Eerie (2019)

I'll keep this review pretty short, but honestly this film surprises me. Whilst it's not amazing in any form, coming in for me at a 6 out of 10, I found myself intrigued throughout the film.

Japanese and Korean horror, the two powerhouses of Asian horror, often feed through the same ideas consistently throughout their media but this Filo horror feels very. Different.

This is very regional, almost very proud that it comes from the Phillippines and it catches my attention. I've seen another Filo film (Aurora, Yars Lamaras, 2018) which was also a 6/10, but both movies really caught my eye and made me sit still. They demand my attention in a way that I haven't really experienced before. Their plots are hauntingly and devastatingly beautiful to a degree I have not known in horror.

If you haven't come across Filo horror before, I recommend giving this a try to ease yourself into it (after all, every country has its own format of horror and its something one must get used to as they delve into it to truly appreciate).

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I enjoyed watching Eerie because every scene presents classic and stunning visuals. This reminds me of director Mikhail Red’s work in Birdshot (2016). It’s so well-crafted that it doesn’t matter if it’s a day or night shot. Every element you see on screen is a feast for the eyes. That as well as the actors.

Bea Alonzo, who is known for romance and drama genres showed off her versatility in Eerie. Charo Santos-Concio, on the other hand, has an incredible screen presence. Whenever she’s there, I wanted to run and hide or just go to class. Or, pray that I’m not in her class. Anyway, they both shined in Eerie and I honestly want to see them together in this type of film again.

Now for the story. They touched many other topics – bullying, corporal punishment, education system, and domestic violence to name a few. I honestly think touching certain topics outside the supernatural can be beneficial. It can make the story more interesting and deep; however, they could have just picked a few that would support the original structure. Then they can delve into those deeply so the audience has something even more solid to hold onto.

I say this because I only remember how beautiful the film was and how great the actors were. I am a fan of such storyline but I have yet to see the perfect one. Judging by Birdshot and his latest projects, I think director Mikhail Red will soon present it. This is after all his first foray into the horror genre.

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