Interesting story with low production values

I just finished this and have some mixed feeling about it. I did enjoy the story that focused completely on the couple and flipped through the moments of their relationship from beginning to end. There wasn't a over reaching plot or outside forces bring drama into the story. It didn't focus just on pivotal moment but instead showed snippets that you could find in any couples daily life. You could see small changes but it wasn't big dramatic things that signaled a break up. So this felt a little different from the normal slice of life or the few shows that have the watching a couple through moments in their life story line.

When they do break up the story loses some of it cohesion because it is very hard to tell where we are in the story. They do alot of flashbacks and the flow of the story isn't done well enough to get exactly where they are in the story. I think if I had paid more attention to clothes the characters where wearing it might have help, but you shouldn't need to do that. By the end I think I had figured most of it out but I still felt confused while watching it.

The ending was a bummer since they didn't get back together although they parted on good terms. I did like that Kaoru and Ryo's problems focused on coming out and that sometimes it is a deal breaker. I will say the title and idea of the plastic bottle might have sound like an epic idea in their heads but it is pretentious and give the show a silly name that very few people are going to be drawn to.

The production values on this are abysmal. At first I couldn't hear the sound it was so low so I plugged in some noise cancelling earphones to later get my ears blowen out by the volume of regular talking and picking up things like putting a cup down on the table. Most if the show was filming in their room as well but that does fit well into the stories intimacy around the couple so I didn't mind as much. The acting was uneven but it wasn't horrible either for what I'm assuming new actors it was good enough.

This was an good watch if your looking for something outside of the norm and ok with something that feels like a small indie project without a lot of money put into it.

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All surface level and no depth of emotions

Ok, I'm not sure what to say about this movie except for the fact it shouldn't have been made in a movie format. Do do justice to THIS type of story you need a longer format. The very fact that the end of this was just a brief cut-off of the story midway through is a testament to that. They didn't stop at the end of a story arch just ended it on a cliffhanger and called it good.
There isn't any resolution or even a redemption arch here. The closest would be that Gear and Night had sex again but there wasn't any talk of a relationship. It might be implied but it just felt incomplete there as well. Because of the compressed format, I wasn't able to understand Night's shift of emotions from hurt that Gear fucked him over to wanting to give him a second chance. There is also a whole mountain of story that was never touched about Day's plan for Gear and what Day and Night's argument was really about.

With Itt and Day, there is nothing in the way of any kind of emotion. There was a brief implied moment when Itt stormed out of the bedroom complaining he had been woken up. Obviously, some time has passed and there has been some kind of movement in their twisted relationship since he isn't in chain and his initial wounds have healed. Yet we don't know how much time and EVERYTHING has been off-screen.

I really wanted this movie to give me the twisted emotions behind this story. To show me how these two couples went from a damaged toxic start to what we see in Love Syndrome III. THAT is an interesting story. But this movie even, if it ends up with a second part, isn't that. This movie focused on the shock value of the rape and dub/non-consent aspects without building the proper foundation to support any type of relationship between the two couples, even a toxic twisted love.

To me, this feels half-baked at best using the rape and abduction as shock value pull without doing the heavy lifting of the emotions behind it. This movie is all surface level and for this type of subject matter, it makes it disappointing at best and a bad movie at worst.

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Same old Threesome trope

This show isn't breaking any boundaries on a story level. We have the tired setup of a couple that has lost their passion, been through one too many arguments, and adding a third into their relationship to hopefully bring it back to life. The problem with this is it has been done before so many times. From the first 5 minutes you know where this is heading so it hard to get invested in the throuple.

It doesn't help that Marlon is the type of character you just want to dislike. He is a grown adult going through a mid life crisis. He wants to have fun again and doesn't really care about his partners' feelings. His conversation with Jermey just felt cringy on the highest level. While we do get to see the reasons why he feels like he can be an entitled jerk he still feels like a horrible boyfriend and a hypocrite as well.

Paul and Jermey we know even less about. Paul the workaholic is trying to accommodate Marlon and Jermey who is trying hard to be a good partner to both. The end twist isn't that surprising and just makes me more ticked at Marlon probably because this show is just too short to sway me to his side. I never bonded with Marlon and Paul as a couple to feel that invested in their old transgression that caused the new relationship to be buried under its weight. In the end I feel sorry for Jermy the most.

There is a ton of realistic sex in this movie, more than there needed to be. I almost feel like the show was window-dressing for the sex to be honest.

I was hoping for a movie where we finally get a happy threesome in the end. It seems like it never seems to happen except for side throuples in shows. At the very least this would have been more interesting if they had spent some time letting us get to know the characters outside of the bedroom and feel more of the emotions beyond the arguments and discontent that lay between them.

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This doesn't work as a BL and it alters the source in a negetive way

No, I reject this entire mess of a show. The only prasie I CAN give to it is the production team because it was visually a stunning piece of work complete with some of the best atmospheric visuals I've seen. The rest is an absolute dumpster fire and if I was Sammon I would have NEVER approved this script. I sincerely hope it was something she had no choice over.

For honestly the last 2 and a half episodes I sped ran. I did fully watch in pivotal moment without 10 sec skipping my way through.

The BL aspect was a bust on every level of this show. Up until this episode these two did not in any way shape or form act like people in love. Leaving the suspecting each other aside there was little dialogue to support it and when it was there it came out of nowhere. Their body language always had a major distance between them and even the way they looked at each other wasn't that of lovers.

The initial I like you was out of left field and I feel sorry for anyone stepping into this without knowing it is a BL because it is such a confusing piece of dialogue. There is no lead-up to it and no reason for him to say it. Another very jarring moment is Tew grilling Kan about the director's death and leaving Kan's house in a snit with a different lead other than Kan. The next moment we get a scene of Tew giving Kan a pen and saying happy birthday. 🤯 Mood swings much? Even Tew moving in feels more like he is doing it to get access to the house more than they love each other.

These two share nothing in common other than the mother which Tew is suspicious of, not I love the doctor for taking care of her. The book leans on FWB but these two don't have sex until the very end, so what is left? Nothing. There is no earthly reason for these two to like each other in the drama and the actors do NOTHING to encourage us to believe they love each other.

For this episode, we get all the BL moments as skimpy as they were. While not a dead fish kiss it lacks passion. The only thing that could be said about it is that visually the camera work and editing is top notch so at least it looks pretty. It is hard to feel anything without a connection between the characters.

Now I can forgive ALL that . From episode 1 it was very obvious this wasn't going to be a good BL show. The actors lack chemistry and very much felt like the guys in a crime show that someone forgot to mention was a BL. You really don't watch Sammon's shows for the romance. But this was a failure in the storyline as well.

There was very little mystery since they laid it all out fairly early. The cast was tiny so you only had two options for the killer. I'll admit I did suspect the nurse at first but it didn't take long for Boss to be the obvious pick. To be fair this wasn't really a mystery sort of show but at the same time the info dump of the paitients in the end felt out of place because they were trying to keep it one, so I brought it up.

You turn your BF in after he is in the clear in all kinds of FU. After that impassioned speech, Tew STILL didn't get it completely screwed over the whole point of the show in the direction they took it. By changing the story to make it so the only people Kan killed were people that wanted to die there should have been no reason for Tew to want to arrest him. Tew should have been able to come to terms with his mother's death realize the mercy in euthanasia and let Kan go. Instead, Tew understood nothing. While he still "loves" Kan he views euthanasia as wrong. The nicest interpretation is a ridge view of the law is the law. Still, after that impassioned speech where Kan lays his soul out Tew's words, will you confess ,was like a slap in the face.

With the book, there is a good reason for Tew to arrest Kan. There are even some fascinating discussion points on where euthanasia, murder, and the slippery slope where the two can collide. This drama is a big fat NOPE on any of that. In the end, I will give credit somewhat to the dive they did into the trauma of terminally ill patients and how childhood trauma shaped both Boss and Kan as well as nurse. Boss, the dad tried to kill the mom so both parents ended up dead his lesson was terminal patients were bad and needed to be gotten rid of. While Kan's was his mom trying to kill herself and needed to be released from suffering. Along with laying out all of Kan's patients' last wishes, it did do an ok job of laying out Kan's side but it misses the very important aspect of the families of those paitents that live with daily grind. Tew's perpective isn't nearly as importnat as many of the others. Also doing a run through at the end of the paitents last moments not coupled with the little we do get of their familes leaves their stories disjointed. I half forgot that the mentor and the director were connected by the end.

It completely throws the work the show does do to show euthenaisa in a postive light out the door with Tew turning Kan in. When you look back at all the characters in this show, not one single person changed their stance on euthanasia. Even the coroner who caught Kan out and understood why her dad died. She warns Kan NOT to do it again. Tew is even worse because he ARRESTS Kan. I applaud the police department in the respect that they didn't want to dig deep into this case, only Tew did. If they were going to change the book so drastically then they should have changed the ending as well. The takeaway is euthanasia at the end of the day is wrong. I guess if you believe in that stance it is a great ending but still a screwed-up one for a BL. The very fact they didn't have a time jump of Tew fetching Kan from prison just drives home how bad of a BL this is.

TBH from what I've been told of the book this show does a disserive to them. It has change the overall theming of it by not having Kan be a murder of people not ill and not lying and going behind Tew's back to cover things up. By making Kan a good guy but punishing for it and making it seem like his childhood trama lead him to killing people instead of a nuianced approch strays too far from the book I think The nusciances of euthnasia and murder have been stripped beyond the Boss and Kan simple contrast. They tried to put too much in one drama and cast extremly poorly for this.

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