important aspect, it is just one part of the package that makes an individual truly stand out in the entertainment industry.

Strong, witty, opinionated women lead…

I strongly believe that a love story does not require a woman to be bullied, and mentally and/or physically degraded. Such scenes are cringeworthy. While they can be a part of the plot, they shouldn't be repeated endlessly in every episode. As a viewer, I want to be able to relate to the female lead, and watching such scenes repeatedly makes me want to drop the drama altogether. 

A script like "Goodbye, my Princess" is the perfect example of a no-go for me. The male lead was a true a**hole for far too long when he lost his memories. She was cheated and bullied again and again. The right man in love with her could not love her. Then, she died and he ended up being mad in his old age searching for her when she was already dead for decades. Yeah. That drama took the first place of "I want to forget this drama as soon as possible"!  

'My Exception'

The GIF below is bittersweet, and I call it "My Exception." The drama is named 'Faith'. The script is weak, the female lead acting is cringeworthy, and the ending, although happy, is disappointing. This drama embodies everything I dislike: the female lead is childish, the romance is full of prudish scenes which are painful to watch, very poor budget (scandal with art director) that is very obvious, dialogues poorly written  (scriptwriter fights with art director all the time on set), lack of actors that we clearly saw playing several roles (guards),  martial arts choreography looking like kids playing with wooden sticks, no chemistry between the main leads (30+ playing a silly prude girl), only one awkward kiss—not even a romantic one. Although I should have given a low rating, I ultimately overlooked its shortcomings and rated it quite high. 

Despite everything, the drama became "My Exception" for four reasons: 1) the male lead, Lee Min-Ho, was fantastic and saved the show; 2) the OST (original soundtrack) is also great; 3) the time travel aspect takes place in ancient times, with the couple reuniting there instead of in the modern world, which is more common; and finally, 4) although the happy ending felt a bit short and unsatisfactory, it was still a happy ending. 

Even today, I can’t explain why I love this drama so much! I’m sure you have one of those favorites too, right? Lol.

Weakness for seasoned charismatic males lead…

When it comes to male leads in stories, I have a weakness for characters who seem cold and unapproachable, but deep down have a kind and caring heart. I find it particularly enjoyable when a male character falls hard for the female protagonist, and there are some humorous and endearing jealous moments between them. I tend to prefer mature, charismatic, and attractive male characters over younger ones. Interestingly, I often find myself rooting for the secondary male lead in love triangles.

Age gap

In real life, in my opinion, age gaps are not an issue when it comes to true love. However, in dramas, actors and actresses portray different characters, and sometimes an age gap between them may be a concern. Even though it is not always the case, some actors or actresses may feel uncomfortable while performing a kissing scene with someone significantly older or younger than them. And viewers can easily notice that.

In some dramas, I saw actors kiss, and my first thought was, "Wow! He knows how to kiss, and I am grateful that they did not show a standoffish or awkward kissing scene.". They were both professional, and I didn't notice any awkwardness. Perhaps the age difference didn't show too much physically, partly because he still looked like a handsome man in his thirties. And perhaps it was because she is a true professional. Acting is essentially the art of portraying a character through pretense.

I always thought that it might be more difficult for young actresses. However, I acknowledge that this is a biased point of view and I cannot claim to understand what it is like to be in their shoes. Who knows if the male actor didn't find it difficult as well?

It's important to remember that our modern-day perspective may not align with the customs and norms of the past. For instance, in ancient times, it was common for older, generally wealthy or noble, men to marry teenagers who were around 15 or 16 years old. An unmarried girl over the age of 20 was considered unusual. Therefore, when watching period dramas, it's crucial to keep in mind the societal norms of the time. That being said, it's natural for us to relate to what we know and what we've been raised to believe, and this can influence our preferences.

I noticed something amusing - when a viewer enjoys a show and its actors, the age gap between characters is not a concern. However, if a viewer dislikes the actors or the drama, the age gap becomes a significant problem. I consider this to be biased and I admit that I am not immune to it.

Strong and fluid script…

To keep things fresh and interesting, the script must avoid falling into the trap of redundancy, with villains popping up left and right just for the sake of conflict. Instead, the story should have a clear vision and focus on the development of the main characters' relationship.

In my opinion, a truly remarkable drama should leave its audience with a sense of awe and a strong desire to watch it again. It should be able to elicit a range of emotions from the viewers and keep them engaged from start to finish. The characters should be well-developed and relatable, the plot should be intriguing and unpredictable, and the dialogue should be both natural and impactful. If a drama manages to achieve all of these elements and leaves a lasting impression on its audience, then it can truly be considered a work of art.

I require a happy ending, no exceptions…

No romance drama can be complete without a happy ending. It should be sweet, funny, and heartwarming, leaving the viewer (me) feeling uplifted and satisfied with the journey they've been taken on. 

I refuse to ruin my viewing experience. Therefore, I always spoil myself by watching the final episode first to determine whether the ending is satisfactory. On very very rare occasions, I don't spoil myself.

Credit: The story of Ming Lan  (Feng Shaofeng, Zhao Liying)

Credit: New Life Begins  (Tian Xi Wei, Bai Jumg Ting)

This is why  I am not fond of time travel dramas for one main reason: 99% of them end bittersweet. It is worse with a sad ending if one of the main leads dies, then I become extremely frustrated and upset. I invest myself in the drama, and therefore a sad ending is not acceptable. I also dislike 'happy for now' endings with a twist for another season that comes years later or not at all. Unfortunately, there are plenty of those, mostly because of Chinese censorship. 

Director, scriptwriter, production…

The director must possess the necessary skills to bring together all the elements of a production seamlessly. They should avoid directing the female lead in a way that portrays them as childish or immature, but instead, treat them as fully realized characters with depth and complexity. The director should use the script with a clear vision and not try using it to mix all genres. 

A drama is a drama. A comedy is a comedy. But a comedy dramatic is complete nonsense. I welcome some humor, but there is a fine line between appropriate and excessive.  A romance is slightly different because it can be associated with a comedy but also a drama. 

The ending is generally up to the director and scriptwriter. They have the power and freedom to end a drama on a sad or happy note. I see absolutely no justification to kill a main character at the epilogue or have a definitive separation. When I watch a romantic drama, I don't want a retelling of Romeo and Juliet!

A drama's success heavily relies on the talent of the scriptwriter. The writer's personality is reflected in the dialogues and story making them crucial components of a successful drama. If the drama is an adaptation of a web novel, the scriptwriter is responsible for translating the essence of the original story into the drama. However, despite a good script, several factors such as censorship, poor casting, lack of chemistry, and improper directing can lead to a disappointing drama.

The success of a drama depends also on several crucial factors, such suitable music, costumes, martial arts choreography, special effects, budget, scenery, construction, design, etc. Ultimately, the director's skill plays a crucial role in determining the final outcome of a drama - whether it will be remembered as a masterpiece or forgotten as a flop. A director is either a master of the craft or a beginner learning the ropes. Same with a scriptwriter.

... but nothing compares to the chemistry between the lead actor and actress.

Credit: Love between Fairy and Devil (Dylan Wang, Esther Yu)

Best drama so far….

One of the most impressive dramas I've had the pleasure of watching is "Joy of Life". What made this drama stand out for me is the exceptional symbiosis of every single element that contributed to its success. From the gripping story to the engaging characters, from the stunning cinematography to the perfectly timed music, every aspect of this drama was executed flawlessly. The plot was intricate and well-crafted, keeping me on the edge of my seat throughout. The characters were memorable and well-developed, each with their own unique personalities and motivations. The cinematography was breathtaking, with stunning shots and masterful use of lighting and color. The music was perfectly timed and helped to enhance the emotional impact of every scene. Overall, "Joy of Life" is a true masterpiece of the genre and a must-watch for anyone who loves a well-crafted drama. 

I have no issues admitting that I am obsessed with this story and have read the novel several times. The drama and the novel are different and cater to distinct audiences. If you don’t mind spoilers or if you want to learn about the differences between the novel and the TV drama, I invite you to read the comments section under my review of JOL Season 2. I wrote quite a lot there.

In my opinion, Season 2 did not achieve the same level of perfection and it was quite a disappointment. I am crossing my fingers that Season 3 will be better.

Read my full review for S1   HERE and my review for S2 HERE

Credit: Joy of Life  (Wu Gang, Zhang Ruo Yun, Tong Meng Shi)

But I also loved many others..

• Love like the Galaxy
• Love between Fairy and Devil
• Princess agents (except epilogue mainly due because S2 never aired, but the novel healed my frustration)
• Ruyi's Royal Love in the Palace
• The Story of Ming Lan
• New Life Begins
• Love and Destiny
• Faith (The Great Doctor) - (’my exception’)
• The Untamed
• Word of Honor
• A frozen flower (movie, 18+)
• Love a thousand years
• Sungkyunkwan Scandal (Korean version the best!)
• Who rules the world
• Eternal Love
• Hidden love
• Royal Feast
• Dating in the Kitchen
• Chef Hua
• Cupid's Kitchen (soft spot because it was my very first Chinese drama I watched)

And many more. See my drama list HERE

Pet peeves…

As a dedicated viewer of various dramas, I’ve cultivated a deep appreciation for storytelling and character development. However, I have a significant pet peeve that often proves difficult to overlook. My frustration arises when I encounter a female lead who displays childish acting akin to that of a 12-year-old teenager.

To clarify, I am referring to portrayals where an actress exhibits exaggerated pouting, uses a high-pitched, childish voice, and engages in overly juvenile interactions with the male lead, emotionally behaving like a child. There is nothing inherently wrong with a character being a teenager, but when they act this way in a romantic storyline, it feels inappropriate—especially when such moments culminate in a standoffish kiss. 

I do not blame the actresses. Competition in entertainment is fierce. Each must find a trademark. If their popularity started as childish dumb character, why would they change their acting? Or maybe the scriptwriters and directors have sick minds and just want them acting that way.

As a mature individual, I dislike watching TV dramas featuring inexperienced and immature actors and actresses. It frustrates me to the extent that I end up dropping the show altogether. The age of the actors is not the issue, but rather their commercial appeal. They are cast based on their ability to portray a childish persona, regardless of their actual age. While this may attract some viewers, I am definitely not one of them!

I strongly dislike and condemn bullying, physical punishment, and humiliation. Even though I may be able to tolerate and overlook a few instances of these actions if they are necessary to the storyline in the first or second episodes, I have a very low tolerance for them. Furthermore, if the male lead is the one responsible for these behaviours, it is even more unacceptable and distressing to me. It feels like a case of Stockholm syndrome, which is not acceptable.

I absolutely detest standoffish kissing scenes!

In the dramas I watch, I notice two types of kissing scenes: those directed to be no emotion (left) and those that are tender and passionate (right). The former scene is usually portrayed as an innocent and virgin act (will I get pregnant if you kiss my lips?), while the latter displays adult physical attraction (let's make a baby!). 

I find it extremely bothersome when characters in dramas engage in standoffish kissing scenes. It frustrates me when the scene lacks a genuine emotional connection between the characters, and the kiss seems forced or insincere. I believe that intimate moments between characters should be portrayed with authenticity and passion, rather than appear to be scripted or awkward.

When an actor or actress portrays sadness on screen, audiences typically expect to see a physical representation of that emotion, often in the form of tears. This expectation stems from a desire for authenticity; a flat, passive performance that lacks emotional depth does not resonate with viewers. Similarly, when a character is expressing anger, we anticipate a visceral display—intense facial expressions, strong body language, and vocal inflections that convey their fury. These performances are essential for engaging the audience and allowing them to connect with the characters' experiences.

However, when it comes to intimate interactions, such as kissing, an interesting discrepancy arises. Viewers often seem to accept a more unresponsive and emotionless portrayal in these moments, which can be puzzling. It is common for art directors to request that actors show restraint during such scenes, emphasizing a motionless demeanor with open eyes rather than a passionate expression. This raises the question: why do we expect vivid emotional authenticity for feelings like sadness or anger, yet tolerate a cold representation of love and passion? After all, passion is a universal force, deeply felt and intricately woven into the fabric of human experience. It is intriguing to consider how art directors shape viewer perception and the emotional expectations surrounding different types of performances.

I find myself quite perplexed by the idea that a first kiss should be characterized as passive and viewed through the lens of purity. This raises questions about societal expectations and the often idealized portrayal of such intimate moments. Why is it that this symbolic act is frequently depicted as a cold, passive encounter rather than one that embraces passion and spontaneity? The emphasis on innocence and virginity can overshadow the complexities and varied emotions that accompany such a significant milestone in a relationship. 

Credit: Legend of Yunxi

Credit: Love and Redemption

In the context of drama, kissing scenes are often directed with the intention of highlighting the character' virginity, often portraying them as electrified and shocked, with wide-open eyes—sometimes referred to as the "fish kiss." (ex: Legend of Yunxi). Meanwhile, the male actor is depicted as rushing in, still with closed lips. This creates an image of the motionless submissive virgin, who is oblivious to the concept of sex, juxtaposed with the hurried man eager to act... Take a moment to think about it... Yup, that's exactly the image I have in mind—cringeworthy.

This makes me wonder if such reluctance is due to cultural norms, as public displays of affection are still considered taboo in many areas. Could this be a reflection of more conservative attitudes, religious beliefs, or perhaps a heightened regard for the ideal of female virginity? Of course we cannot forget the censorship constraints which does not allow to see skin under the neck and even more so any sexual obvious scenes… such kissing?

Ultimately, either the actors and actresses lack convincing talent or the drama directors or censorship "police" have a distorted view of kisses. As a viewer, I feel misled by this disappointing reality.

What do I expect to see on my screen? A kiss so passionate that I'm mesmerized and a little envious. A kiss with moving teasing lips, eyes closed, where both people are fully immersed in the moment, oblivious to the outside world. It's a kiss that makes the moment unforgettable, so intense that I almost feel like an intruder (ex: Love and Redemption).  Do you understand what I’m saying?

My opinion is that the idolization of young (often childish) virgin girls in dramas is unhealthy, way too common and encouraged by the entertainment industry. Too rarely, I find authenticity and credibility in the performances of actors and actresses. Those in my book elevate the drama to another dimension of perfection and pulls me into a new realm of emotional intensity and storytelling depth.

See my list of best kissing actors/actresses HERE

Dubbing, voice over, post production

Many dramas (and movies) utilize dubbing techniques to enhance sound quality and address various production challenges. However, this practice sometimes results in a disconnect between actors' visual performances and the voices that accompany them. As a consequence, audiences may find that the voices they hear do not belong to the talents they see on screen, or possibly bad post-production work.

Given the modern societal preoccupation with aesthetics and authenticity, I find myself pondering a provocative question: How many actors and actresses are, in essence, deceiving the public by presenting a façade that does not align with their true selves? This situation draws a parallel to authors who proudly sign their names on the cover of a book while the actual writing was crafted by someone working behind the scenes, shrouded in anonymity. It raises deeper implications about the nature of performance and the authenticity of the personas that captivate our attention.

Want to know more who and why? Read this article from Ellietheelai 

Synchronization issues can significantly impact a project's quality, leading to subpar post-production results. When audio and visual elements are not properly aligned, they can create a disjointed viewing experience. This misalignment not only detracts from the overall narrative but also raises concerns about professionalism and attention to detail in the project.

My perspective on this matter is quite straightforward: if I notice post-production issues, I will likely drop the dramas. Dubbing work can be beneficial because voice actors are often very talented. If the same actor is voice over their own voice, that is a different situation. It is part of their job delivering high-quality work, and they should not be held responsible for any technical issues.

I don't do fangirling!

I believe it's essential to evaluate every drama objectively, without any favouritism or bias towards any actor or actress. Although I do have my personal preferences, I approach every performance with an open mind and consider various elements that can impact the drama's quality such bad pairing, bad script, bad directing. This approach enables me to provide a constructive and informative review that is fair. I do not put any actor or actress on a pedestal. Each performance is unique, whether it's good or bad, because it goes beyond just talent. If I find the acting unsatisfactory and repetitive, I add the actor or actress, along with the scriptwriter and director, to my blacklist. However, if the acting is strong, I pay more attention to the dramas in which those actors are cast.

Each drama is unique, and even if an actor or actress appears in multiple shows, each one should be reviewed independently. Various external factors can influence a performance, such as the script, director, crew, budget, post production and co-stars, as well as the actor or actress themselves. An actor or actress can be excellent and memorable in one drama and disappointing and forgettable in another. 

**

Unfortunately, forums like MyDramaList often foster excessive fangirling. Some fans are obsessed with certain actors and actresses to such an extent that they cannot tolerate any criticism or differing opinions. While it's natural to be passionate about our favorites, some fans cross the line into bullying and stalking. Although I don't post on forums very often, when upset by one drama or actor/actress and engaged in a discussion, I may post negative comments—these reflect my own views, not an attempt to undermine anyone else's. As a result, I  find myself under the scrutiny of these fanatics. I have no patience for such immature behavior and choose not to engage in comment battles.  My modus operandi is to report and block those individuals.

Everyone has the right to express their opinions confidently and without fear of insult, being ridiculed, bullying, or harassment. It's absolutely acceptable to respectfully agree to disagree. Individuals should be able to share their thoughts openly and proudly, without any need to apologize for differing views. I like red, and you like green— who cares?! both are valid preferences!

I tried… but gave up

I often come across poorly translated synopsis that make it difficult to understand the storyline. At times, I spend a long time trying to decipher them. I have tried several times to submit improved translations, correcting typos and grammar issues without changing the core meaning—just providing a better English version. However, my submissions have always been denied by the moderators. They request a source approved by MyDramaList, but I’m not sure what “source” they are looking for, aside from perhaps Oxford, Cambridge, Collins or similar dictionaries?

At one point, I came across a page and the title was "Dad, I Am Pregnant with Your Child." Yes, you read that correctly. This title and its synopsis came from the Chinese Douban platform. However, the drama is not an incestuous story at all; rather, it explores an age-gap romance between a non blood related couple. The significant age difference makes their love feel fragile, and they end up separating when she learns she is pregnant.

Comments on the forum are quite intense as expected, and this drama has received a very low rating. I truly believe it is undeserved because of the title. Out of curiosity, I copied and pasted the Chinese title into Google Translate, and sure enough, 'Dad' is not included in the title. The synopsis also makes absolutely no sense. Unfortunately, my edited version was denied because I could not provide an "approved source." I wished the moderators understood that the synopses on the Chinese platform often lack coherence and are generated by AI-translated. Or maybe moderators know but don't care…

After several attempts and rejections with various dramas, I decided to give up.  I'm just a visitor after all and not the one who loses face and shows everyone that I'm an amateur... However, there are still times when the translations are so cringeworthy that I can’t help but share corrected versions in the comment section from time to time. 🤓

My ratings

I have a very open mind, and apart from a few pet peeves, I am generally easy to please. If you look at my reviews and sort them by rating, you'll see that 80% of them are above 8 out of 10, with only a few below 5 out of 10. So, I don't give bad ratings easily.

• 10, excellent, memorable, must watch and re-watch
• Between 8 and 9.5…  good to very  good but something bothered me;  the last impression was enough to watch all episodes
• Between 7 and 8, it is a mix of likeable and cringe-worthy elements, with a 50/50 split between the two. I probably fast-forward a few parts
• Anything that is under 7 is not worth watching. My advice is to avoid it. Mostly dropped.

Every drama has its good and bad points, and I don't believe in perfection. I may give something a 10, but I will still criticize any cringy moments. I am all about emotions, and my reviews will reflect that.

Final words

I want to express my gratitude to the talented actors, actresses, art directors, scriptwriters, and the entire entertainment crew behind the scenes for creating the C-dramas and K-dramas that I enjoy watching. I also extend my thanks to the novel writers, graphics designers, and voice artists. After watching numerous dramas and reading a few Chinese novels, I have learned a lot and discovered a whole new world. I am genuinely grateful for the day I stumbled upon a Chinese drama while strolling through YouTube and soon after MyDramaList. Interestingly, I recently had a similar discovery with Chinese Donghua anime. So, whether it's a coincidence or fate...

Conclusion…

• I vehemently detest censorship. 
• I am an LGBT+ friend/supporter.
• I feel nostalgic for dramas that have more than 40 episodes.
  
• I don't do fangirling. 
• I dislike the long delays between seasons. 
• I roll my eyes until it hurts each time I watch standoffish kissing scenes. 
• I cannot stand childish leads (physical and/or acting), subpar voice acting, and cringy play. 
• I like attractive actors and actresses who are versatile, humorous, sassy, and passionate but recognize that their acting are often limited by art directors and scripts. 
  
•  I have a soft spot with seasoned actors and actresses (30+)
• I love deep male voices, but sadly not many. 
• I am fond of historical romance with intricate stories/plot, families and friends. If the hero is passionately in love, the better! If the heroine is a bad ass, even better!
  
• I feel upset when bullying is excessive in a drama and when the female lead takes too long to seek revenge.
  
• Weak female leads and big jerk male leads make me lose interest in the drama.
• I enjoy historical fantasy, wuxia, and xianxia… when martial arts choreographies and special effects are done right
• Sad and bittersweet endings leave a sour taste in my mouth and it is a no-watching for me. Happy endings are a must. 
• I  am spoiling myself watching some episodes and the epilogues to check if they have a happy ending. Some dramas are dropped because SE or BE.
• I  read the novels if I love the dramas, although decent translations are hard to find, I am grateful for finding them.
• I am extremely disappointed borderline pissed off when the scriptwriter and directors mess up dramas, aka JoL1 vs JoL2
• I try to avoid reading reviews or comments before watching and reviewing to prevent bias.
• I also dislike scripts that lack coherence and chemistry between characters, obvious questionable choice of casting and pairing and poor editing and directing. 
• I am an adult and expect mature conversations in forums. I welcome exchanges of different opinions made with mutual respect.
• OST is important. My personal taste is chorus, drums  and violins. See my favourites HERE

My reviews are and will be written accordingly.

To read my reviews, click HERE

To check my lists, click HERE

Thank you for taking the time to read my profile! 😊

Credit: Love in the Moonlight (Kim You Jung)

Any bullying, direct insults and/or personal attacks made towards me under my comments or reviews will not be tolerated. I will report such behaviour and individuals will be blocked immediately. Let it be clear that I have zero tolerance for any form of immature behaviour and bullies.