Love this drama. From the soundtrack to the plot, it's perfect.
"Wednesday 3:30 p.m." It tells the story of a woman who was abandoned by her boyfriend and tries to recover her heart by doing so with jealousy ...
Throughout the drama features a very beautiful morality about true love in its purest form. Featured for the wonderful cast.
The story mixes all the genres and elements of a dramatic romantic comedy and very entertaining, pleasing even the most demanding.
It also has factors such as innovation and cinematographic environment incredibly beautiful giving the drama a special environment for the romance of the two protagonists.
His soundtrack basically consists of several genres that by the way very well chosen, going from the classic to the contemporary.
In short a fun and cheerfully charismatic drama with a love story of comings and goings in the purest form of being. Highly recommend!

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Beautiful love story!
The film relies on a careful exchange of romanticism with that of the supernatural elements that, plausibly, promote the growth of its two main characters and their love relationship. It does not fit into the overly tempted notion of the tragic and common loss in novels, especially considering how many other films usually have one of the characters with some deteriorating disease or terminal illness to defend ideas of forced separation. His uniqueness in the narrative structure separates it from similar films that maintains the genre and, along with an excellent cast and direction, produces an emotionally touching, unconventional, and ultimately quite memorable viewing experience.
"Tomorrow I Will Date With Yesterday's You" makes you think more about the situation in which the two main characters were and the consequences that this would mean to them.
By Japanese standards it may have been some movie, but it is not, the story is well written, it has a coherent logic, it seems to be difficult to understand at first, but they have a transition of interest that makes you understand it perfectly. It's worth it!

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Stuck in time looping ...
Time travel is and will forever be a fantasy, physicists say. But fantasies can tell us more about human desires and dreams than discouraging facts.
This is what happens in "Kimi to 100 Kaime in Koi" the movie has no pseudoscience is totally without physical logic. The film expresses the common and eternally frustrated desire to turn back time as easily as restarting a clock, with a melodramatic script about to thrill.
In the same way the film has cinematic movements in height, its history faithfully reflects the unbearable truth that he (protagonist) must finally face, although he does not present this truth with much subtlety. And the types of literal mentality can disrupt the logical moments of the film's narrative, which is close to the "surreal" category but also clearly expresses the truth. Good movie!

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Although it is a  low budget job, director Eiji Uchida did a very good job from the  relationship of domination and bullying control of the high school era,  the control relationship is reversed through death ... The narrative  flow of development is very comfortable, it's not a heavy  BL film that represents gay discrimination and love from childhood  through adolescence, although it's not a direct LGBT job.
In  short "Double Mints" is a manga project that projects as a fantasy to a  forbidden world in which it does not enter, but it is strongly  impressed that the film is a reality and a terrain with more realistic  brushstrokes.

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The stories do  not end, they become seeds for the next, proving once again that good  deeds create ripples in the quiet pond of human experience ... This is  just one of the many lessons that "Namiya Zakkaten no Kiseki" propose,  sometimes you do not see the effect of your good deeds  because you do not have an omniscient view, and sometimes the  far-reaching effects may just astound you. The feel of place and time is strong, and the 1980s are well portrayed. Nostalgia is in full bloom. One of the joys of the film is the fascinating art of the written word. In  short there is a lot of blue-eyed nostalgia in "Namiya", especially for  the way things happened in 1980, when the country was not yet harmed by  wealth and things were more relaxed. Even in Tokyo, there  were hardly any convenience stores and housewives routinely bought in  neighborhood establishments like Namiya General.

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"The  Survival Family" is far from becoming a classic post-apocalyptic  post-war movie disaster, the story takes on the character of a strange  but genial movie at the same time. The family, driven by frustration and internal hostility, decides to  leave the megalopolis to reach the provincial towns, exactly where the  head of the family lives, because it seems that everything works there.
The  Suzuki family, repatriated in the Middle Ages where the exchange law  applies, gets four bicycles and begins the long voyage to Kagoshima by  the sea, with roads populated by refugees who are struggling hard to  walk and survive in chaos uncontrolled by the lack of electricity. "The Survival Family" tells the whole family journey but it is also an  opportunity not only to achieve salvation but also to strengthen weak  family ties.
Undoubtedly,  the point of departure of the narrative is interesting, we think for a  moment that really happens in such a situation anywhere in the world,  and also Yaguchi's choice to impress the movie that relies on comedy  deserves applause. What  frustrates him a little is that he is slow but inexorably back in good  tones of history, leaving aside the irony that would have given more  force and mass to the story. The journey as a rediscovery of oneself and the importance of family  ties that undergo a metamorphosis of the characters that, in the end,  has all the other face to the beginning is, a fundamental aspect of the
of the ecological theme, the return to a life simpler than that of the metropolis.
As  a whole, "Survival Family" is a movie that allows you to watch, it also  has moments of brilliant intelligence in popular jobs that appeal to  the general public, but the most tangible feeling is honest work without  infamy and no compliments but it is very worthwhile.

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"Nevada Road" a breathtaking reality perspective.
"Snowy Road" is a South Korean historical drama film directed by Lee Na-jeong that tells the story of the tragic fate of two teenage girls during the Japanese occupation of Korea. It originally aired on KBS1 in 2015 as a two-part television special, and was later reissued for theatrical performance. Theatrical cut was first shown at the 16th Jeonju International Film Festival.
Winner of the 24th Golden Rooster & Hundred Flowers Festival in two categories, is a film based on events that occurred during the Japanese occupation in Korea, which gives an extra weight in the subject matter and acting, since in this type of films the Koreans Make a point of acting perfectly well, because they feel proud of their country ...
In the plot, the story of Snowy Road is about Jong-Boon (Kim Hyang-Gi) and Young-Ae (Kim Sae-Ron) who live in the same Korean village, but come from totally different backgrounds. Jong-Boon's family is poor, but she is a bright and brave girl. Young-Ae's family is rich and intelligent. One night, Jong-Boon is kidnapped and thrown on a train. She sees Young-Ae on the same train. Young-Ae volunteered to join a student work group, but she was cheated. She believed that if she joined the student's work group, she would go to Japan to study. Jong-Boon and Young-Ae are now on the same train but do not know where they are going. Soon, they face the horrible reality of "comfort women" commonly promiscuity.
In the storyline I could not fail to mention my favorite young actress, the cute and super nice Kim Sae Ron, I have been following her performances since her first role, in 2009 playing Jin-hee in "A Brand New Life". I just love it ...
An actress of potential, she comes from a remarkable evolution, is still young and has much to learn, especially in sad scenes, where it is necessary to cry, still does in an artificial and superfluous way, it does not come from within.
Leaving my fofuxa aside, let's talk a little about her interpretation, Kim Hyang Gi, another young actress that deserves attention, after all unlike Kim Sae Ron, Kim Hyang Gi has been acting since 2006 when she gave support, playing So Yi in "Hearty Paws", by the way, beautiful movie.
Both deserve the positive point in "Snowy Road" for presenting a formidable performance, I want to be able to see more of these two sides, both have a very nice connection, at least I liked.
And to conclude, of course, could not fail to mention Seo Young Joo who plays Kang Yeong-joo, this boy acted in an equivalent way, although it did not deserve prominence, since the two main robbed the whole scene.
"Snowy Road" is a film that plays, is nice to watch, accompanies a soundtrack calm and melodramatic, opposite in a snowy and frivolous environment that in turn, contrasts with a beautiful and engaging story of friendship and struggle Of two teenagers for freedom.
From the negative point there is, what can be there is a negative allusion of the film as a whole, because it does not report all the facts of the occupation time, is shown only a slice, as well as at the end the informational dedication.
Generally speaking, it is an excellent film, a film of cultural value, a film that aggregates, a film of knowledge and ethics; In addition, of course, it is a film that involves, sensitizes, arrests the attention, in scenes like that of a desperate mother looking for her daughter ... A movie that deserves to be seen.

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The countenance of perfection!
Who cares about critics when a movie can represent someone's life on the big screen.
"Bokura in Gohan wa Ashita of Matteru" has a common but well written story with a perfect chronological narrative.
The genre bending comedy is also present, I loved it, it's not every day we see women taking initiative and picking on heavy and men doing light and domestic things, based on a novel by Maiko Seo, "Our Meal for Tomorrow" by Masahide Ichii is another unconventional romantic drama.
In the cast we have Ryota Hayama (Yuto Nakajima), high school student (Nakajima is a member of the popular boy boy Hey! Say! Jump), but is a lonely and sensitive when the movie begins. Then a girl from her class, Koharu Uemura (Yuko Araki), asks her to partner with her in a sack race ...
Working from the script itself, the film follows the reverse gender relationship - emotionally vulnerable face and mentally primordial girl with no ...
The story also features twists of often-seen plots, both medical and romantic, though their treatment of them is more original than normal.
"Bokura no Gohan wa Ashita de Matteru" is a love story any but for me it is one of the most impressive and cute I have ever seen. It's worth watching!

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Great drama! A beautiful drama! Unfortunately it was short.
As the title suggests, it tells the story of Nemoto Kahoko (Takahata Mitsuki) who lives an extremely protected life. So, despite being in the senior year of college and in the job hunting phase, it is the furthest thing from being independent. We  can say that she has super protective parents, especially her mother  (Kuroki Hitomi), who still wakes her up every morning ... And her father  (Tokito Saburo) is aware that his wife is being overly protective of  her only daughter, but can not have the courage to speak.
Things  begin to change when Kahoko meets this great art man, Mugino Hajime  (Takeuchi Ryoma), who naturally leads a complete opposite life to hers. Without a father and with a temporary multiple, he is astonished to  learn the extreme case of the girl being spoiled by the mother who she  is, and how unsatisfactory her future is.
Kahoko is basically a great baby. It's not childish but childish. She does not realize that she is living in a bubble all her life or dependent on her parents. As  the drama unfolds high grades one learns from it, and we will see that  Kahoko even being spoiled gets to turn around, drama is a lesson of life  and wisdom.

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A balanced movie!
Right from the cast that interacts nicely with history, balancing the impending tragedy with gentle humor and a quirky procession of quirky characters, the film features an impressive collection of characters and bold audacious performances.
Miyazawa is painfully fragile and unselfish, while Odagiri's wifey husband is nice. But who really shone was 11-year-old Sugisaki Ito as the most courageous young generation, taking on the pain and responsibility, while maintaining his youthful life.
Directed by Ryôta Nakano who made a dazzling script, it provides an emotional load of tears as the family history intertwines with humor and marked with multiple surprises.
The sound is solid, but the full surround effects seem to be lacking, in the scenarios part does not deserve to be.
Overall "Her Love Boils Bathwater" is cheerful and adds to every scene. A balanced film that deserves to be watched.

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An adorably beautiful and comedic film, the protagonists are undoubtedly the differential of the film for this story, I loved the Iitoyo Marie as Nino Okamura as well as Taishi Nakagawa as Yuiji Kira both had a very good chemistry.
Based on Rin Mikimoto's series of manga "Kyo no Kira kun" (published September 13, 2011 through August 11, 2014 in the Japanese magazine shojo manga Bessatsu Friend) the film is not that very sticky or very cold thing, it is a very sweet romance between two teenager, the parrot has a representative role that I found a great balcony of the director. The soundtrack is very nice as is the cinematography that gives the most romantic air in this beautiful love story that is worth it.

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Charming and lively youth comedy set in a music school where classical Chinese music becomes a fun competitive battle.
A  town somewhere in China, Chen Jing, sophomore Chinese Music at Zhongxia  Academy of Music's Afiliative High School, sees the handsome classical  music student Wang Wen practicing on the piano and immediately falls in  love with him ... The film goes far beyond the novel, it teaches about Chinese music and  proper classical music in a rather energetic, rather entertaining, but  fun, youthful comedy driven by an animated performance by TV actress Xu  Lu.
The  film sustains its energy from a mass of small details and quirky ideas,  beginning with the two music departments being so hostile to each other  that they are separated by an iron gate in the same building. An innovative film full of energy and innovative ideas that is worth watching.

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Love that needs a little law and order ... A 26-year-old policeman commits himself to a 16-year-old girl, and his mother and father more or less follow it.
"Policeman and Me" ("P to JK") based on a manga sh?jo by Maki Miyoshi.
The film is therefore more inclined to romantic comedy than a serious drama about inadequate love for age, although Kota, his police hero played by pop idol Kazuya Kamenashi, is the soul of sincerity. And, as his teenage bride Kako happily observes.
There is more to the story than Kota's desire to ease his conscience and restore his male pride, but Nami Yoshikawa's script is short on explanations, at least initially. What is obvious, however, is Kako's delight in playing house with her husband in his house very large for a police officer's salary, although she swear the aforementioned friend to the deep and dark secret about the engagement.
Meanwhile, Kota behaves like a perfect gentleman with his teenage girlfriend. In their moments, they exchange little more than smiles and the occasional hug, initiated by a stunned Kako. However, this interlude of innocent happiness is short. Okami Mahiro Takasugi, the temperamental, blond-haired punk who accidentally put Kako in the emergency room, becomes Kota's nemesis, as well as his sickly friends.
In addition, the realities of being a wife to a guy often absent in a dangerous job begin to affect Kako's fantasy world. She gets jealous, fearful and dubious. Can Kota see her as another human being, rather than a burden he must protect? In other words, a good mellow movie but that could be perfect for a mature drama.

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