surely the best K-Drama of 2024.
Talking about the character of the villain Yoon Eun-Seong. It was a very well-developed historical construction. A villain who, in essence, is not created to be hated but pitied. From the beginning to the end of the drama, Eun-Seong dedicated himself to doing the best he could, the best he knew and learned how to do. A character who grew up with a very strong trauma of abandonment and rejection, always on the margins and forgotten, living in the shadows, praying to be remembered by his mother figure. He spent his life developing a very strong identity crisis, basing himself on a perfect image in order to be recognized by his obsession, our dear protagonist Hong Hae-In, and also by his mother. In addition, he has had to confront his greatest enemy, not the protagonist Baek Hyun-Woo, but himself. And every time Eun-Seong had to face the fact that Hyun-Woo was ahead, he felt even more inferior and lost. In the end, the story of our villain himself is a real drama. The result of an accumulation of childhood traumas and distorted self-image. Yoon Eun-Seong, you should never have felt so inferior, you never lacked anything that was left over in your classmate, you just lacked therapy (k).
The script for the main couple Hong Hae-in and Baek Hyun-Woo is designed to be relatable. If, for a moment, we put aside all the ramifications of the story and focus only on the couple, we spend the entire drama identifying with one context or another of the moment they lived through.