Gray Currents (2024)

Seeking shelter while striving for home.

Another good Korean BL that in a vague manner presents many interesting ideas and opens the door for some personal reflection. What do we want from life? How can we achieve it? Can we force it or the timing has to be right?

We witness enough of Lee Yoon Dae and Cha Soo Hyuk’s past and present to understand why they are suffering and why it is hard to break from the vicious circle of the misery. Lee Yoon Dae might have escaped, but he has no direction. Cha Soo Hyuk has the direction, but does not know how to escape.

Personally, I did find Soo Hyun more interesting. The way he was trapped in a toxic environment, the way he did not know how to give up the responsibility that was not his in the first place. Truly heartbreaking, but also understandable and relatable. Trying to deal with more than you can handle, always pretending that you are fine, you are strong enough to keep going. Living in a paused life.

On the other hand, Yoon Dae managed to voice his grievances and remove the toxic people out of his life, but it left him alone, lost with no direction, no plan. Wanting stability, but not knowing how to achieve, where to start. Wanting someone to care for him, testing how far can he push the boundaries before he gets abandoned.

While the potential of finding what they needed in each other was there, the question became - is the timing right?

A vague story needs a solid performance to carry it, and I'm happy to say both Lee Jae Bin and Jang Woo Young delivered. I did find some moments in Jae Bin’s acting a bit tense, but nothing too distracting. Jang Woo Young simply ate the role, there is nothing to improve in my eyes, nothing to correct.

For a short, rather low budget drama, the production value was great. Loved the use of dim light, loved the rather dark and grimm setting, perfectly capturing the somber reality the characters were living in.

We also need to talk about the intro, because this is easily the best intro we have gotten from any k-bl ever. Perfection does not even capture how perfect it was - from the style to the music. Then, it should not be that surprising, the whole soundtrack was great.

Overall, yes, it was vague, yes, it lacked detail, yes - the presentation of the ending could have been improved, but it’s still a good show with well captured serious topics that gives you more than just a romance.

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when hurt people hurt and love each other (we need a season 2)

Overall: an angsty series with good tension, but a few too many unanswered questions for my taste. 5 episodes about 20 minutes each. Aired on iQIYI, first episode link https://www.iq.com/play/gray-shelter-episode-1-1yzhwhotbkc?lang=en_us

Note: see a comment with spoiler for my thoughts on the ending

Content Warnings: parental abuse

Timeline Notes (the flashbacks weren't very clear)
- episode 1 starts in the present and then at 6:05 the rest is flash back
- episode 2 starts in flashback, goes to present at 10:30, flash back 19:25-20 and then returns to the present (the package is from his bio dad at the beginning, not step dad)

What I Liked
- a more serious vibe
- tension
- good for the girlfriend for not putting up with that
- acting
- production value

Room For Improvement
- there were 2 main issues that were alluded to but never directly explained that I wanted the answers
- that friend was a huge a**hole for ratting him out to his dad, can't believe the main character apologized to him
- could have shown things a bit more directly, I thought that beep was his phone going off, didn't realize someone was leaving the apartment which gave important context and showed 1 character was slightly less of a jerk than I thought he was
- they needed to make the flashbacks/present differ more, it made things needlessly confusing in the beginning
- pacing was slow at times and then the end felt rushed/incomplete

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My two cents on peoples interpretations

As with all art - films and so on, people will interpret this series in their own way. As we are humans we pull from our own closest experiences and empathy to understand the characters on screen. I feel this is why there are such hard black and white lines with the like or dislike of this series.

I feel both characters were portrayed amazingly by each actor ( I was very excited to see Jae Bum from Choco-Milk in a dark dramatic series and am really really looking forward to what else Wooyoung will do ). Many people say the story line wasn't clear, or the whole series is confusing. I don't agree, you just have to pay attention, they are telling you everything you need to know. Because I want everyone to love this series I will spell it out for you haha. Or more so..this “review” will be "what was their relationship at the beginning" and Yoondae in general, since most people seem to dislike him the most. Get ready for a whole character analysis baby.

It was clear from their "first interaction" that SooHyuks mom was marrying YoonDaes father, who is abusive (aka- for a time they were step brothers - this is why he calls Soohyuk "hyung" at the beginning. He explicitly says so in the scene. The direction of shots that portrays the abuse Yoondae goes through is beautifully done, from the scene where Soohyuk sees the bruise on his neck, to the band aid seen with the cut and soon to be black eye. I prefer and LOVE when shows don't spell everything out in complete dialogue, because that is not realistic. The scene of Yoondaes father at his school saying to just drop out, the fear that Yoondae portrays as he's backed into a corner, waiting for the other shoe to drop. The emotional and physical abuse that Yoondae experiences and still does is clearly shown- there wasn't a need to show a literal scene of the abuse.

So although he "got away" by moving out and couch hopping, abuse like that does not leave you. Like Yoondae shows, you are lost, not knowing the next step to take since it was always decided for you. Yoondaes habit of lying is clearly driven from this, since even if it's pity that is given to him, at least it is some sort of love and attention. This in turn makes him want to test his boundaries in a twisted way, pushing people to their limits somehow makes sense to him. He wants someone to care and to fight for him, but everyone just leaves. His inherent loneliness is clearly shown with his constant hang outs with his friends, not wanting to leave his friends job because he wants to wait for him. His friend even says "you know that's weird" and Yoondae agrees and clearly knows he has attachment issues. Although it is not said or portrayed, the LACK of Yoondaes mother tells us all we need to know. She is either dead or long gone from their family, this most likely is a reason for his attachment and abandonment issues. She is neither spoken of or seen in things such as photos etc. This all circles around to why, as they say in the series, Soohyuk has become Yoondaes "home".

Soohyuk out of his own free will and kindness saw Yoondae for who he was and what he was going through. Yoondae didn't need to lie or tell him anything because Soohyuk understood. Unprompted love and care when he said to sleep in his room so Yoondaes dad won't hit him. Even Yoondae is confused by his kindness, but they show how he starts to understand that they are both similar and "not like their parents' '. He finally had someone who cared, loved and wanted him to be okay. Yoondae has friends of course but they never seem to grasp the complete toll Yoondaes father had on him. Don't get me wrong they understand and have done a lot for him but they never actively tried to help him in high school ( they're kids of course ) but Soohyuk did, I think that's why the impact of it was so great to him. Never mind the obvious attraction he has for Soohyuk *cough the bandaid scene cough*.

Some people may think his advances / attraction ( in the present timeline ) was out of left field or a way to manipulate Soohyuk to let him stay since Soohyuk clearly stated he likes men. I again do not agree. I think it was clearly shown in the past timeline that Yoondae was not interested in girls. His avoidance, annoyance and sabotage of the "double dates" his friend was making him go to was your first hint. The subtle things such as choosing to wear Soohyuks shoes even though they were falling apart. His upset and anger he had when Soohyuk "ran away" in the past timeline. The shock and longing he shows when he first sees him again. It's all there. But he had a girlfriend? Yes, a girlfriend who let him live in her house "after the first date because he was handsome" as his friend stated. Obviously this was a means to the end, and not any sort of attraction or love. ( not cool but it is what it is, haven't you grasped that Yoondae has issues lmao ) Even with Yoondaes track record, I don't believe him kissing Soohyuk was a way to manipulate him into letting him stay. I think it was his love for Soohyuk and his abandonment issues. He even says he doesn't want to leave because he doesn't want to say goodbye.

Yoondaes character invokes pity and frustration, "just get a job" you think- "just stop saying bullshit and say how you feel" you think. You want him to succeed, you want him to do better because he has had a hard life. But yet, he doesn't. instead he drinks every night and sleeps all day and does it again. Why? Because he thinks he deserves it, after all the hardships he's been through, his subconscious thinks, ah I deserve a break - just for a bit. I'm sad so I'll drink, I'm lonely so I'll go out. He does not think in future tense and that is his biggest current problem. Even other people understand, that's why it's not said to him at all in the series to "get a job" . His girlfriend literally was working overtime and he was just at home playing video games. When she spoke to Soohyuk about their break up you can hear the pity and emotion in her voice, as Soohyuk pointed out, she didn't even want to talk bad about him.

Yoondae is a slow drain, because he is a good person but over time he sort of...sucks the life out of you by his stagnate state. They didn't portray how long he was living with the girlfriend ( therefore how long he has been out of his fathers house ) but it doesn't seem like it was very long so I can't really blame him. Bro needs therapy, but no one is really telling him what he needs to do, they are just placating him. Even with the emotional scene with his friend where he, with tears in his eyes, asks his friend "what do I do" his friend just sits in silence. I think that's why Yoondae starts to get more and more desperate about Soohyuk leaving him, to some peoples disbelief, I think Yoondae knows his flaws. He knows Soohyuk will soon find out he inadvertently lied about his dad being dead, he knows that the "only reason" Soohyuk asked him to live with him was because he had “no one else” ( although that doesn’t appear to be the only reason in reality ). He knows that Soohyuk will “run away” and when he does, and stops sleeping at home Yoondaes abandonment issues kick into gear in full force. The scene where he lies about inviting friends over, breaking a window and cutting his hand is such an obvious display of his issues, the fact that he knows he uses pity and emotional manipulation to get love and affection. But what really breaks your heart is that he says “just kidding” in the most heartbreaking way because Yoondae KNOWS Soohyuk knows he’s lying anyways. But then he says “but i'm not lying about the broken window” as a last ditch effort because Yoondae doesn’t know any other way..(again therapy plz) Soohyuk then hangs up because again, he knows this is how Yoondae works. Thats why it is so gut wrenching when they go out to dinner and have the “home” conversation. Because even the audience felt the hope, we felt what Yoondae felt. Then for Soohyuk to “deny” him, it hurt really bad. But, yet you are happy that Soonhyuk knows his worth and knows that Yoondae needs to get himself together before they can move forward. Soonhyuk didnt deny his feelings or his want, but finally someone is telling him that he needs more time - they both do.

Now, why would Soonhyuk put up with this? Well, that's how he is, he already deals with type of person with his parents, he’s caring and extremely empathetic, he loves too much - gives too much and it has broken him down. His dad specifically…there are a scary amount of similarities with Yoondae and Soonhyuks father, the over drinking, the borrowing money, the spinning the wheels in one place. The series shows us that explicitly. So when Soonhyuk finally sticks up for himself to his father - I think a lightbulb clicks then that even though Yoondae is not exactly like his father, the place Yoondae is in is too similar and if he keeps placating him like he is, he will never go anywhere or get better. I think this was the major decision on Soonhyuks part. Unlike his father, where he stood up for himself because he reached a breaking point - realizing how hard the dynamic was on him and that there truly was no hope of his father changing. I believe with Yoondae, he knows there's hope, like they said “they aren't their parents” he has hope that Yoondae will be better, and he will be there to love him when he’s reached that point.

I could do a whole analysis on Soonhyuk but I believe my “review” is already too long lmao. I just wanted to shine some light on Yoondaes character as I think a lot of people may have misunderstood him, just like some of the characters in the show did. Really interesting seeing that.

Overall, I think it is a beautifully shot and realistic series, watch it <3

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A song to life and love

I have doubts about the strength of my arguments to convince someone that this is a great series, but I have plenty of reasons to, again and again, watch it with pleasure, to tell why that feeling of harmony and hope that 'Gray Shelter' provokes me and, of course, I am also completely convinced that it should be recommended. Attentive to the small and the biggest, the tight heart, the explosion of emotions and the confusion, this South Korean romantic drama will whisper in our ears about certain things that happen to people when they discover their inner self.
Cha Soo-hyuk (Jang Woo Young) is a boring adult whose only goal is to live without worrying about everything and everyone. While working as an external engineer at a cleaning company, he meets up again with Lee Yoon Dae (Lee Jae Bin), with whom he was very close in the past. Yoon Dae lived with his girlfriend, but now he has nowhere to go..., and they end up living together. The two remember domestic violence, running away from home and the days when they consoled each other by saying that they were not like each other's parents.
Korean director Lee Son Eum (이손음) signs with 'Gray Shelter' (회색기류 / Hoesaekgiryu) a significant work of contemporary relationships in his portrait of a same-sex couple, delicately addressing a theme common to all such as love , but here presented in unforeseen and difficult circumstances with a language that involves the viewer in the intimacy, complicity and fears of what is told: the story of two young people united by a past of brotherhood, whose brotherly affection evolves into a warm and deep love with the passing of the years.
Based on Son Eum's own script, the series, consisting of 5 20-minute episodes, explores the awakening of desire, passion and love of a boy for another man. It is, simply, a demonstration that feelings do not know gender. It is love without borders in search of happiness without labels visually narrated in a very lyrical way and assumed naturally.
The deep friendship and love of two men who meet again and begin to live together under the same roof. A journey that turns the viewer into a witness of the internal struggle, the confrontation and the love that they experience. Exterior landscapes of the environment that surrounds them and interior landscapes of the characters written in an agile and lyrical way. History, society, love, defiance of life's obstacles.
A broken family, a heterosexual courtship, a breakup, a friend from the past, almost a brother, a little older, and, suddenly, when everything seemed stable, in perfect balance, the heartbeat, the discovery, the awakening of desire , the feeling, the obsession, burst in with the same force as the denial, the non-acceptance; aggression, which can be both internal and external, and breaks what is established...
They both fall in love. They both see their lives turned upside down. Both are reunited with an unknown self that makes them happy, that gives them pleasure, that fills them with unmanageable pain and uncertainty, but also with love and passion. It is the happy encounter with their own natures.
Can the two young people together travel the roads of South Korea in search of an El Dorado where love, purified of all prejudice, is possible?
How can I describe what is happening before my eyes? Drama and reflection, as intelligent with its images as with its dialogues, turn 'Gray Shelter' into a hymn to life and love, above all, due to the way it approaches a theme, such as homosexuality, which, even when it has been portrayed on numerous occasions over the years in South Korean cinema and television, is still very scarce compared to what is produced in other latitudes or on other topics in the same country, since the taboo component for a A significant part of the population is still present, despite being civilly legal.
From the Heavenly network, this romantic drama that feels like an old movie in terms of color tone and harsh composition, returns Lee Jae Bin to the screen after his successful performance in 'Choco Milk Shake'. At his side is an actor who has also shown his incredible artistic talent in the films 'Phantom' and 'Baseball Girl'. A couple that shows a vibrant chemistry in a drama that excites and moves as it manipulates as only initiatory stories, owners and lords of an absolutely individualistic narrative voice, can manipulate.
Jang Woo Young and Lee Jae Bin bring two very different characters to the scene, but two who not only have a strong connection and chemistry, but also relate perfectly to each other's struggle. There is a healthy and affectionate love between them, it is also romantic, with great generosity, nobility and compassion at play. The sadness and melancholy that both bring is not the kind that makes viewers cry, but rather hits deeper, to the very core. It is not a typical anguish, but heartbreaking.
If at any point I might have thought that Lee Jae Bin would be pigeonholed into comedy, I must confess: I was wrong. If in 'Choco Milk Shake' he achieved a genuine naturalness in his performance, even in those most dramatic parts, which could suggest this would be the right genre for him, in 'Gray Shelter' the young and talented actor shows his versatility and possessing the gift of standing out for his ability and skill when it comes to embodying totally opposite characters.
I liked how he made it clear that he is an actor of race, of vocation, one of those who dares with comedy and drama, and puts himself at the service of the role in question with body, mind and soul. You have to follow his steps.
For his part, thanks to Jang Woo Young, Cha Soo-hyuk is a completely plausible, convincing and even beautiful character, in the sense of being absolutely different from those played by the same actor in his previous works. Everyday life has such a forceful beauty that when an artist is able to see and represent it, he achieves works that are not only solid, but also shocking.
With an acidically caustic tone, raw and direct, highly intelligent and subtle, and always based on the dialogue and organic behaviors of two characters with few filters, 'Gray Shelter' becomes a sophisticated story of a homosexual relationship. The narrative simplicity of the series is reflected in the filming style and is offset by the complexity of the relationship.
Although at times it crosses the border of frivolity, it is possibly one of the most elegant translations of contemporary South Korean dramatization of a story about homosexual men, which is nothing other than a great love story.
'Gray Shelter' is, in short, one of those gems that presents a world so wonderful that you feel sad when you reach the end credits. In short, a drama that captivates the viewer, in addition to the story and the way it is told, due to its attractive visual effects and its visual chemistry.
The drama turns out to be, then, a delicate story of everyday situations, especially those essentially linked to providing inclusive views to the debate on diverse identities and sexualities, while diluting the binary and sexual identity boundaries (man-woman). But, in addition, it recreates, with proverbial skill, especially in the dialogues, and also in the situations, a romance that is not just one more of those that South Korean audiovisuals have contributed since 'The King and the Clown' (Lee Joon-ik, 2005), 'A Frozen Flower' (Yoo Ha, 2008), 'Man on High Heels' (Jang Jin, 2014), to name just a few, but one current, daring, pure, in a series all time attentive to those shudders that perhaps strengthen our expectations of finding what we are looking for.
Lee Yoon Dae's confessions, the evocation of the past that unites them, the way in which the two men approach each other and establish a unique, explosive, fiery intimacy, make total sense through a delicate photography, capable of converting each shot of night exteriors in acts of love in the light of the sunniest day, in addition to managing the expressiveness of the composition and the framing placed even in a symbolic function (Cha Soo-hyuk healing Lee Yoon Dae's wounded face is filmed in a way that implicitly alludes to the major issues involved here); or music that is barely noticeable, and the composers of the songs know that this is a compliment when talking about musical soundtracks in film or television.
The cinematography is moving, with great use of color, particularly a dark, natural palette.
In addition to everything said, I also loved the tenderly filmed scenes of intimacy and sexual complicity. As for the general assessment, it must be said: Lee Son Eum pleasantly surprises us with a seemingly simple series, but which is ultimately a treatise on losses and breakups, on the one hand, and encounters, reunions and discoveries on the other hand, about the gone and the lost, about the found and the unexpected, about the search and finding of love and happiness, the clinging to illusions, to certain affections and feelings, by human beings so complex as well as sincere, animated by the real idea that perhaps they will find, very close to themselves, in their shared past and present, what they have always sought.
And if it all seemed like a lot to me, I am surprised by the beautiful animation by Jeon Seon Myeon that serves as the opening title. The animation shows the two main characters, Yoon Dae and Soo Hyuk, walking alone in the snow before ending up under a streetlight. Yoon Dae spreads out his scarf and wraps it around Soo Hyuk. The light turns on, illuminating their gray world, and they embrace as Ode's "Sleepless" plays in the background.
Few South Korean series have left me, at their end, with such an inexplicable feeling of melancholy and complete satisfaction. And that's why I decided to enthusiastically recommend it.
YA

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Maybe we can be each other's shelter

It's all empty space and frustratingly suffocating. Like wearing a wool turtleneck on a winter's day. You ache and long to tear the thing off, but it's just so bitterly cold.

The intro itself was a work of art. There and throughout the drama, I particularly appreciated the use of shadows and temperature. Not to mention, the actors did an amazing job. I found myself so weighed down by their emotions I felt like I was sinking.

I found the conclusion both unique and fitting. It ended with an understanding: We need to be on equal footing first, independent of each other, to sort through these muddled thoughts and feelings. Then, perhaps, we can . . .

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Good ingredients, bad recipe

First things first, you are going to start this confused, and then by the end, you are going to be more confused.

The drama has a small and okay cast. Shout out to Jang Woo Young, which I believe is his first main role and is extremely well delivered. I hope we see more from him, even though his profile is not available anymore on his agency.

Let's start with the character itself. Two men, who are brothers(?), stepbrothers (?), or old friends(?). I don't know because they didn't care to explain the family drama to us. Anyway, there are two men who are somehow related, one of whom is living a hard life with a lot of work and no time for nothing, and another who is cranky and does nothing with his life. 

The plot has a lot of holes and nobody cares to explain anything to us.

So in the end we end up with nothing but confusion. 

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The BLification of a non-BL story

This is a difficult one to rate. As a short story about the hardships of life, this is an easy 8. It has great acting and is filled with emotions. As a BL though, it's basically a 2.

Let me explain...

Had someone told me to watch this without me knowing it was a BL, I would have never suspected the two characters being in love. Their kiss came so out of the blue, I thought it was a dream sequence for a moment. If you ask me, this story would've worked a lot better if it were about brotherly love (not the borderline incest kind BLs seem to be obsessed with). It was emotional, and the two guys reuniting after a long time and becoming the warmth and color in each other's lives once more would've been very cute and touching. There was no need to force a romance into a space where there wasn't any place for it.

It's not that the actors didn't have the potential for romantic chemistry. They easily could've had some, but it's just that the story wasn't written for it. It feels like someone wrote this without any romance in it, and on the day of filming, one guy on set was like "BLs are popular. Let's make this a BL!" So, the director was like, "Alright. At the end of this scene, just kiss." So, the actors did what they were told, but both were confused about what the hell is going on.

I don't have much more to say. It was a sad little story with a glimmer of hope in the form of human connection. That connection should've just been two guys who once were forced into being step brothers and became the love and light in each other's lives, then drifted apart, and at the worst time, they reunite and choose to be brothers once more, even if their parents are no longer together. It doesn't solve all their issues, but it gives them a reason to keep going. The story didn't need anything more than that.

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Not your typical BL!

First thing first , the intro of this series was MASTERPIECE!
If you are expecting this to be your typical BL , it will disappoint you. I understand the rating on MDL. This is not a cup of tea for everyone.

The story does seem fragmentary at points leaving you with many unanswered plot holes but it has clever presentation.
The symbolism , the contrasting color frames , the angst , the hurt - You can feel it all in this 5 episode drama.
The acting by both the leads was convincing enough.

Not a fan of open endings but in this case it was justifiable. 
The conversation after their dinner was cruel yet realistically hopeful.
Yoon Dae needed to understand that " If you never heal from what hurt you, you'll bleed on people who didn't cut you."
For him to be Soo Hyuk's home and vice versa, he has to ground himself first. Finally someone teaching him self love without manipulating and scarring him.
Soo Hyuk was torn but held his ground this time. He wanted Yoon Dae to really be his home rather than being a liability.

The ending depicted they both finally broke from their same pattern and that counts as "sort of" happy ending (At least for me).
Though it's not a perfect 10 for me but still very close to it. I hope there is season 2 with longer run time.

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I am so incredibly lost it's not even funny

Maybe I missed something, or the series is supposed to be this way, but I've never been so confused while watching a series. I genuinely had no fucking clue what was going on for like 80% of the runtime. I like taking notes while watching series, and for this one I wrote down "what is going on" like twenty times. I'm not even kidding.

The thing is, this is a SHORT series. So much so that I finished ep 5 and thought there were still a few more to come. Only today did I realize that it is, in fact, over. Which means that the confusion I felt at the beginning doesn't feel justified. At all.

Firstly, it's impossible for me to guess what the relationship between the two main leads is. Are they family friends? Family? Old friends who fell apart? Literally no idea. Between this and the constant flashbacks to their interactions in the past (which aren't explained either), I was a mess trying to put together a coherent storyline to follow. There's so much angst between them, and you as the audience don't know why that is. There's also a messy af dad in there somewhere, God knows why or how or anything, and I literally didn't care because I just met this man an episode ago?? Idk I'm still mad.

The last episode was the only one I felt like I understood some things. The drama was ok and understandable, and the tension between them when he kicked him out of the apartment was well built. The last kiss with the plausible deniability (closing his eyes so they can both pretend it never happened) was sad but also well done.

But like... that's it? I feel like this didn't have a plot at all, and not in a good way. I'd also like to add that that first kiss was so underwhelming it actually made me laugh. It's not that it was awkward -which it was, but first kisses tend to be awkward-, it's that neither of them moved or did anything other that just stand there with their faces pressed against each other's.

So, yeah. Kind of a meh series. It's not necessarily problematic, that's why it's not getting less than a 5, but I wouldn't watch it again.

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How to escape toxicity and self-loathing in the midst of (b)romance

This very short BL series brought me a lot of conflicting feelings. I really enjoyed the ending of the story as it showcased the growth of both main characters. Some steps were taken towards less toxicity and self-loathing overall and that's clearly a win in my book as I was really afraid of a conclusion lacking nuance and realism.

On another side, I kind of wish the series would have been longer because even if the point of the scenario is very clear, the fundamentals of the relationship are a bit brushed off. There are a lot of elements that felt rushed and the storytelling definitely was more about a bromance than a romance to me. I indeed think that to go into a more romantic territory, the chemistry would have needed to be bigger and the scenario did not really provide a lot of opportunities for the actors to get there.

I love the opening generic of the series: the drawing effect in addition to the song was a winning combination. Overall, the production value was okay. The budget was not there but it had a strong indie feeling perfectly fitting for the drama.

I would recommend this to people looking for a more serious BL story. Rather than being about a romance, it is more a bromance to me and what makes it really worth it is its realistic and nuanced ending. I wish there had been more time to develop the romance but I appreciated the overall take of the scenario regarding the evolution of the characters.

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More like seeking shelter

Definitely have mixed feelings about this one.
Don’t watch this if you’ll be fustrated with unanswered questions and open endings! Overall the story is a bit of a refresher in terms of the storyline dramas that are being aired right now. This one is as expected from a Korean bl to be more on the mature side.
At first I was thrown off with the flashbacks without much to differentiate between the past and present.
The drama feels a bit rushed and lacks being flushed out due to the short time in both amount of episodes and them the length of each episode.
Besides that the plot: the plot is something that draws me in. Two people brought together and bonding over their shitty families but ultimately are separated.
I wasn’t a big fan on the so many unanswered questions. The drama is too complex for such a short drama. This should’ve been a minimum of 8 episodes tbh.
Other than that, I’d watch it. There’s no big commitment to watching it and Jang Woo Young Is playing his role as a pushover too well *insert crying emoji.*

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