I'm starting writing this review with my cheeks still wet by tears.
When I was looking for new series to watch with good ratings, I was a bit hesitant when I found Reply 1988 because of the subject, and of the length both of the series itself and of the episodes (some last almost two hours each). So I parked it in my wanna-watch list, waiting for a good moment to watch it.
I did a good choice not discarding it. This series is one of the best shows I watched so far, because of the story and the screenplay, because of the direction, because of the cast and the performances of each, because of the OST too.
That's not a banal family drama, but a story, a nice one, about families, about friendship, about love, and about memories, a story about transitions and transformation, finely performed by a cast of actors in a state of grace. The shiny gem among all has been Hyeri, who performed Deok-sun amazingly. She is from one of those younger generation of talented actors who well impressed me in terms of acting and scenic presence (like a Kim Tae-ri or Kim Da-mi). Deok-sun is a shiny person, full of contradictions, but really intelligent, and kind-hearted person. And around her the story travels among the memories of a youth which will never come back, stud with the stories of her friends, her family and the families of her friends, within a timeframe relatively short, but associated to that crucial moment of the lives of all of them, when they quickly transitioned from their being teens to their adult lives, and from the warmth and cozy place which were their families to the demanding challenges of their lives as adults. That moment full of passion and of enthusiasm, which will never come back again: the shiniest moment of the life, short but intense, that is the youth. In the end, the story of each one of us, which can be felt more deeply moving by whom, like me, is a peer of the older Deok-sun and her husband, while they tell those stories.
The whole during a period of the South Korean history, characterized by a crucial transition itself, from the dictatorship to the democracy, from a society still anchored to the traditions to the frenetic one of the current South Korea.
I felt captivated and involved all time long by the plot, which was compelled, and never boring nor flaw. I might say also because in part they were also looking like my story when I was just a youth and passing through that same moment of transition. I felt like part of that micro-world tied around the small alley of Ssangmundong. The involvement was so strong that several time I felt sad or happy as they were my friends or my family. That place was not just an ally surrounded by houses, but the place were an entire community, made of families, lived as a big family itself, in that fascinating Korean way to do it, sharing things, feelings, food, passions, friendship, help, money, tears, and laughs, where each house is home, a place to find a hot meal, a hand ready to help you and an ear ready to listen to you. Honestly, I also saw again my past life of the 80s and the 90s, even if, under another point of view, I felt a bit dazed mainly because of the music, since from that period I remember George Michael, INXS, Guns 'n Roses, Whitney Houston, and Belinda Carlisle (randomly), and they look replaced by the singers and the hits of the Korean music of that period.
Among a spectacular cast, I wish mentioning (in addition to Hyeri) Taek, performed brilliantly by Park Bo-gum, and some support roles that I found irresistible, that are Sung Dong-il, Kim Sung-kyun, and Bo-ra (Ryu Hye-young), not forgetting the small Jin-joo who I adored, so cute she was. But in general, the whole cast was well sorted.
The OST was very nice. Of course the more moving among the songs is Youth by Kim Chang-wan, and that because of the lyrics, in addition to the music itself.
Strongly suggested watching it: definitely worth.