The Star: Uncut Version (2024)

A story closer to real life than the usual BL and an ode to indie cinema

Hope (Night Yodsakon Khamnang) is a fried dumpling seller. Nine (Kong Chindanai Boonruang) is an actor from the Chiang Mai BL production company, who reluctantly accepts a leading role in a new boy love series. The young man is reluctant to the proposal of York (Sak Kidtisag Makongrach), the director of the company, to be part of a new couple to replace the one formed by the main cast, whose members were forced to abandon the film project after the expiration of their contracts.
The worlds of Hope and Nine intersect when the former parks his sales cart in front of the production company and in one of those turns of life the young people meet. The two begin a journey when they realize that they are united by unexpected and uncontrollable feelings.
I highly value series like 'My Star', from Wayufilm Production, for the same reason that others will surely deny it: good execution, level of acting, filming and production, despite its low budget; characters far from the clichés of attractive boys that populate BL series, many of them with nothing to contribute other than their beautiful faces and contoured bodies; simple stories that are much closer to real life, truly passionate actors and a production team in each installment, and a firm determination not to kneel before the giants of the entertainment world with their very common mediocre stories interested only in making money, and whose proposals frequently fail, among other reasons, for not taking their fans seriously.
We are faced with a Thai BL that is not cheesy and unpleasant. The couple has very good chemistry. They are actors who have starred in other projects, such as 'LGBTQ+ Dramas Season 2', 'Our First Time' or 'Midnight Love', among others, and they know each other well.
Furthermore, the editing team chose exceptional music to accompany the miniseries.
I also appreciate the tenacity of the creators to not succumb to the dictates and whims of commercial companies, eager to contribute funds to the production of many BL audiovisuals in exchange for advertising their products, something that we frequently criticize in other series of the genre, thus respecting Wayufilm Production its ethics and principle of being a production company that is committed to indie cinema.
'My Star' can be considered within the name of independent cinema because it has a low budget, is made in more precarious conditions than the so-called official cinema, deals with everyday themes and is closer to the public, lacks mass distribution and, therefore, having fewer possibilities of obtaining large income and being made by a director outside the world of large production companies.
Being able to film without falling into the rigid schemes of the studio system is one of the highest aspirations of every director.
Written and directed by Thai filmmaker Nitchapoom Chaianun, CEO of WayuFilm and founder of MongKlong Studio and GoodJob VDO, 'My Star' joins other dramatized films of his authorship that address issues related to sexuality and gender identity, such as since he debuted with his first short film 'Fresh' (เฟรชเฉิ่ม), in 2006, which was followed by 'Fresh Cool Story 2' (เรื่องเฟรชเฉิ่ม 2).
Determined to delicately portray the diversity of human relationships, dismantling the prevailing stereotypes regarding what is "normal", and contributing to the struggle of Thai LGBT people, Nicchi, as he likes to call himself, has obtained popular recognition with his films and series BL-themed feature films such as the feature film 'My Bromance' (พี่ชาย, RTGS: Phi Chai), 'My Bromance 2: 5 Year Later: The Series', 'My Bromance: Reunion', 'Key Love', 'NightTime', ' The Rain Stories', 'Yantra' (อาถรรพ์ยันต์มหาเสน่ห์), among others.

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