Smuggler (2023)

A smuggling story about betrayal, friendship, and justice

As the title goes, it's a story about smuggling. But more so, it's a story about betrayal, friendship, and justice. The story was well-written and some scenes can be improved but all in all, I can say this is a good watch. Could have been better but definitely not a waste of your time.

Around 30-40 minutes into the movie, I was ready to quit watching. But I can't believe that an all-star-cast will just have a nonsense movie. So I persevered. Around 20-30 minutes after the hour, it gets exciting. As the American saying goes, now we're cooking gas lol. It might be a slow start but it really gave a satisfying ending. We already know that the cast are high-caliber actors and actresses so their performance is to a T. The story is well-made. The first part was a bit slow but it might have been caused by poor English subtitles as well. Good thing I know a Korean or two so I was able to persevere lol.

The slow start also made me not expect any big twists. But fortunately it did. And surprisingly, things turned out really well. The diving scenes were really majestic. And the fighting scenes are good. What more can you expect from Zo In Sung? Though I wished they had made more fighting scenes.

My wish now is to see Yeom Jung Ah and Zo In Sung work together in a project where they interact more, which, unfortunately, this film didn't give.

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A group of women outsmarting corrupt men.

Smugglers is like Ocean’s 8 minus the grand heist. This female-powered action adventure is not really about smugglers but more about how ordinary people found ways to make and share the profit from the illegal activities. It also realistically shows a number of smuggling-related aspects, such as repackaging and corrupt customs officials.

The film is not without flaws, but good character development brings so much more to the table. Kim Hye Soo never disappoints, no matter what character she plays, and pairing up with Yum Jung-ah elevated this movie into something more than simply an action drama. It draws stronger feelings of sisterhood and emotion. Zo In-sung gives his best as a corrupt police officer that you love to hate. In my opinion, the star of this movie is Go Min-Si. Despite being a supporting role, her character really stood out in helping carry the story.

The plots are not very complicated. With one or two twists that are constructed around allegiances and betrayal, they manage to make the audience gasp and anticipate more. The story develops well, with a good balance between comedy, drama, and action. I like that the comedy was well placed and not overdone, and the switch in tone doesn’t make the story look too weird. Kudos to the props team for recreating the unique 70s vibe. The attention to detail never failed to impress me.

All in all, it’s an entertaining movie, and it's always nice to see women outsmarting corrupt men.

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》Aquatic crime-action epic《

This year’s festival provided a refreshing plethora of non-English language films for TIFF-goers to flock to. Another big film for South Korea this year’s fest premiered at TIFF 2023 to an ecstatic and enthusiastic crowd, all gathered to see the red carpet talent and experience the North American premiere of “Smugglers,” a film by director Ryoo Seung-wan. Written by the director and co-writers Kim Jung-youn and Choi Cha-won, they construct a twisty heist tale brimming with action and women empowerment that is more than a joy to witness. The film has been marketed as an “aquatic crime-action epic,” and that description just about sums up this delightful surprise the best anyone could.

Ryoo Seung-wan is masterful in his direction at balancing comedic moments with an overarching theme of women empowerment in this exciting, tense, triumphant adventure flick. His characters have impeccable comedic timing with quick quips or long-winded jokes. Still, he’s able to flip the switch and bring back the heart-pounding intricate action scenes or intense interrogation moments. The underwater antics are more than impressive, with much of the film involving his characters holding their breaths and swimming, fighting, or working underwater. Despite this added element of difficulty, both Ryoo Seung-wan and the teamwork with his noble cast make them able to pull these stunts off effortlessly. His “Smugglers” is a refreshing new addition to the action-crime-drama genre, and with his focus on female leads, female empowerment, and female ‘badassery,’ he knocks it out of the park.

The performances by the entire ensemble are a joy to witness, from depictions of the ultra-talented haenyeo women and powerful teahouse ladies to cartoonish crime-lord villains with impeccable fighting techniques. Kim Hye-soo and Yum Jung-ah have a phenomenal and believable on-screen relationship as former best friends, both before and after the fallout their characters go through. They depict stubborn yet clever individuals who will each do anything to get ahead of the opponent, and watching their antics play out is extremely enjoyable. Go Min-si portrays a seemingly mousey and quiet teahouse girl, Go ok-bun, who we witness go through a satisfying character arc from beginning to end. There’s also the three men — head honcho Kwon, the hoodlum Do-ri (Park Jeong-min), and the officer Jang-chun (Kim Jong-soo), who all give entertaining, intentionally cartoonish performances in which they fully commit to their roles. So when the women decide to turn all three men against each other for their own benefit, well, it’s as hilarious as it is satisfying.

“Smugglers,” being set in the 1970s, is also an absolute treat to the senses. From colorful costumes, immersive set pieces, and a funky score, the audience is plunged just as much into the depths of the Kunchon region’s sea as they are into the aesthetic of the time period. There are Farah Fawcett wigs galore, groovy pucci print clothes with more than enough bellbottoms, polyester pantsuits, and wide-collared blouses to go around. Ryoo Seung-wan even edits a fun, celebratory post-heist shopping spree segment with the ladies in split screens, loud colors, and complete with the music of the era, and it’s more than enjoyable to witness. Composer Chang Ki-ha’s immersive score fits in well to compliment the flashiness and fun on-screen, aiding in the delight and antics. This juxtaposition of the 1970s era with its very modern theme and message of women empowerment and leadership is a satisfying mix, lending to the level of gratification one may feel at the end of experiencing this film.

“Smugglers” is a refreshing combination of classic crime, heist, and adventure film tropes with a mix of 1970s influences and modern themes. His characters are intriguing and easy to root for or against, as they are portrayed fabulously by the attractive and personable cast. The writing is fun and funky, even involving double and quintuple crossing that occurs, causing the director to take us back in time to relive scenes from new perspectives, challenging the audience on what they thought they knew. The groovy aesthetic is addictive as it is immersive, and both the above surface and underwater action sequences are a high-energy delight. It’s nearly impossible not to have an enjoyable time with “Smugglers,” so it’s fair to say Ryoo Seung-wan hit the nail on the head with this one.

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Smuggling is not for everybody

Another one of those Korean films that is impossible to place in a specific genre. The atmosphere is a comedy, and the plot is a thriller, with elements of action, drama, and adventure. The film is at times casual and relaxed, and at times bloody brutal, as if I am watching two movies at the same time. In my opinion, the comedic elements are misused and prevent the viewer from enjoying the seriousness, tension and twists in the plot. The plot has a lot of twists and turns and thus constantly makes the movie more and more interesting.

The actors are very good and special praise and respect should be given to the female actors and stuntmen who spent a large part of the film diving underwater.

I also really like the choice of music. At times, the musical numbers seem forced as if they were selected on a jukebox, but I'll forgive that because I like the style of the music and even wish there was more of it. Actually, now after the movie I'm going to listen to some Korean trot and evergreens from the golden seventies.
And yes, one spoiler, at the end I even noticed some dolphins ?

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