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Inconsistent.
The appeal of the show is that it's a deductive mystery. Mafia is essentially a whodunit mystery. The mystery should be the primary focus and the high school drama and romance should be secondary. After all, that is how the show was marketed.
However, after the male protagonist is killed off by a nervous lynch, to preserve the romance, the writers revive him. But by doing so, the dynamics of the game changes drastically. The announcer conveniently no longer announces the roles of those who are killed, the doctor can revive anyone even if they weren't killed in the Night, and the viewers no longer face the thrill of danger for the protagonists because we now know the writers will simply bring them back to life. This show, in a single moment, destroyed the sanctity of all its genre. It is a mystery that has lost its logical credibility, a horror and thriller without a genuine threat of death, a high school romance that isn't quite romantic, and a high school drama with unreasonable stakes—where trivial conflicts lead to death and murder.
However, after the male protagonist is killed off by a nervous lynch, to preserve the romance, the writers revive him. But by doing so, the dynamics of the game changes drastically. The announcer conveniently no longer announces the roles of those who are killed, the doctor can revive anyone even if they weren't killed in the Night, and the viewers no longer face the thrill of danger for the protagonists because we now know the writers will simply bring them back to life. This show, in a single moment, destroyed the sanctity of all its genre. It is a mystery that has lost its logical credibility, a horror and thriller without a genuine threat of death, a high school romance that isn't quite romantic, and a high school drama with unreasonable stakes—where trivial conflicts lead to death and murder.
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