John Master
Orange County
Lessons on Life, Love, and Letting Go
Moonlight Chicken is, arguably, the best BL series to come out of Thailand. If, that is, we regard it as BL at all. This series defies expectations associated with dramas from the BL genre many times over, while never quite betraying its roots as a BL drama. For a genre associated with same-sex romance, BL series seldom explore what being gay means to the characters, whereas that is the calling card for series in the LGBTQ genres. Rather than claim a confused sexual identity or espouse some version of “I don’t see gender,” Moonlight’s characters and themes are unapologetically gay. Where the typical BL series peddles an idealized courtship fantasy between virginal men aspiring to a meaningful first love (that will, obviously, last forever), this series focuses on men trying to recover from failed past relationships. The lead characters are neither virgins nor under the illusion that love will be permanent. Instead of two characters overcoming obstacles as they move toward something, this series centers on characters struggling in different ways to let go of their past. The shards of their broken prior romances comprise the obstacles to be overcome before they can contemplate moving on to someone new. Many of the support characters must also learn to let go of some event or person from their own past. These personal demons anchor their present and future. Moonlight Chicken is an extended rumination on the pain of letting go, rather than the straightforward courtship story many viewers might have expected. As a consequence its themes, characters, and plot obstacles will resonate to an audience both older and more conversant with life’s hiccups than the audience that consumes BL solely for the vicarious thrill of (re-)experiencing the bloom of first love. The fantasy elements of BL romances usually revolve around situations designed to infuse reliable doses of serotonin in the brains of viewers. Grounded in the rigors and mundanity of adulting, Moonlight Chicken eschews the fanciful for realism. Anyone who has been burned by love, struggled to make ends meet, or invested time in pursuing someone who is emotionally unavailable will relate to these characters.
At the center of Moonlight Chicken stand Wen and Jim, played by Mix and Earth respectively. The series marks the actors’ third pairing as the showpiece couple of a GMMTV BL series, after A Tale of Thousand Stars (2021) and Cupid’s Last Wish (2022). Wen and Jim showcase the actors’ emotional range better than their prior pairings, where the nature of the roles trapped those characters in a single lane. Here, Wen and Jim each have some emotional trauma to process—leftovers of events that unfolded before the two met—so that the actors have some real work to do. Before Wen and Jim can embark on a relationship themselves, each man must confront the emotional baggage he has carried from the past. Wen has recently left a relationship with Alan, who cannot understand why their relationship failed. Jim lost his lover twice. Once when he discovered that the man had a fiancée and a second time when an accident claimed the man’s life before he could choose which course to follow. In the five years since those events, Jim has never trusted another with his heart. That high wall effectively froze out Gaipa, whose mother runs the chicken stall that supplies the product for Jim’s restaurant. Rounding out the principal cast are a pair of high schoolers, whose incipient friendship blossoms into an incipient romance. Their tale provides a more traditional BL side story, to temper the angst of the main characters.
Steering the whole shebang was Aof, scriptwriter and director. His prior works often have moments where a semblance of queer authenticity crept into the BL proceedings. This go around, the studio allowed him free reign to represent an overtly gay sensibility. Another difference between Moonlight and most other BL series is that four characters—Wen, Jim, Alan, and Gaipa—are all out gay men, well-adjusted to and self-accepting of that identity. For these characters, being gay structures not just personal identity but also dynamics between themselves and their families, friends, co-workers, and lovers. It positions where they believe they fit within society, and what opportunities society offers and forecloses on that basis. Too often BL series believe having two men hop into a bathtub together suffices as a basis for “gay.” Moonlight Chicken understands the difference between gay-as-entertainment and commentary about gayness. In the later episodes, the series even gets a little preachy in its advocacy for accepting same-sex attraction as a perfectly ordinary type of human possibility.
The authentic queer sensibility emerges in the opening scenes of episode 1. A drunken Wen has patronized Jim’s late-night diner, only to pass out in a stupor. The type of person to take responsibility for the well-being of everyone around him, Jim stays with Wen until a friend can arrive to claim him. Because “plot requirements,” the friend never arrives. Instead, the two end up in bed that very night, after a carefully negotiated agreement that their sex was to be a no-strings attached one-night stand. They do not even know each other’s name. That sort of negotiation is quite common among gay men in real life but quite rare in BL. While exceptions exist, the standard BL character is shocked—absolutely stunned!—at the suggestion that two virile men could even contemplate a physical relationship outside of a genuine love. As everyone knows, sexual relationships cannot be consummated until after all the dramatic plot obstacles delaying courtship have been removed. Such thinking reflects the “good girl” standard, that very patriarchal prescriptive model of behavior that regulates the sexuality of single women. (Remember, BL originated as a genre written by women for women. That the sexual comportment of men sleeping with men in BL would resemble the expectations society foists onto women is unsurprising.) Moonlight Chicken favors the descriptive model—portraying how people actually behave in lieu of adhering to some moral standard. Even more than featuring four out gay men, that simple “no strings attached” negotiation helps make this GMMTV series the most authentically gay series ever to emerge from Thailand. That kind of queer authenticity, blended with the theme of letting go makes Moonlight Chicken a compelling drama.
At the center of Moonlight Chicken stand Wen and Jim, played by Mix and Earth respectively. The series marks the actors’ third pairing as the showpiece couple of a GMMTV BL series, after A Tale of Thousand Stars (2021) and Cupid’s Last Wish (2022). Wen and Jim showcase the actors’ emotional range better than their prior pairings, where the nature of the roles trapped those characters in a single lane. Here, Wen and Jim each have some emotional trauma to process—leftovers of events that unfolded before the two met—so that the actors have some real work to do. Before Wen and Jim can embark on a relationship themselves, each man must confront the emotional baggage he has carried from the past. Wen has recently left a relationship with Alan, who cannot understand why their relationship failed. Jim lost his lover twice. Once when he discovered that the man had a fiancée and a second time when an accident claimed the man’s life before he could choose which course to follow. In the five years since those events, Jim has never trusted another with his heart. That high wall effectively froze out Gaipa, whose mother runs the chicken stall that supplies the product for Jim’s restaurant. Rounding out the principal cast are a pair of high schoolers, whose incipient friendship blossoms into an incipient romance. Their tale provides a more traditional BL side story, to temper the angst of the main characters.
Steering the whole shebang was Aof, scriptwriter and director. His prior works often have moments where a semblance of queer authenticity crept into the BL proceedings. This go around, the studio allowed him free reign to represent an overtly gay sensibility. Another difference between Moonlight and most other BL series is that four characters—Wen, Jim, Alan, and Gaipa—are all out gay men, well-adjusted to and self-accepting of that identity. For these characters, being gay structures not just personal identity but also dynamics between themselves and their families, friends, co-workers, and lovers. It positions where they believe they fit within society, and what opportunities society offers and forecloses on that basis. Too often BL series believe having two men hop into a bathtub together suffices as a basis for “gay.” Moonlight Chicken understands the difference between gay-as-entertainment and commentary about gayness. In the later episodes, the series even gets a little preachy in its advocacy for accepting same-sex attraction as a perfectly ordinary type of human possibility.
The authentic queer sensibility emerges in the opening scenes of episode 1. A drunken Wen has patronized Jim’s late-night diner, only to pass out in a stupor. The type of person to take responsibility for the well-being of everyone around him, Jim stays with Wen until a friend can arrive to claim him. Because “plot requirements,” the friend never arrives. Instead, the two end up in bed that very night, after a carefully negotiated agreement that their sex was to be a no-strings attached one-night stand. They do not even know each other’s name. That sort of negotiation is quite common among gay men in real life but quite rare in BL. While exceptions exist, the standard BL character is shocked—absolutely stunned!—at the suggestion that two virile men could even contemplate a physical relationship outside of a genuine love. As everyone knows, sexual relationships cannot be consummated until after all the dramatic plot obstacles delaying courtship have been removed. Such thinking reflects the “good girl” standard, that very patriarchal prescriptive model of behavior that regulates the sexuality of single women. (Remember, BL originated as a genre written by women for women. That the sexual comportment of men sleeping with men in BL would resemble the expectations society foists onto women is unsurprising.) Moonlight Chicken favors the descriptive model—portraying how people actually behave in lieu of adhering to some moral standard. Even more than featuring four out gay men, that simple “no strings attached” negotiation helps make this GMMTV series the most authentically gay series ever to emerge from Thailand. That kind of queer authenticity, blended with the theme of letting go makes Moonlight Chicken a compelling drama.
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