25 Ji, Akasaka de (2024)

promising start that fizzled (watch suggestions)

Overall: I was excited after watching the first episode, but the thin plot swam in circles. 10 episodes about 25 minutes each. Aired on GagaOOLala https://www.gagaoolala.com/en/videos/4205/at-2500-in-akasaka-2024-e01

Watch Suggestions
- watch episode 1
- watch episode 7 until 21:50 or the whole thing (this explained why a character liked another character)
- watch episode 2 at 17 to the end if you enjoy dating scenes/montages
- can skip episode 3, there is a short cuddle around 15 min
- can watch ep 4 at 6:30 for a sensual gnocchi making scene and 21:30 for a brief kiss
- can watch ep 5 around 10 minutes for a hot bod and 19:20-20:40 for meh kisses
- watch ep 6 beginning to 10 minutes
- skip episode 8
- watch episode 9 at 3:30-5 and 10:20-12
- watch episode 10 (can end at 14 minutes or watch to the end)

What I Liked
- premise was set up well, the end of episode 1 was awesome
- the kneading dough scene was sensual (needed more scenes like that)
- managers cared about their actors
- that they looked realistically sweaty in episode 10 during the NSFW scene

Room For Improvement
- voice over for plot set up and voice overs in general
- slow pacing
- waited until episode 7 to show why one character was extremely attracted to the other character, this was much too late
- in episode 6 nearly doing something when the other person was sleeping
- cliche overheard something, made a stupid assumption, then ghosted/refused to communicate (communicated halfway thru episode 10 which was too late)
- a character said he had no idea how to reach the other character....I don't know maybe try....talking... #sarcasm
- some lackluster kisses
- odd wide shots during intimate scenes made me feel detached, I couldn't feel the characters' emotions
- episode 10 had a natural stopping point and then the ending half felt anti-climactic with the behind the scenes part, them acting in the series, them watching the series, then suddenly a different scene.

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Mild angst, major miscommunication.

Can I even call it miscommunication? Was it not just a reverse delulu - Shirasaki Yuki truly lived in his unfounded convictions and denied any possibility of mutual feelings between him and Hayama Asami. The only thing left for me to do was keep watching and keep sighing - little guy was chickenblocking himself.

Truth to be told, I actually loved the plot itself. I'd just tweak how Shirasaki Yuki was written to make him a bit less frustrating. His character effectively lowered my rating with each action he made. Dude kept acting as if he was rejected without being rejected. At some point his explanation of Hayama’s actions became so illogical all I could do was laugh. What the drama failed at was convincing me there was a valid reason for him not even thinking there is a chance Hayama might like him.

I do appreciate how it led to a nice pinning and angst from Hayama Asami tho, which was in fact the highlight of the show for me. With just two episodes focusing on his point of view, I somehow believe I understand his character and reasoning far better than Shirasaki’s. His hesitation made sense. How cautious and at times passive his behavior towards Shirasaki was - it was well explained and it was the most fun part of the drama to watch. I’m a connoisseur of mild angst and I was quite pleased with what I’ve got from 25 Ji, Akasaka de.

How about the chemistry ( which is undeniably important in romance driven shows)? Depends on which scene we are talking about. The first kiss the part shared was atrocious. It was not even a dead fish kiss. It was not a cute peck, they literally just put the lips together, barely touching, and stood there. The context of this scene made it even more ridiculous and I almost dropped the show when it happened. Luckily it only gets better from that point, so don’t give up hope (not that it could get any worse).

For the acting - it was good, just not my preferred style. I did not quite connect with Shirasaki Yuki’s character and Niihara Taisuke’s acting did not help either. I would not even say Komagine Kiita did an outstanding job either, but I just prefer the subtle ways emotions are shown, and that’s how the character was written and the performance directed.

Production wise I did like the drama a lot. Not only they wanted to present a cohesive story, but they wanted to do it in a visually pleasing way, that’s always a plus in my book.

Overall, it’s a nice show, but it’s not something I’m going to talk about and recommend after some time. I enjoyed it as it aired, and will have no issues quickly moving on to other new titles.

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Absolutely yes

Basically fake dating but make it Gay. Count me in. The chemistry is definitely there and the whole cast seems to be well trained in acting. The camera work is good although some of the editing is questionable and slightly odd. I am a big fan of plots like this bc we pick up the pace with the main leads. You get the vibe that the super hot popular costar secretly watched and like his lesser popular and slightly awkward junior. I’m definitely a sucker for plots like this! There’s two filler-ish episodes to the end but the ending is totally worth it!!! One of the best dramas this year!

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New trend: forming a main couple with star actors in JDramas?

When life gives you lemons, you make lemonade. And when life finally offers insecure and hesitant rookie actor Yuki Shirasaki (Taisuke Niihara) an important role in a television drama in which he must portray a homosexual character in a relationship with popular actor Asami Hayama (Komagine Kiita) as co-star , and given his inexperience in love, he decides to make the best of the situation... looking for a real experience.
This is how he goes to a gay bar with the aim of finding someone to sleep with to experience a full-fledged apprenticeship and to be able to incorporate the emotions acquired into the character to embody. There, he meets Hayama, his co-star in the television series, a superstar in the world of entertainment and modeling, who in college shared the same film study club with him.
How will Shirasaki react when Hayama offers him his body? What will happen between the kōhai and inexperienced in matters of love Shirasaki when the senpai Hayama proposes to form a "romantic relationship for the sake of character development" until filming concludes? What will happen between these two very different people when filming ends?
And, while Shirasaki gets to go through a lot of fake "official first moments" with Hayama—her first real kiss, her first real date, her first sexual encounter, her first role in a television series, her first leading role in a non-theatrical play or his "first coming out", he is surprised that among the lies, emotions flourish, feelings grow and they fall in love. In other words: what seems like a solid plan soon turns into emotional chaos that will lead them to…
The series raises questions about the nature of falling in love (is it a pure matter of instant chemistry or a difficult process of adaptation to the other?), the transition to adulthood and the acceptance of sexual identity.
Based on the manga series "25:00, in Akasaka" by Natsuno Hiroko ('25ji, Akasaka de' / 25時、赤坂で), first published on November 24, 2018 by Shodensha, the action adaptation real with the same name, is directed by Horie Takahiro ('Death Kyun Loop Wa Tomaranai!) and Kawasaki Ryo ('Minato Shouji Coin Laundry Season 2' and 'My Strawberry Film').
Based on a script written by Aso Kumiko, known for writing the script for 'Inochi Aru Kagiri Tataka e, So Shite Iki Nukunda', throughout the plot and the false courtship, the characters discover that love can arise even in the terrain of deception. The viewer might think that this is a classic tender story framed in a romantic comedy-drama, but in reality, it is full of script twists that exceed any expectations.
From the TV Tokyo channel, the series seeks to capture the audience with a formula that combines humor, drama and love through a pseudo-romantic relationship that off-screen leads to a touching and beautifully crafted love story that explores the complexities of relationships within the entertainment industry and between actors.
The cast is reinforced by renowned figures from Japanese cinema and television such as Takuma Usa, a figure known for his participation in other romantic dramas such as 'Kiss x Kiss x Kiss: Love ii Shower', 'Kiss × Kiss × Kiss: Melting Night' and 'Cool Doji Danshi'. Accompanying Usa in supporting roles is Shoma Nagumo, from 'Kiss x Kiss x Kiss: Love ii Shower' and 'Minato Shouji Coin Laundry'. The cast is completed with Atsushi Hashimoto, who began his acting career in 2004 in the film 'Water Boys 2'; Moemi Katayama, actress who in 2019 played the character of Kohiruimaki Himeko in the romantic series 'Ossan's Love: In the Sky', and Shinohara Yushin, known for his intervention in the film 'We Couldn't Become Adults', who together contribute memorable performances. It is, truly, a luxury cast.
I wonder: Will there come a time when they stop pretending that they are a couple and make it known that they ARE a couple? Will the student be a good apprentice to the sensei?
If someone asked me: What is so special about the series?, I would answer:
- Shows the non-stereotypical or stigmatized image of the homosexual man and same-sex relationships with the purpose of achieving significant changes in the conservative, patriarchal and heteronormative Japanese society.
- The right decision to make the main couple with two acting stars, since Japanese romantic dramas of the LGBT+ genre usually pair a popular, experienced actor with one less known to the public. Apparently, producers and creators of the genre are seeking to implement a new trend, if we take into account that in the recently concluded 'Sukiyanen Kedo Dou Yaro ka' (2024) they also paired two experienced actors who enjoy great popularity, such as Kan Hideyoshi and Nishiyama Jun.
- The use of monologue through which the characters define their traits and the audience can get to know their most intimate thoughts without the need for a narrator to intervene.
- The respect, passion and sincerity of the members of the artistic-technical teams to the original work.
- The forced plot does not take away from the magic of a leading couple that brims with chemistry and dialogues that manage to convey more than one substantial reflection.
- The two protagonists are very funny in this drama with characters that one represents maturity and experience and the other "first-time" naivety in all areas, both in love and sexual matters to those concerning his work as a novice actor.
- Although the script presents the same tricks as many other series of the genre, the truth is that '25ji, Akasaka de' has shares of originality in the evolution and outcome of the plot.
- The value of friendship, of the camaraderie of coworkers and students to help the two protagonists manage the complex emotions that will accompany them throughout the plot, focused on building the love relationship of Shirasaki and Hayama , their successful participation in a television series, and that both discover their authentic selves.
- Taisuke Niihara and Komagine Kiita play a seemingly impossible couple who will have to force themselves to have an initially non-existent chemistry, because they are unknown people chosen in a casting to play two protagonists of a television drama.
- The disturbing innocence of the entire approach.
- The purity of characters who grow without "corrupting", clinging to their first loves and unusual experiences on a film set.
- Its light narrative and good performances hook you from the first frame, making it a fun series.
- A series with a concept developed and outlined as a drama and not as a comedy.
- '25ji, Akasaka de' shows a series of circumstances that could hardly happen to its characters, always maintaining the premise that dramatic moments in real life are usually interspersed with humorous moments.
- The creators wanted there to be a certain honesty in the script and that the actors did not have to react intentionally to the planned moments of humor.
- With the dosage of humor and a choreography of gestures that also extends to intelligent and elegant compositions of shots, those responsible for the series achieve the very complicated task of getting each of the decisions made right.
- The music, the smoothness of the camera movements, the ease of provoking different emotions in the viewer and the palpable complicity of a well-rounded cast make the experience of the episodes something special.
- A series that from the pilot episode captivates the viewer and the illusion that the balance is not lost and those responsible are overcome in the following chapters full of disparate occurrences and interesting situations.
- The idea of ​​a closing with a delicate and tender musical sweep.
- Having two directors with extensive experience in the world of entertainment, whose experiences also as writers combined with the skill and vast writing craft of the accredited screenwriter could perfectly outline both the narrative discourse and the staging or production.

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Lost in the Monologue Mayhem !?

The plot started strong but unfortunately *a long sigh* it lost its way in the second half and picked up in the finale. But a little too late!
The concept of two BL actors starring together and falling in love - This isn't new. Feels like the ongoing trend in J-drama BLs. But this series didn't quite live up to expectations, at least for me.

The characters, Shirasaki Yuki and Hayama Asami struggled with a FRUSTRATING lack of communication throughout. The fact that they both pinned on each other as they sipped coffee in the penultimate episode just pissed me off.
There were many times when I found myself shouting, "JUST TALK TO EACH OTHER !!" While I do under this can be a cultural nuance, stretching it to the finale was a bit much.

They relied 'too much' on internal monologues, that after a certain point felt distant and unclear especially Shirasaki's reflections on his self-esteem and feelings for Hayama. I expected a good/some character development where I could see his confidence building slowly and gradually but I got none.
Hayama's reserved nature, despite publicly expressing his affection for Shirasaki, was equally frustrating and confusing at times.
Honestly, individually both characters were well-acted and had potential, but together they seemed "too similar", creating a somewhat repelling dynamic.

The finale was sweet. I was glad finally one of them decided to break the ice and be brave!
The intimate scene was shot to utter perfection! *_*
I liked how Shirasaki became a bit too bold and brave after the confession. Honestly, it was a treat to watch him happy. Lol.
I wish this could have happened in one or two episodes prior so that the ending wouldn't feel rushed (They didn't even sit for the coffee! That rushed xD) and we at least could get a deeper exploration of them being in a relationship for more than 10 minutes!!
Talking about the standout scenes, The Gnocchi-making scene tops the hall of fame!! It was sensual and kept PG-13. (WOW!)

The acting by both the leads was another positive for this drama. I found it simple and sincere. They did their best with what was given to them!

In conclusion, If you ride and thrive on angst, frustration and introspective inner monologues, I would recommend this!
I could have rated it higher if I had binge-watched it!

Overall, 7.7/10!

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Acting, even in front of you

The pacing of this drama was a near-masterclass, at least to me. With an exciting lead-in, the MLs' relationship seemed to move at break-neck speed (on the surface) but was full of reflection, fear, and carefully said words. Many might disagree, but I found the flashback episodes a perfect "interruption" to dive deeper into both their current mentalities and past states, which put actions taken when they met again into a whole new light. I felt excited seeing everything laid out and awaiting their next interaction, armed with all the new information presented to me. In particular, I loved the execution of Asami's story.

Final note: I must say, the love scene? Felt like I was watching living, breathing art comprised of two people brimming over with feelings, desperately needing and reaching for each other, physically connecting, all while begging with their eyes, "Please, stay. Please, be here with me." Take notes, other dramas! Take notes!

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hard to judge because it has it's lengths

The best thing the show did, was not starting with a sex scene as the manga did.
What was frustrating was the lack of communication overall, but especially on Asamis part. He was in love for years and still can't communicate properly when he has the chance. Of course, if both are in love they don't really need words to convey their feelings, but if the partner is inexperienced, shy and never experieced love in his life, it would help tremendously. They should have shown Asamis reason to love Yuki in Episode 2 also much earlier to give the viewers more to work with and to better understand him, I think to do that in episode 7 was a bit late.

Besides that, the series was beautifully crafted, cinematography was great and they tried to be sensual all over. The mellow pace was not a negative for me per se, but the series draged on a bit. Even with this flaws the MLs did act a wonderful job and only failed with the kissing scenes which was a bit disappointing.

So in summary a good show with some flaws but enjoyable to watch.

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When actors confuse their character's desire with their own

The meaning behind the title of J-BL At 25:00 in Akasaka remains obscure (to me, at least), but the series itself delivers solid, if unspectacular, BL entertainment. Among the recycled tropes deployed here are secret crush, fake relationship, failure to communicate, BL-within-the-BL, and flirtatious co-workers who create misunderstandings between the lead characters. While none of those concepts suggest originality, the mixing and matching of these shopworn tropes imbues the series with a degree of freshness sufficient to elevate the final product. Building the series more around character psychology than story action likely blunted the potential “seen this” reaction from viewers, who get caught up instead in understanding the lead characters. They are compelling enough to hold our attention. Akasaka also offers yet another iteration of the “wannabe actor/singer/idol breaking into show business” plot. This version of that overused trope arrives complete with a full-scale BL series in which our lead characters have been cast as the romantic leads. This BL-within-the-BL is used to great effectiveness because it is grounded in the realism of “show business as job” rather than the histrionics of “show business as glamor.” A sprightly start in the first several episodes and a finale that pays off viewers’ patience with sweet couple moments bookend several middle episodes that laboriously ponder along in circles. The series may not linger long in anyone’s memory, but its strengths surely warrant watching.

Shirasaki Yuki is an aspiring actor who lands his first major role in a forthcoming TV series adapting a BL manga. To his surprise, his co-star turns out to be onetime acquaintance Hayama Asami, now transitioning into acting after attaining fame and wealth as a model. Shirasaki begins the series intimidated to be paired opposite someone who has already achieved noteworthy professional success, albeit in a different field. Despite overlapping at the same university, with Shirasaki two years younger, the two are essentially strangers. Astute observers of Shirasaki's mannerisms will, as early as the premiere episode, suspect that that version of events may not be entirely true, but Shirasaki does not number among the astute. His lack of professional experience engenders such feelings of inadequacy that the character grapples with Imposter Syndrome for nearly the full ten episodes. He mopes his way through much of the series as he grapples with those feelings. (For someone who has supposedly just earned his big professional break, all this moping seems excessive.) Meanwhile, Hayama proves almost as depressive as he struggles to balance his prior romanticization of student-Shirasaki against the novice actor in front of him. When Shirasaki confesses that his own absence of any romantic history leaves him unsure how to approach the portrayal of his character, Hayama proposes the two spend quality time together in a “fake” relationship. This attempt to “get into character” lets the series depict Shirasaki and Hayama in numerous couple situations that will also come up in the rom-com story they are playing in. Later, Shirasaki will grapple with the confusion of whether a growing attachment to Hayama is real or is merely a reflection of his character’s attraction to Hayama’s character.

In place of a proper side couple, Akasaka has the two characters in the faux-BL, portrayed by Shirasaki and Hayama. These avatars of the “real” characters become a pseudo-side couple because many scenes for the drama-within-the-drama are staged for our benefit. We either witness the production on set or we join Shirasaki and Hayama as they watch their scenes back during the TV broadcast. As our leads struggle to articulate their connection to one another, the process of rehearsing and performing for the TV series sheds insight into their growing bond. Two fellow actors in the TV show also contribute to the character development. Sakuma Hajime is the most veteran actor in the troupe, and he offers insight into the craft of acting and the price of celebrity. He functions to make the main characters think even more about the way actors root performance in their own emotional intelligence. Joining the company of actors halfway through, Yamase Kazumo plays a love rival in the fake series. Ditto, for the real actors. Yamase’s flirtatious interactions with Shirasaki, both on- and off-camera, stir jealousy in Hayama. His behind-the-scenes attentiveness further discombobulates Shirasaki, who can scarcely process his burgeoning attraction to one co-star. The new character's casual, off-hand approach to sex contrasted sharply with Shirasaki and Hayama, each of whom seemed to overthink everything. The scenes featuring Yamase injected a jolt of energy into some of the series’ more languid episodes, rescuing many scenes from lapsing into the somnolent. The presence of Yamase provides another example of the series using the fictious TV production to both mirror the main story and to amplify its emotional beats.

At 25:00 in Akasaka does far more character building than the typical BL series. While this approach also accounts for the slow-burn to the Shirasaki-Hayama pairing, viewers who enjoy a studied character psychology in their dramas will appreciate the result. Likewise, the worldbuilding is fully realized, with the show-within-the-show attaining a more prominent function within the plot than any other such series since Lovely Writer. Where that series played with the connection between an author’s emotional state and the worlds he creates on paper, this series plays with the connection of actors creating their performance. Both stories succeed in creating a meta-narrative that not all shows-within-a-show manage to pull off. Ultimately, the series is too slow-slow burn for greatness. It wears its thoughtfulness like a burden. The middle episodes, in particular, prove circular and slow. Akasaka narrowly falls short of this genre's elite series; yet, it surely numbers among the many, many BL series that deliver solid entertainment and the satisfaction we BL fans all feel when two young men—finally!—recognizing they like one another.

Note: each episode includes a brief tag following the credits and “scenes from the next episode.” Some merely replay a significant moment from earlier, while a handful offer a new interpretation of that prior scene. The scene chosen for the finale episode proved an especially well-chosen final view of our lead characters.

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Good chemistry, cute couple but slower pace in the second half

“25 Ji, Akasaka de” is a 10-episode drama that I think could have been shorter. The first half of the drama is fun. It was great watching two people who are clearly attracted to each other play fake boyfriend/boyfriend. The chemistry is great and their scenes together are sweet and cute. However, in the second half, the pace slows down, especially when the misunderstanding happens. Not a whole lot happened.

The acting is pretty good and not overly dramatic. Komagine Kiita is attractive enough for me to believe that Hayama Asami is a very popular idol. Initially, I thought Shirasaki Yuki is just another passive and shy male lead (similar to Adachi in “Cherry Magic” or Hira in “Utsukushii Kare”). I am pleasantly surprised that though shy, Shiaraski does speak up and take initiative to pursue what he wants. He’s not as passive as I feared. The earlier kisses were meh but the last ones are a little better and their intimate scene was sexy and sensual.

I enjoyed the ending. The scene of Hayama Asami chasing after Shiaraski Yuki, worrying he did something wrong after their night together, was sweet and satisfying. I finally see some emotions from him, and he’s not holding back in expressing his feelings. Finally!! It did take 10 episodes for that to happen.

This is a sweet, nice watch, especially if you like faking relationships (though this one is not that fake) and the guessing-if-he-likes-me trope.

Completed: 6/22/2024 - Review #453

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Such a refreshing story

I loved it!

I loved the trope already with BL drama no Shuen ni narimashita, but I was left disapointed from the lack of proximity between the mains.
This drama goes exactly like I would have imagined the trope to carry on, but still in some surprising ways that got me hooked each episode. The slow burn was on point, the ending was so satisfying and their proximity at the end was awesome.

Here are a few things I specifically liked:
-The romance (obviously lol): I often find JBLs annoying for dragging us through never ending conversations rather than actual actions, and a lot of time they promise each other the moon before even having their first kiss which feels very childish. Here, the romance feels much more real. They cannot tell each other feeling's but they constantly make moves on each other, and they just go with the flow rather than making long confessions with tones of promises.
-Hayama. Although I would have liked to see the more sensible or goofy side of him, I found his quietness endearing. I wouldn't be able to tell why him specifically, when I usually dislike characters that act like Christian Gray (like takashi in Love is better the second time around), but there is something in his character that just makes me want to hug him.
-The music was super nice and recognisable, which is not very common in JBLs.

Here are some stuff I didn't like:
-Shirazaki: Nothing wrong with his character, although he was pretty cliché, but something about his posture and expressions bothered me and made some scenes awkward.
-Sakuma was a pretty nice character and I wish we'd see more of him. Maybe in season 2? if there will be any.
-Sooo many clichés and other stuff we've seen a hundred times in Japanese romance. The main's insecurity, the lack of communication, the hug before the kiss, the top being in love first, the super stiff first kiss, etc... But I guess it's ok because contributes to making it a comfort show.

Overall, I loved this show and I'm sure a lot of people will enjoy it too!

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plain boring

I personally dont have anything against "weird" japanese dramas, since this seems to be their trademark... In fact, i kinda embrace weird things! BUT - and here comes a big BUT - japanese dramas lately seem to be weird the wrong way! Like, weirdly boring, or weirdly poor script, or something like that. I feel quite frustrated abt that - since you decided to be different, just do it bravely! So, this RECENT release doesnt seem to add much to the drama-landscape, but its not that bad either. I hesitate calling it mediocre, though im afraid thats just the word to describe it. I mean, you bring up an asexual guy, then he turns out to be gay... but no reflection or self-awareness at all? Are we earthworms? Our two protagonists hug each other to sleep, but they have trouble holding hands or something? Also, everybody is an impersonation of weird - weird hairdo, weird social skills, weird career path etc. I honestly suspect they try to impose on me some weird beauty standards.
It's also mostly filmed indoors, totally low-budget. Not much here relatable to real life. The director should stick to commercials or manga.
My sad conclusion is: in Japan, people are prisoners. Am i right or wrong? If im wrong, its totally not my fault, since this work conveys to me this message.
Watch it as an alternative to older japanese dramas...

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