WHO ARE WE TO JUDGE?
This drama prompted me to do something I never do: write a review, cause it had such a profound impact that it raised a debate in me in view of my profession.
Samayou Yaiba also called The Hovering Blade is The Japanese drama I was looking for for so long. A captivating series of six episodes that prompts us to think about the impact of social justice or revenge around us, how the police deal with their own procedures, the juvenile delinquency and its consequences, the impact of the press and its management of information, but above all, how far should we allow our pain and compassion to dictate our thinking?
This drama definitely deserves to be known, I really like the way it was filmed with the absence of BGM in almost every scene. It reveals a silence full of doubts and questioning of each protagonist. With that ultimate question, what if it were you in my place, what would you have done?
I admit it’s not always easy to watch because of the violence of some scenes but it’s so well written and it reconciled me with the Japanese drama, they always knew how to treat difficult subjects in a clinical way without real criticism, just by exposing facts.
Samayou Yaiba also called The Hovering Blade is The Japanese drama I was looking for for so long. A captivating series of six episodes that prompts us to think about the impact of social justice or revenge around us, how the police deal with their own procedures, the juvenile delinquency and its consequences, the impact of the press and its management of information, but above all, how far should we allow our pain and compassion to dictate our thinking?
This drama definitely deserves to be known, I really like the way it was filmed with the absence of BGM in almost every scene. It reveals a silence full of doubts and questioning of each protagonist. With that ultimate question, what if it were you in my place, what would you have done?
I admit it’s not always easy to watch because of the violence of some scenes but it’s so well written and it reconciled me with the Japanese drama, they always knew how to treat difficult subjects in a clinical way without real criticism, just by exposing facts.
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