rosea.
The man with a double life, and the woman with a second chance at it.
Admittedly, I was surprised to have missed Kunning Palace in 2023 - having only heard of the show in early December. Usually, period romance is right up my alley, but given a few disappointing dramas still in my recent memory it's been a while since I've watched anything of that genre. On this front, Kunning Palace succeeds.
From a period drama, this is exactly what we would expect; the domestic intrigue, the court intrigue, the 'hidden' past of the male lead. And, although nothing is particularly unexpected, the tropes don't necessarily grow wearisome. In particular, the relationships the female lead has with her other love interests are far from the usual "second lead syndrome" or "bothersome and obsessive reject who works to make her final relationship miserable". All of the stereotypically annoying clichés were toned down, which is a credit to the writers.
Yet, I do feel that this drama suffers from pacing and time delegation issues. Although we, as viewers, guess at the emotions of both love interests and see how they develop throughout the story - the realisation for both of the characters feels somewhat rushed. In the end, more time is spent on palace politics and battle scenes than on seeing them together as a couple. Unfortunate, given the emphasis that the drama clearly tries to place upon "love" and "loyalty".
Regardless, the stories outside of the main characters were gripping enough that I rarely skipped over them; particularly with regards to the princess, Xuehui and Fangyin. All of their characters were layered and interesting, and although I found the initial set up of the Jiang family relationship odd and forced; I liked how the tension between the family members resolved itself. It felt naturalistic and feasible.
However, the one cliché I cannot forgive is the set up for the entire 'rebirth' itself. It was superficial and poorly executed; feeling only like a weak attempt at trying to copy Joy of Life or Scarlet Heart (who at least had a purpose behind the usage which was relevant to the plot).
Ultimately, the drama is gripping and enjoyable. There is not really any criticism which can be thrown to the acting or the costume design, and the chemistry (both romantic and non-romantic) between all of the characters is palpable and poignant. It's unfortunate then, that they failed either to extend the drama, or to spend less time on its more superficial elements in order to focus on the relationships and plot that actually mattered.
Watch it though. I only have so many criticisms because it was so nearly perfect.
From a period drama, this is exactly what we would expect; the domestic intrigue, the court intrigue, the 'hidden' past of the male lead. And, although nothing is particularly unexpected, the tropes don't necessarily grow wearisome. In particular, the relationships the female lead has with her other love interests are far from the usual "second lead syndrome" or "bothersome and obsessive reject who works to make her final relationship miserable". All of the stereotypically annoying clichés were toned down, which is a credit to the writers.
Yet, I do feel that this drama suffers from pacing and time delegation issues. Although we, as viewers, guess at the emotions of both love interests and see how they develop throughout the story - the realisation for both of the characters feels somewhat rushed. In the end, more time is spent on palace politics and battle scenes than on seeing them together as a couple. Unfortunate, given the emphasis that the drama clearly tries to place upon "love" and "loyalty".
Regardless, the stories outside of the main characters were gripping enough that I rarely skipped over them; particularly with regards to the princess, Xuehui and Fangyin. All of their characters were layered and interesting, and although I found the initial set up of the Jiang family relationship odd and forced; I liked how the tension between the family members resolved itself. It felt naturalistic and feasible.
However, the one cliché I cannot forgive is the set up for the entire 'rebirth' itself. It was superficial and poorly executed; feeling only like a weak attempt at trying to copy Joy of Life or Scarlet Heart (who at least had a purpose behind the usage which was relevant to the plot).
Ultimately, the drama is gripping and enjoyable. There is not really any criticism which can be thrown to the acting or the costume design, and the chemistry (both romantic and non-romantic) between all of the characters is palpable and poignant. It's unfortunate then, that they failed either to extend the drama, or to spend less time on its more superficial elements in order to focus on the relationships and plot that actually mattered.
Watch it though. I only have so many criticisms because it was so nearly perfect.
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