It is very difficult to deliver a side story that is at the height of the source material, mainly because of its duration, however, we are facing a jewel, like almost everything created by this franchise.

Last Twilight in Phuket is many things but above all it is a beginning and an end, it is the end of I Told Sunsent About You, we see how the boys say goodbye not only to their beloved town but also to a time and a space that they keep important moments of his youth including his friendship and love and it is the beginning of I Promised you the Moon, which, like a promise, what follows in his lives is uncertain not only in what his relationship represents, if not everything else, adult life, grow up, walk away from everything they love and know and enter a world that, although it seems fascinating, also seems to hide dangers in it.

It also serves as a bridge to experience even a little bit of the time that the boys have spent together after the end of ITSAY, I think a bit as a gift to the fans because it is clear that the change they will experience in IPYTM be great and important and the last we saw of them was the beginning of their relationship, at least we have the idea that they have been together and happy this time, but that in some way it has been like a counted time, and in that sense it is a good starting line to remember what the characters are like and the maturation process that is about to begin, in more ways than one.

One of the most beautiful things in this short is that every second you can feel a deep feeling of nostalgia invade you, very similar to listening to a story that comes from the past, almost everything we saw on ITSAY as well as in the first half of the short film takes place in settings full of light and life, bathed by the ocean and the youthful vibe; in the middle of the short and what IPYTM has in store for us, we have a noticeable change of scenery and although the landscapes never cease to be beautiful, they give rise to the nuances, the dark and the night, a subtle way of telling characters and audiences that vibrant youth is giving way to something else.

Although the moments that Oh and Teh have in the short are sweet and romantic, even so, we can see in their faces, looks and expressions that little doubt and fear about what will happen to their love once they leave normality they are used to, it is very powerful how much a couple of minutes can transmit to you when the cinematographic language is so well implemented, not only in the performances but in each shot, the colors, the montage, the dialogues and the music.